The Uncalled, Paul Laurence Dunbar [brene brown rising strong .TXT] 📗

an' I 'm a-goin' to tell you what it is. I 've decided to make a preacher out o' him."

"H'm--ah--well, Miss Hester, don't you think you 'd better let the Lord do that?"

"Nonsense, 'Liphalet! you 'ain't got no insight at all. I believe in people a-doin' their part an' not a-shovin' everything off on the Lord. The shiftless don't want nothin' better than to say that they will leave the Lord to take care o' things, an' then fold their arms an' set down an' let things go to the devil. Remember, Brother Hodges, I don't mean that in a perfane way. But then, because God made the sunlight an' the rain, it ain't no sign that we should n't prune the vine."

Miss Hester's face had flushed up with the animation of her talk, and her eyes were sparkling with excitement.

Eliphalet looked at her, and his heart leaped. He felt that the time had come to speak.

"Miss Hester," he began, and the hat in his hand went round and round nervously.

"'Liphalet, fur goodness' sake do lay yore hat on the table. You 'll ruin the band of it, an' you make me as nervous as a cat."

He felt a little dampened after this, but he laid down the offending hat and began again. "I 've been thinkin' some myself, Miss Hester, an' it 's been about you."

"About me? La, 'Liphalet, what have you been a-thinkin' now?" The "now" sounded as if his thoughts were usually rather irresponsible.

"It was about you an'--an'--old Bess."

"About me an' old Bess! Bless my soul, man, will you stop beatin' about the bush an' tell me what on airth I 've got to do with yore horse?"

"Old Bess is dead, Miss Hester; died last night o' colic."

"Well, I thought there was somethin' the matter with you. I 'm mighty sorry to hear about the poor old creatur; but she 'd served you a long while."

"That 's jest what set me a-thinkin': she has served me a long while, an' now she 's dead. Do you know what that means, Miss Hester? It means that we 're a-gittin' old, you an' me. Do you know when I got old Bess? It was nigh thirty years ago: I used to ride her up to this door an' tie her to that tree out there: it was a saplin' then. An' now she 's dead."

The man's voice trembled, and his listener was strangely silent.

"You know on what errands the old horse used to bring me," he went on, "but it was n't to be,--then. Hester," he rose, went over to her, and looked down into her half-averted face, which went red and pale by turns,--"Hester, 'ain't we wasted time enough?"

There was a long pause before she lifted her face: he stood watching her with the light of a great eagerness in his eyes. At last she spoke. There was a catch in her voice; it was softer than usual.

"'Liphalet," she began, "I 'm right glad you remember those days. I 'ain't never furgot 'em myself. It 's true you 've been a good, loyal friend to me, an' I thank you fur it, but, after all these years--"

He broke in upon her with something like youthful impetuosity. "After all these years," he exclaimed, "an endurin' love ought to be rewarded. Hester, I ain't a-goin' to take 'no' fur an answer. I 've got lots o' years o' life in me yet,--we both have,--an' I ain't a-goin' on with an empty home an' an empty heart no longer."

"'Liphalet, you ain't a young man no more, an' I ain't a young woman, an' the Lord--"

"I don't care ef I ain't; an' I don't believe in shovin' everything off on the Lord."

"'Liphalet!" It was a reproach.

"Hester!" This was love. He put his arm around her and kissed her. "You 're a-goin' to say yes, ain't you? You ain't a-goin' to send me away miserable? You 're a-dyin' to say yes, but you 're a-tryin' to force yoreself not to. Don't." He lifted her face as a young lover might, and looked down into her eyes. "Is it yes?"

"Well, 'Liphalet it 'pears like you 're jest so pesterin' that I 've got to say yes. Yes, then." And she returned the quiet but jubilant kiss that he laid upon her lips.

"After all these years," he said. "Sorrow may last fur a night, but joy cometh in the mornin'. It was a long night, but, thank the Lord, mornin' 's broke." Then, rising, he went to the door and called joyously, "Freddie, come on in: it 's all over."

"'Liphalet, did that boy know what you was a-goin' to say?"

"Yes, o' course he did."

"Oh, my! oh, my! Well, I 've got a good mind to take it all back. Oh, my!" And when Fred came in, for the first time in her life Miss Prime was abashed and confused in his presence.

But Eliphalet had no thought of shame. He took her by the hand and said, "Freddie, Miss Hester's consented at last: after thirty years, she 's a-goin' to marry me."

But Miss Hester broke in, "'Liphalet, don't be a-puttin' notions in that boy's head. You go 'way, Fred, right away."

Fred went out, but he felt bolder. He went past Elizabeth's house whistling. He did n't care. He wondered if he would have to wait thirty years for her. He hoped not.


