Vittoria — Volume 6, George Meredith [chrysanthemum read aloud .TXT] 📗

cypresses by invisible giants. A pair of eager-eyed women gazing on a battle-field for the first time could but ask themselves in bewilderment whether the fate of countries were verily settled in such a fashion. Far in the rear, Vittoria and Laura heard the cannon-shots; a sullen dull sound, as of a mallet striking upon rotten timber. They drove at speed. The great thumps became varied by musketry volleys, that were like blocks of rockboulder tumbled in the roll of a mountain torrent. These, then, were the voices of Italy and Austria speaking the devilish tongue of the final alternative. Cannon, rockets, musketry, and now the run of drums, now the ring of bugles, now the tramp of horses, and the field was like a landslip. A joyful bright black death-wine seemed to pour from the bugles all about. The women strained their senses to hear and see; they could realize nothing of a reality so absolute; their feelings were shattered, and crowded over them in patches;—horror, glory, panic, hope, shifted lights within their bosoms. The fascination and repulsion of the image of Force divided them. They feared; they were prostrate; they sprang in praise. The image of Force was god and devil to their souls. They strove to understand why the field was marked with blocks of men who made a plume of vapour here, and hurried thither. The action of their intellects resolved to a blank marvel at seeing an imminent thing—an interrogation to almighty heaven treated with method, not with fury streaming forward. Cleave the opposing ranks! Cry to God for fire? Cut them through! They had come to see the Song of Deborah performed before their eyes, and they witnessed only a battle. Blocks of infantry gathered densely, thinned to a line, wheeled in column, marched: blocks of cavalry changed posts: artillery bellowed from one spot and quickly selected another. Infantry advanced in the wake of tiny smokepuffs, halted, advanced again, rattled files of shots, became struck into knots, faced half about as from a blow of the back of a hand, retired orderly. Cavalry curved like a flickering scimetar in their rear; artillery plodded to its further station. Innumerable tiny smoke-puffs then preceded a fresh advance of infantry. The enemy were on the hills and looked mightier, for they were revealed among red flashes of their guns, and stood partly visible above clouds of hostile smoke and through clouds of their own, which grasped viscously by the skirts of the hills. Yet it seemed a strife of insects, until, one by one, soldiers who had gone into yonder white pit for the bloody kiss of death, and had got it on their faces, were borne by Vittoria and Laura knelt in this horrid stream of mortal anguish to give succour from their stores in the carriage. Their natural emotions were distraught. They welcomed the sight of suffering thankfully, for the poor blotted faces were so glad at sight of them. Torture was their key to the reading of the battle. They gazed on the field no longer, but let the roaring wave of combat wash up to them what it would.

The hill behind Pastrengo was twice stormed. When the bluecoats first fell back, a fine charge of Piedmontese horse cleared the slopes for a second effort, and they went up and on, driving the enemy from hill to hill. The Adige was crossed by the Austrians under cover of Tyrolese rifleshots.

Then, with Beppo at their heels, bearing water, wine, and brandy, the women walked in the paths of carnage, and saw the many faces of death. Laura whispered strangely, "How light-hearted they look!" The wounded called their comforters sweet names. Some smoked and some sang, some groaned; all were quick to drink. Their jokes at the dead were universal. They twisted their bodies painfully to stick a cigar between dead lips, and besprinkle them with the last drops of liquor in their cups, laughing a benediction. These scenes put grievous chains on Vittoria's spirit, but Laura evidently was not the heavier for them. Glorious Verona shone under the sunset as their own to come; Peschiera, on the blue lake, was in the hollow of their hands. "Prizes worth any quantity of blood," said Laura. Vittoria confessed that she had seen enough of blood, and her aspect provoked Laura to utter, "For God's sake, think of something miserable;—cry, if you can!"

Vittoria's underlip dropped sickly with the question, "Why?"

Laura stated the physical necessity with Italian naivete.

"If I can," said Vittoria, and blinked to get a tear; but laughter helped as well to relieve her, and it came on their return to the carriage. They found the spy Luigi sitting beside the driver. He informed them that Antonio-Pericles had been in the track of the army ever since their flight from Turin; daily hurrying off with whip of horses at the sound of cannon-shot, and gradually stealing back to the extreme rear. This day he had flown from Oliosi to Cavriani, and was, perhaps, retracing his way already as before, on fearful toe-tips. Luigi acted the caution of one who stepped blindfolded across hot iron plates. Vittoria, without a spark of interest, asked why the Signor Antonio should be following the army.

"Why, it's to find you, signorina."

Luigi's comical emphasis conjured up in a jumbled picture the devotion, the fury, the zeal, the terror of Antonio-Pericles—a mixture of demoniacal energy and ludicrous trepidation. She imagined his long figure, fantastical as a shadow, off at huge strides, and back, with eyes sliding swiftly to the temples, and his odd serpent's head raised to peer across the plains and occasionally to exclaim to the reasonable heavens in anger at men and loathing of her. She laughed ungovernably. Luigi exclaimed that, albeit in disgrace with the signor Antonio, he had been sent for to serve him afresh, and had now been sent forward to entreat the gracious signorina to grant her sincerest friend and adorer an interview. She laughed at Pericles, but in truth she almost loved the man for his worship of her Art, and representation of her dear peaceful practice of it.

