The Lure of the Mask, Harold MacGrath [best beach reads of all time .txt] 📗

CONTENTS


I THE VOICE IN THE FOG

II OBJECT, MATRIMONY

III MADAME ANGOT

IV BLINDFOLDED

V THE MASK

VI INTO THE FOG AGAIN

VII THE TOSS OF A COIN

VIII WHAT MERRIHEW FOUND

IX MRS. SANDFORD WINKS

X CARABINIERI

XI THE CITY IN THE SEA

XII A BOX OF CIGARS

XIII KITTY ASKS QUESTIONS

XIV GREY VEILS

XV MANY NAPOLEONS

XVI O'MALLY SUGGESTS

XVII GIOVANNI

XVIII THE ARIA FROM IL TROVATORE

XIX TWO GENTLEMEN FROM VERONA

XX KITTY DROPS A BANDBOX

XXI AN INVITATION TO A BALL

XXII TANGLES

XXIII THE DÉNOUEMENT

XXIV MEASURE FOR MEASURE

XXV FREE

XXVI THE LETTER

XXVII BELLAGGIO


THE LURE OF THE MASK


CHAPTER I

THE VOICE IN THE FOG


Out of the unromantic night, out of the somber blurring January fog, came a voice lifted in song, a soprano, rich, full and round, young, yet matured, sweet and mysterious as a night-bird's, haunting and elusive as the murmur of the sea in a shell: a lilt from La Fille de Madame Angot, a light opera long since forgotten in New York. Hillard, genuinely astonished, lowered his pipe and listened. To sit dreaming by an open window, even in this unlovely first month of the year, in that grim unhandsome city which boasts of its riches and still accepts with smug content its rows upon rows of ugly architecture, to sit dreaming, then, of red-tiled roofs, of cloud-caressed hills, of terraced vineyards, of cypresses in their dark aloofness, is not out of the natural order of things; but that into this idle and pleasant dream there should enter so divine a voice, living, feeling, pulsing, this was not ordinary at all.

And Hillard was glad that the room was in darkness. He rose eagerly and peered out. But he saw no one. Across the street the arc-lamp burned dimly, like an opal in the matrix, while of architectural outlines not one remained, the fog having kindly obliterated them.

The Voice rose and sank and soared again, drawing nearer and nearer. It was joyous and unrestrained, and there was youth in it, the touch of spring and the breath of flowers. The music was Lecocq's, that is to say, French; but the tongue was of a country which Hillard knew to be the garden of the world. Presently he observed a shadow emerge from the yellow mist, to come within the circle of light, which, faint as it was, limned in against the nothingness beyond the form of a woman. She walked directly under his window.

As the invisible comes suddenly out of the future to assume distinct proportions which either make or mar us, so did this unknown cantatrice come out of the fog that night and enter into Hillard's life, to readjust its ambitions, to divert its aimless course, to give impetus to it, and a directness which hitherto it had not known.

"Ah!"

He leaned over the sill at a perilous angle, the bright coal of his pipe spilling comet-wise to the area-way below. He was only subconscious of having spoken; but this syllable was sufficient to spoil the enchantment. The Voice ceased abruptly, with an odd break. The singer looked up. Possibly her astonishment surpassed even that of her audience. For a few minutes she had forgotten that she was in New York, where romance may be found only in the book-shops; she had forgotten that it was night, a damp and chill forlorn night; she had forgotten the pain in her heart; there had been only a great and irresistible longing to sing.

Though she raised her face, he could distinguish no feature, for the light was behind. However, he was a man who made up his mind quickly. Brunette or blond, beautiful or otherwise, it needed but a moment to find out. Even as this decision was made he was in the upper hall, taking the stairs two at a bound. He ran out into the night, bareheaded. Up the street he saw a flying shadow. Plainly she had anticipated his impulse and the curiosity behind it. Even as he gave chase the shadow melted in the fog, as ice melts in running waters, as flame dissolves in sunshine. She was gone. He cupped his ear with his hand; in vain, there came no sound as of pattering feet; there was nothing but fog and silence.

"Well, if this doesn't beat the Dutch!" he murmured.

He laughed disappointedly. It did not matter that he was three and thirty; he still retained youth enough to feel chagrined at such a trivial defeat. Here had been something like a genuine adventure, and it had slipped like water through his clumsy fingers.

"Deuce take the fog! But for that I'd have caught her."

