Character and Opinion in the United States, George Santayana [book club books .TXT] 📗

About the middle of the nineteenth century, in the quiet sunshine of provincial prosperity, New England had an Indian summer of the mind; and an agreeable reflective literature showed how brilliant that russet and yellow season could be. There were poets, historians, orators, preachers, most of whom had studied foreign literatures and had travelled; they demurely kept up with the times; they were universal humanists. But it was all a harvest of leaves; these worthies had an expurgated and barren conception of life; theirs was the purity of sweet old age. Sometimes they made attempts to rejuvenate their minds by broaching native subjects; they wished to prove how much matter for poetry the new world supplied, and they wrote “Rip van Winkle,” “Hiawatha,” or “Evangeline”; but the inspiration did not seem much more American than that of Swift or Ossian or Châteaubriand. These cultivated writers lacked native roots and fresh sap because the American intellect itself lacked them. Their culture was half a pious survival, half an intentional acquirement; it was not the inevitable flowering of a fresh experience. Later there have been admirable analytic novelists who have depicted American life as it is, but rather bitterly, rather sadly; as if the joy and the illusion of it did not inspire them, but only an abstract interest in their own art. If any one, like Walt Whitman, penetrated to the feelings and images which the American scene was able to breed out of itself, and filled them with a frank and broad afflatus of his own, there is no doubt that he misrepresented the conscious minds of cultivated Americans; in them the head as yet did not belong to the trunk.

Nevertheless, belles-lettres in the United States—which after all stretch beyond New England—have always had two points of contact with the great national experiment. One point of contact has been oratory, with that sort of poetry, patriotic, religious, or moral, which has the function of oratory. Eloquence is a republican art, as conversation is an aristocratic one. By eloquence at public meetings and dinners, in the pulpit or in the press, the impulses of the community could be brought to expression; consecrated maxims could be reapplied; the whole latent manliness and shrewdness of the nation could be mobilised. In the form of oratory reflection, rising out of the problems of action, could be turned to guide or to sanction action, and sometimes could attain, in so doing, a notable elevation of thought. Although Americans, and many other people, usually say that thought is for the sake of action, it has evidently been in these high moments, when action became incandescent in thought, that they have been most truly alive, intensively most active, and although doing nothing, have found at last that their existence was worth while. Reflection is itself a turn, and the top turn, given to life. Here is the second point at which literature in America has fused with the activities of the nation: it has paused to enjoy them. Every animal has his festive and ceremonious moments, when he poses or plumes himself or thinks; sometimes he even sings and flies aloft in a sort of ecstasy. Somewhat in the same way, when reflection in man becomes dominant, it may become passionate; it may create religion or philosophy—adventures often more thrilling than the humdrum experience they are supposed to interrupt.

This pure flame of mind is nothing new, superadded, or alien in America. It is notorious how metaphysical was the passion that drove the Puritans to those shores; they went there in the hope of living more perfectly in the spirit. And their pilgrim’s progress was not finished when they had founded their churches in the wilderness; an endless migration of the mind was still before them, a flight from those new idols and servitudes which prosperity involves, and the eternal lure of spiritual freedom and truth. The moral world always contains undiscovered or thinly peopled continents open to those who are more attached to what might or should be than to what already is. Americans are eminently prophets; they apply morals to public affairs; they are impatient and enthusiastic. Their judgements have highly speculative implications, which they often make explicit; they are men with principles, and fond of stating them. Moreover, they have an intense self-reliance; to exercise private judgement is not only a habit with them but a conscious duty. Not seldom personal conversions and mystical experiences throw their ingrained faith into novel forms, which may be very bold and radical. They are traditionally exercised about religion, and adrift on the subject more than any other people on earth; and if religion is a dreaming philosophy, and philosophy a waking religion, a people so wide awake and so religious as the old Yankees ought certainly to have been rich in philosophers.

In fact, philosophy in the good old sense of curiosity about the nature of things, with readiness to make the best of them, has not been absent from the practice of Americans or from their humorous moods; their humour and shrewdness are sly comments on the shortcomings of some polite convention that everybody accepts tacitly, yet feels to be insecure and contrary to the principles on which life is actually carried on. Nevertheless, with the shyness which simple competence often shows in the presence of conventional shams, these wits have not taken their native wisdom very seriously. They have not had the leisure nor the intellectual scope to think out and defend the implications of their homely perceptions. Their fresh insight has been whispered in parentheses and asides; it has been humbly banished, in alarm, from their solemn moments. What people have respected have been rather scraps of official philosophy, or entire systems, which they have inherited or imported, as they have respected operas and art museums. To be on speaking terms with these fine things was a part of social respectability, like having family silver. High thoughts must be at hand, like those candlesticks, probably candleless, sometimes displayed as a seemly ornament in a room blazing with electric light. Even in William James, spontaneous and stimulating as he was, a certain underlying discomfort was discernible; he had come out into the open, into what should have been the sunshine, but the vast shadow of the temple still stood between him and the sun. He was worried about what ought to be believed and the awful deprivations of disbelieving. What he called the cynical view of anything had first to be brushed aside, without stopping to consider whether it was not the