CHAPTER IX

So great has been our absorption in the careers of Fred Brent, Miss Prime, and Eliphalet Hodges that we have sadly neglected some of the characters whose acquaintance we made at the beginning of our story. But nature and Time have been kinder,--or more cruel, if you will. They have neither passed over nor neglected them. They have combined with trouble and hard work to kill one of Fred's earliest friends. Melissa Davis is no more, and the oldest girl, Sophy, supplements her day's work of saleswoman in a dry-goods store by getting supper in the evening and making the younger Davises step around. Mrs. Warren, the sometime friend of Margaret Brent and enemy of Miss Prime, has moved farther out, into the suburbs, for Dexter has suburbs now, and boasts electric cars and amusement parks. Time has done much for the town. Its streets are paved, and the mean street that bore the tumble-down Brent cottage and its fellows has been built up and grown respectable. It and the street where Miss Prime's cottage frowned down have settled away into a quiet residential portion of the town, while around to the east, south, and west, and on both sides of the little river that divides the city, roars and surges the traffic of a characteristic middle-West town. Half-way up the hill, where the few aristocrats of the place formerly lived in almost royal luxuriance and seclusion, a busy sewing-machine factory has forced its way, and with its numerous chimneys and stacks literally smoked the occupants out; at their very gates it sits like the commander of a besieging army, and about it cluster the cottages of the workmen, in military regularity. Little and neat and trim, they flock there like the commander's obedient host, and such they are, for the sight of them offends the eyes of wealth. So, what with the smoke, and what with the proximity of the poorer classes, wealth capitulates, evacuates, and, with robes discreetly held aside, passes by to another quarter, and a new district is born where poverty dare not penetrate. Seated on a hill, where, as is their inclination, they may look down, literally and figuratively, upon the hurrying town, they are complacent again, and the new-comers to the town, the new-rich magnates and the half-rich strugglers who would be counted on the higher level, move up and swell their numbers at Dexter View.

Amid all this change, two alone of those we know remain unaltered and unalterable, true to their traditions. Mrs. Smith and Mrs. Martin, the two ancient gossips, still live side by side, spying and commenting on all that falls within their ken, much as they did on that day when 'Liphalet Hodges took Fred Brent for his first drive behind old Bess. Their windows still open out in the same old way, whence they can watch the happenings of the street. If there has been any change in them at all, it is that they have grown more absorbed and more keen in following and dissecting their neighbours' affairs.

It is to these two worthies, then, that we wish to reintroduce the reader on an early autumn evening some three months after the events narrated in the last chapter.

Mrs. Martin went to her back fence, which was the nearest point of communication between her and her neighbour. "Mis' Smith," she called, and her confederate came hurrying to the door, thimble on and a bit of sewing clutched precariously in her apron, just as she had caught it up when the significant call brought her to the back door.

"Oh, you 're busy as usual, I see," said Mrs. Martin.

"It ain't nothin' partic'ler, only a bit o' bastin' that I was doin'."

"You ain't a-workin' on the machine, then, so you might bring your sewin' over and take a cup o' tea with me."

"La! now that 's so kind o' you, Mis' Martin. I was jest thinkin' how good a cup o' tea would taste, but I did n't want to stop to make it. I 'll be over in a minute, jest as soon as I see if my front door is locked." And she disappeared within the house, while Mrs. Martin returned to her own sitting-room.

The invited knew very well what the invitation to tea meant. She knew that some fresh piece of news was to be related and discussed. The beverage of which she was invited to partake was but a pretext, but neither the one nor the other admitted as much. Each understood perfectly, as by a tacit agreement, and each tried to deceive herself and the other as to motives and objects.

There is some subtle tie between tea-drinking and gossip. It is over their dainty cups that women dissect us men and damn their sisters. Some of the quality of the lemon they take in their tea gets into their tongues. Tea is to talk what dew is to a plant, a gentle nourishing influence, which gives to its product much of its own quality. There are two acids in the tea which cultured women take. There is only one in the beverage brewed by commonplace people. But that is enough.

Mrs. Martin had taken her tray into the sitting-room, where a slight fire was burning in the prim "parlour cook," on which the hot water was striving to keep its quality when Mrs. Smith came in.

"La, Mis' Martin, you do manage to have everything so cosy. I 'm shore a little fire in a settin'-room don't feel bad these days."

"I jest thought I 'd have to have a fire," replied Mrs. Martin, "fur I was feelin' right down chilly, though goodness knows a person does burn enough coal in winter, without throwin' it away in these early fall days."

"Well, the Lord 's put it here fur our comfort, an' I think we 're a-doin' His will when we make use o' the good things He gives us."

"Ah, but Mis' Smith, there 's too many people that goes about the world thinkin' that they know jest what the Lord's will