The interview between them took place at Oliosi. There, also, she met Georgiana Ford, the half-sister of Merthyr Powys, who told her that Merthyr and Augustus Gambier were in the ranks of a volunteer contingent in the king's army, and might have been present at Pastrengo. Georgiana held aloof from battle-fields, her business being simply to serve as Merthyr's nurse in case of wounds, or to see the last of him in case of death. She appeared to have no enthusiasm. She seconded strongly the vehement persuasions addressed by Pericles to Vittoria. Her disapproval of the presence of her sex on fields of battle was precise. Pericles had followed the army to give Vittoria one last chance, he said, and drag her away from this sick country, as he called it, pointing at the dusty land from the windows of the inn. On first seeing her he gasped like one who has recovered a lost thing. To Laura he was a fool; but Vittoria enjoyed his wildest outbursts, and her half-sincere humility encouraged him to think that he had captured her at last. He enlarged on the perils surrounding her voice in dusty bellowing Lombardy, and on the ardour of his friendship in exposing himself to perils as tremendous, that he might rescue her. While speaking he pricked a lively ear for the noise of guns, hearing a gun in everything, and jumping to the window with horrid imprecations. His carriage was horsed at the doors below. Let the horses die, he said, let the coachman have sun-stroke. Let hundreds perish, if Vittoria would only start in an hour-in two—to-night—to- morrow.

"Because, do you see,"—he turned to Laura and Georgiana, submitting to the vexatious necessity of seeming reasonable to these creatures,—"she is a casket for one pearl. It is only one, but it is ONE, mon Dieu! and inscrutable heaven, mesdames, has made the holder of it mad. Her voice has but a sole skin; it is not like a body; it bleeds to death at a scratch. A spot on the pearl, and it is perished—pfoof! Ah, cruel thing! impious, I say. I have watched, I have reared her. Speak to me of mothers! I have cherished her for her splendid destiny—to see it go down, heels up, among quarrels of boobies! Yes; we have war in Italy. Fight! Fight in this beautiful climate that you may be dominated by a blue coat, not by a white coat. We are an intelligent race; we are a civilized people; we will fight for that. What has a voice of the very heavens to do with your fighting? I heard it first in England, in a firwood, in a month of Spring, at night-time, fifteen miles and a quarter from the city of London—oh, city of peace! Sandra you will come there. I give you thousands additional to the sum stipulated. You have no rival. Sandra Belloni! no rival, I say"—he invoked her in English, "and you hear—you, to be a draggle-tail vivandiere wiz a brandy-bottle at your hips and a reputation going like ze brandy. Ah! pardon, mesdames; but did mankind ever see a frenzy like this girl's? Speak, Sandra. I could cry it like Michiella to Camilla—Speak!"

Vittoria compelled him to despatch his horses to stables. He had relays of horses at war-prices between Castiglione and Pavia, and a retinue of servants; nor did he hesitate to inform the ladies that, before entrusting his person to the hazards of war, he had taken care to be provided with safe-conduct passes for both armies, as befitted a prudent man of peace—"or sense; it is one, mesdames."

Notwithstanding his terror at the guns, and disgust at the soldiery and the bad fare at the inn, Vittoria's presence kept him lingering in this wretched place, though he cried continually, "I shall have heart- disease." He believed at first that he should subdue her; then it became his intention to carry her off.

It was to see Merthyr that she remained. Merthyr came there the day after the engagement at Santa Lucia. They had not met since the days at Meran. He was bronzed, and keen with strife, and looked young, but spoke not over-hopefully. He scolded her for wishing to taste battle, and compared her to a bad swimmer on deep shores. Pericles bounded with delight to hear him, and said he had not supposed there was so much sense in Powys. Merthyr confessed that the Austrians had as good as beaten them at Santa Lucia. The tactical combinations of the Piedmontese were wretched. He was enamoured of the gallantly of the Duke of Savoy, who had saved the right wing of the army from rout while covering the backward movement. Why there had been any fight at all at Santa Lucia, where nothing was to be gained, much to be lost, he was incapable of telling; but attributed it to an antique chivalry on the part of the king, that had prompted the hero to a trial of strength, a bout of blood- letting.

"You do think he is a hero?" said Vittoria.

"He is; and he will march to Venice."

"And open the opera at Venice," Pericles sneered. "Powys, mon cher, cure her of this beastly dream. It is a scandal to you to want a woman's help. You were defeated at Santa Lucia. I say bravo to anything that brings you to reason. Bravo! You hear me."

The engagement at Santa Lucia was designed by the king to serve as an instigating signal for the Veronese to rise in revolt; and this was the secret of Charles Albert's stultifying manoeuvres between Peschiera and Mantua. Instead of matching his military skill against the wary old Marshal's, he was offering incentives to conspiracy. Distrusting the revolution, which was a force behind him, he placed such reliance on its efforts in his front as to make it the pivot of his actions.

"The volunteers North-east of Vicenza are doing the real work for us, I believe," said Merthyr; and it seemed so then, as it might have been indeed, had they not been left almost entirely to themselves to do it.

These tidings of a fight lost set