Fifty-One Tales, Lord Dunsany [best ebook reader for pc TXT] 📗

it?" replied the black one.

"Pigeon," the brown one answered. "He came back all dirty. And Hare went down to the edge of the cities once. He says it too. Man was too sick to chase him. He thinks that Man will die, and his wicked friend Dog with him. Dog, he will die. That nasty fellow Dog. He will die too, the dirty fellow!"

"Pigeon and Hare!" said the black one. "We shall not lose furrow-maker."

"Who told you he will not die?" his brown friend said.

"Who told me!" the black one said. "My family and his have understood each other times out of mind. We know what follies will kill each other and what each may survive, and I say that furrow-maker will not die."

"He will die," said the brown one.

"Caw," said the other.

And Man said in his heart: "Just one invention more. There is something I want to do with petrol yet, and then I will give it all up and go back to the woods."

LOBSTER SALAD

I was climbing round the perilous outside of the Palace of Colquonhombros. So far below me that in the tranquil twilight and clear air of those lands I could only barely see them lay the craggy tops of the mountains.

It was along no battlements or terrace edge I was climbing, but on the sheer face of the wall itself, getting what foothold I could where the boulders joined.

Had my feet been bare I was done, but though I was in my night-shirt I had on stout leather boots, and their edges somehow held in those narrow cracks. My fingers and wrists were aching.

Had it been possible to stop for a moment I might have been lured to give a second look at the fearful peaks of the mountains down there in the twilight, and this must have been fatal.

That the thing was all a dream is beside the point. We have fallen in dreams before, but it is well known that if in one of those falls you ever hit the ground—you die: I had looked at those menacing mountaintops and knew well that such a fall as the one I feared must have such a termination. Then I went on.

It is strange what different sensations there can be in different boulders—every one gleaming with the same white light and every one chosen to match the rest by minions of ancient kings—when your life depends on the edges of every one you come to. Those edges seemed strangely different. It was of no avail to overcome the terror of one, for the next would give you a hold in quite a different way or hand you over to death in a different manner. Some were too sharp to hold and some too flush with the wall, those whose hold was the best crumbled the soonest; each rock had its different terror: and then there were those things that followed behind me.

And at last I came to a breach made long ago by earthquake, lightning or war: I should have had to go down a thousand feet to get round it and they would come up with me while I was doing that, for certain sable apes that I have not mentioned as yet, things that had tigerish teeth and were born and bred on that wall, had pursued me all the evening. In any case I could have gone no farther, nor did I know what the king would do along whose wall I was climbing. It was time to drop and be done with it or stop and await those apes.

And then it was that I remembered a pin, thrown carelessly down out of an evening-tie in another world to the one where grew that glittering wall, and lying now if no evil chance had removed it on a chest of drawers by my bed. The apes were very close, and hurrying, for they knew my fingers were slipping, and the cruel peaks of those infernal mountains seemed surer of me than the apes. I reached out with a desperate effort of will towards where the pin lay on the chest of drawers. I groped about. I found it! I ran it into my arm. Saved!

THE RETURN OF THE EXILES

The old man with a hammer and the one-eyed man with a spear were seated by the roadside talking as I came up the hill.

"It isn't as though they hadn't asked us," the one with the hammer said.

"There ain't no more than twenty as knows about it," said the other.

"Twenty's twenty," said the first.

"After all these years," said the one-eyed man with the spear. "After all these years. We might go back just once."

"O' course we might," said the other.

Their clothes were old even for laborers, the one with the hammer had a leather apron full of holes and blackened, and their hands looked like leather. But whatever they were they were English, and this was pleasant to see after all the motors that had passed me that day with their burden of mixed and doubtful nationalities.

When they saw me the one with the hammer touched his greasy cap.

"Might we make so bold, sir," he said, "as the ask the way to
Stonehenge?"

"We never ought to go," mumbled the other plaintively. "There's not more than twenty as knows, but…."

I was bicycling there myself to see the place so I pointed out the way and rode on at once, for there was something so utterly servile about them both that I did not care for their company. They seemed by their wretched mien to have been persecuted or utterly neglected for many years, I thought that very likely they had done long terms of penal servitude.

