readenglishbook.com » Essay » Character and Opinion in the United States, George Santayana [book club books .TXT] 📗

Book online «Character and Opinion in the United States, George Santayana [book club books .TXT] 📗». Author George Santayana



1 ... 12 13 14 15 16 17 18 19 20 21
Go to page:
its virtues and consolations; but both systems presuppose the universality of a type of human nature which is not English, and perhaps not human.

The great advantage of English liberty is that it is in harmony with the nature of things; and when living beings have managed to adapt their habits to the nature of things, they have entered the path of health and wisdom. No doubt the living will is essentially absolute, both at the top and at the bottom, in the ferocious animal and in the rapt spirit; but it is absolute even then only in its deliverance, in what it asserts or demands; nothing can be less absolute or more precarious than the living will in its existence. A living will is the flexible voice of a thousand submerged impulses, of which now one and now another comes to the surface; it is responsive, without knowing it, to a complex forgotten past and a changing, unexplored environment. The will is a mass of passions; when it sets up absolute claims it is both tragic and ridiculous. It may be ready to be a martyr, but it will have to be one. Martyrs are heroic; but unless they have the nature of things on their side and their cause can be victorious, their heroism is like that of criminals and madmen, interesting dramatically but morally detestable. Madmen and criminals, like other martyrs, appeal to the popular imagination, because in each of us there is a little absolute will, or a colony of little absolute wills, aching to be criminal, mad, and heroic. Yet the equilibrium by which we exist if we are sane, and which we call reason, keeps these rebellious dreams under; if they run wild, we are lost. Reason is a harmony; and it has been reputed by egotistical philosophers to rule the world (in which unreason of every sort is fundamental and rampant), because when harmony between men and nature supervenes at any place or in any measure, the world becomes intelligible and safe, and philosophers are able to live in it. The passions, even in a rational society, remain the elements of life, but under mutual control, and the life of reason, like English liberty, is a perpetual compromise. Absolute liberty, on the contrary, is impracticable; it is a foolish challenge thrown by a new-born insect buzzing against the universe; it is incompatible with more than one pulse of life. All the declarations of independence in the world will not render anybody really independent. You may disregard your environment, you cannot escape it; and your disregard of it will bring you moral empoverishment and some day unpleasant surprises. Even Robinson Crusoe—whom offended America once tried to imitate—lived on what he had saved from the wreck, on footprints and distant hopes. Liberty to be left alone, not interfered with and not helped, is not English liberty. It is the primeval desire of every wild animal or barbarous tribe or jealous city or religion, claiming to live and to tramp through the world in its own sweet way. These combative organisms, however, have only such strength as the opposite principle of co-operation lends them inwardly; and the more liberty they assume in foreign affairs the less liberty their members can enjoy at home. At home they must then have organisation at all costs, like ancient Sparta and modern Germany; and even if the restraints so imposed are not irksome and there is spontaneous unison and enthusiasm in the people, the basis of such a local harmony will soon prove too narrow. Nations and religions will run up against one another, against change, against science, against all the realities they had never reckoned with; and more or less painfully they will dissolve. And it will not be a normal and fruitful dissolution, like that of a man who leaves children and heirs. It will be the end of that evolution, the choking of that ideal in the sand.

This collapse of fierce liberty is no ordinary mutation, such as time brings sooner or later to everything that exists, when the circumstances that sustained it in being no longer prevail. It is a deep tragedy, because the narrower passions and swifter harmonies are more beautiful and perfect than the chaos or the dull broad equilibrium that may take their place. Co-operative life is reasonable and long-winded; but it always remains imperfect itself, while it somewhat smothers the impulses that enter into it. Absolute liberty created these elements; inspiration, free intelligence, uncompromising conviction, a particular home and breeding-ground, were requisite to give them birth. Nothing good could arise for co-operation to diffuse or to qualify unless first there had been complete liberty for the artist and an uncontaminated perfection in his work. Reason and the principle of English liberty have no creative afflatus; they presuppose spontaneity and yet they half stifle it; and they can rest in no form of perfection, because they must remain plastic and continually invite amendments, in order to continue broadly adjusted to an infinite moving world. Their work is accordingly like those cathedrals at which many successive ages have laboured, each in its own style. We may regret, sometimes, that some one design could not have been carried out in its purity, and yet all these secular accretions have a wonderful eloquence; a common piety and love of beauty have inspired them; age has fused them and softened their incongruities; and an inexpressible magic seems to hang about the composite pile, as if God and man breathed deeply within it. It is a harmony woven out of accidents, like every work of time and nature, and all the more profound and fertile because no mind could ever have designed it. Some such natural structure, formed and reformed by circumstances, is the requisite matrix and home for every moral being.

Accordingly there seems to have been sober sense and even severe thought behind the rant of Webster when he cried, “Liberty and Union, now and for ever, one and inseparable!” because if for the sake of liberty you abandon union and resist a mutual adaptation of purposes which might cripple each of them, your liberty loses its massiveness, its plasticity, its power to survive change; it ceases to be tentative and human in order to become animal and absolute. Nature must always produce little irresponsible passions that will try to rule her, but she can never crown any one of them with more than a theatrical success; the wrecks of absolute empires, communisms, and religions are there to prove it. But English liberty, because it is co-operative, because it calls only for a partial and shifting unanimity among living men, may last indefinitely, and can enlist every reasonable man and nation in its service. This is the best heritage of America, richer than its virgin continents, which it draws from the temperate and manly spirit of England. Certainly absolute freedom would be more beautiful if we were birds or poets; but co-operation and a loving sacrifice of a part of ourselves—or even of the whole, save the love in us—are beautiful too, if we are men living together. Absolute liberty and English liberty are incompatible, and mankind must make a painful and a brave choice between them. The necessity of rejecting and destroying some things that are beautiful is the deepest curse of existence.

THE END

Printed in Great Britain by R. & R. Clark, Limited, Edinburgh.

*** END OF THIS PROJECT GUTENBERG EBOOK CHARACTER AND OPINION IN THE UNITED STATES ***

A Word from Project Gutenberg

We will update this book if we find any errors.

This book can be found under: http://www.gutenberg.org/ebooks/34654

Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the Project Gutenberg™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away – you may do practically anything with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.

The Full Project Gutenberg License

Please read this before you distribute or use this work.

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at http://www.gutenberg.org/license.

Section 1. General Terms of Use & Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org

1.E.2. If an individual Project Gutenberg™ electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of

1 ... 12 13 14 15 16 17 18 19 20 21
Go to page:

Free e-book «Character and Opinion in the United States, George Santayana [book club books .TXT] 📗» - read online now

Comments (0)

There are no comments yet. You can be the first!
Add a comment