But reason promptly asked him what he should have done had he caught the singer. Yes, supposing he had, what excuse would he have had to offer? Denial on her part would have been simple, and righteous indignation at being accosted on the street simpler still. He had not seen her face, and doubtless she was aware of this fact. Thus, she would have had all the weapons for defense and he not one for attack. But though reason argued well, it did not dislodge his longing. He would have been perfectly happy to have braved her indignation for a single glance at her face. He walked back, lighting his pipe. Who could she be? What peculiar whimsical freak had sent her singing past his window at one o'clock of the morning? A grand opera singer, returning home from a late supper? But he dismissed this opinion even as he advanced it. He knew something about grand opera singers. They attend late suppers, it is true, but they ride home in luxurious carriages and never risk their golden voices in this careless if romantic fashion. And in New York nobody took the trouble to serenade anybody else, unless paid in advance and armed with a police permit. As for being a comic-opera star, he refused to admit the possibility; and he relegated this well-satisfied constellation to the darks of limbo. He had heard a Voice.

A vast, shadow loomed up in the middle of the street, presently to take upon itself the solid outlines of a policeman who came lumbering over to add or subtract his quota of interest in the affair. Hillard wisely stopped and waited for him, pulling up the collar of his jacket, as he began to note that there was a winter's tang to the fog.

"Hi, what's all this?" the policeman called out roughly.

"To what do you refer?" Hillard counter-questioned, puffing. He slipped his hands into the pockets of his jacket.

"I heard a woman singin', that's what!" explained the guardian of the law.

"So did I."

"Oh, you did, huh?"

"Certainly. It is patent that my ears are as good as yours."

"Huh! See her?"

"For a moment," Hillard admitted.

"Well, we can't have none o' this in the streets. It's disorderly."

"My friend," said Hillard, rather annoyed at the policeman's tone, "you don't think for an instant that I was directing this operetta?"

"Think? Where's your hat?"

Hillard ran his hand over his head. The policeman had him here. "I did not bring it out."

"Too warm and summery; huh? It don't look good. I've been watchin' these parts fer a leddy. They call her Leddy Lightfinger; an' she has some O' the gents done to a pulp when it comes to liftin' jools an' trinkets. Somebody fergits to lock the front door, an' she finds it out. Why did you come out without yer lid?"

"Just forgot it, that's all."

"Which way'd she go?"

"You'll need a map and a search-light. I started to run after her myself. I heard a voice from my window; I saw a woman; I made for the street; niente!"

"Huh?"

"Niente, nothing!"

"Oh! I see; Dago. Seems to me now that this woman was singin' I-taly-an, too." They were nearing the light, and the policeman gazed intently at the hatless young man. "Why, it's Mr. Hillard! I'm surprised. Well, well! Some day I'll run in a bunch o' these chorus leddies, jes' fer a lesson. They git lively at the restaurants over on Broadway, an' thin they raise the dead with their singin', which, often as not, is anythin' but singin'. An' here it is, after one."

"But this was not a chorus lady," replied Hillard, thoughtfully reaching into his vest for a cigar.

"Sure, an' how do you know?" with renewed suspicions.

"The lady had a singing voice."

"Huh! They all think alike about that. But mebbe she wasn't bad at the business. Annyhow...."

"It was rather out of time and place, eh?" helpfully.

"That's about the size of it. This Leddy Lightfinger is a case. She has us all thinkin' on our nights off. Clever an' edjicated, an' jabbers in half a dozen tongues. It's a thousan' to the man who jugs her. But she don't sing; at least, they ain't any report to that effect. Perhaps your leddy was jes' larkin' a bit. But it's got to be stopped."

Hillard passed over the cigar, and the policeman bit off the end, nodding with approval at such foresight. The young man then proffered the coal of his pipe and the policeman took his light therefrom, realizing that after such a peace-offering there was nothing for him to do but move on. Yet on dismal lonesome nights, like this one, it is a godsend and a comfort to hear one's own voice against the darkness. So he lingered.

"Didn't get a peep at her face?"

"Not a single feature. The light was behind her." Hillard tapped one toe and then the other.

"An' how was she dressed?"

"In fog, for all I could see."

"On the level now, didn't you know who she was?" The policeman gave Hillard a sly dig in the ribs with his club.

"On my word!"

"Some swell, mebbe."

"Undoubtedly a lady. That's why it looks odd, why it brought me into the street. She sang in classic Italian. And what's more, for the privilege of hearing that voice again, I should not mind sitting on this cold curb till the milkman comes around in the morning."

"That wouldn't be fer long," laughed the policeman, taking out his watch and holding it close to the end of his cigar. "Twenty minutes after one. Well, I must be gittin' back to me