When I came to Stonehenge I saw a group of about a score of men standing among the stones. They asked me with some solemnity if I was expecting anyone, and when I said No they spoke to me no more. It was three miles back where I left those strange old men, but I had not been in the stone circle long when they appeared, coming with great strides along the road. When they saw them all the people took off their hats and acted very strangely, and I saw that they had a goat which they led up then to the old altar stone. And the two old men came up with their hammer and spear and began apologizing plaintively for the liberty they had taken in coming back to that place, and all the people knelt on the grass before them. And then still kneeling they killed the goat by the altar, and when the two old men saw this they came up with many excuses and eagerly sniffed the blood. And at first this made them happy. But soon the one with the spear began to whimper. "It used to be men," he lamented. "It used to be men."

And the twenty men began looking uneasily at each other, and the plaint of the one-eyed man went on in that tearful voice, and all of a sudden they all looked at me. I do not know who the two old men were or what any of them were doing, but there are moments when it is clearly time to go, and I left them there and then. And just as I got up on to my bicycle I heard the plaintive voice of the one with the hammer apologizing for the liberty he had taken in coming back to Stonehenge.

"But after all these years," I heard him crying, "After all these years…."

And the one with the spear said: "Yes, after three thousand years…."

NATURE AND TIME

Through the streets of Coventry one winter's night strode a triumphant spirit. Behind him stooping, unkempt, utterly ragged, wearing the clothes and look that outcasts have, whining, weeping, reproaching, an ill-used spirit tried to keep pace with him. Continually she plucked him by the sleeve and cried out to him as she panted after and he strode resolute on.

It was a bitter night, yet it did not seem to be the cold that she feared, ill-clad though she was, but the trams and the ugly shops and the glare of the factories, from which she continually winced as she hobbled on, and the pavement hurt her feet.

He that strode on in front seemed to care for nothing, it might be hot or cold, silent or noisy, pavement or open fields, he merely had the air of striding on.

And she caught up and clutched him by the elbow. I heard her speak in her unhappy voice, you scarcely heard it for the noise of the traffic.

"You have forgotten me," she complained to him. "You have forsaken me here."

She pointed to Coventry with a wide wave of her arm and seemed to indicate other cities beyond. And he gruffly told her to keep pace with him and that he did not forsake her. And she went on with her pitiful lamentation.

"My anemones are dead for miles," she said, "all my woods are fallen and still the cities grow. My child Man is unhappy and my other children are dying, and still the cities grow and you have forgotten me!"

And then he turned angrily on her, almost stopping in that stride of his that began when the stars were made.

"When have I ever forgotten you?" he said, "or when forsaken you ever? Did I not throw down Babylon for you? And is not Nineveh gone? Where is Persepolis that troubled you? Where Tarshish and Tyre? And you have said I forget you."

And at this she seemed to take a little comfort. I heard her speak once more, looking wistfully at her companion. "When will the fields come back and the grass for my children?"

"Soon, soon," he said: then they were silent. And he strode away, she limping along behind him, and all the clocks in the towers chimed as he passed.

THE SONG OF THE BLACKBIRD

As the poet passed the thorn-tree the blackbird sang.

"How ever do you do it?" the poet said, for he knew bird language.

"It was like this," said the blackbird. "It really was the most extraordinary thing. I made that song last Spring, it came to me all of a sudden. There was the most beautiful she-blackbird that the world has ever seen. Her eyes were blacker than lakes are at night, her feathers were blacker than the night itself, and nothing was as yellow as her beak; she could fly much faster than the lightning. She was not an ordinary she-blackbird, there has never been any other like her at all. I did not dare go near her because she was so wonderful. One day last Spring when it got warm again—it had been cold, we ate berries, things were quite different then, but Spring came and it got warm—one day I was thinking how wonderful she was and it seemed so extraordinary to think that I should ever have seen her, the only really wonderful she-blackbird in the world, that I opened my beak to give a shout, and then this song came, and there had never been anything like it before, and luckily I remembered it, the very song that I sang just now. But what is so extraordinary, the most amazing occurence of that marvellous day, was that no sooner had I sung the song than that very bird, the most wonderful she-blackbird in the world, flew right up to me and sat quite close to me on the same tree. I never remember such wonderful times as those.

"Yes, the song came in a moment, and as I was saying…."

And an old wanderer walking with a stick came by and the blackbird flew away, and the poet told the old man the blackbird's wonderful story.

"That song new?" said the wanderer. "Not a bit of it. God made it years ago. All the blackbirds used to sing it when I was young. It was new then."

THE MESSENGERS

One wandering nigh Parnassus chasing hares heard the high Muses.

"Take us a message to the Golden Town."

Thus sang the Muses.

But the man said: "They do not call to me. Not to such as me speak the Muses."

And the Muses called him by name.

"Take us a message," they said, "to the Golden Town."

And the man was downcast for he would have