The Uncalled, Paul Laurence Dunbar [brene brown rising strong .TXT] 📗

is; but I have my doubts about 'em, though, mind you, I ain't a-mentionin' no names: 'no name, no blame.'" Mrs. Martin pressed her lips and shook her head, a combination of gestures that was eloquent with meaning. It was too much for her companion. Her curiosity got the better of her caution.

"Dear me!" she exclaimed. "What is it _now_?"

"Oh, nothin' of any consequence at all. It ain't fur me to be a-judgin' my neighbours or a-talkin' about 'em. I jest thought I 'd have you over to tea, you 're sich good company."

Mrs. Smith was so impatient that she had forgotten her sewing and it lay neglected in her lap, but in no other way did she again betray her anxiety. She knew that there was something new to be told and that it would be told all in good time. But when gossip has become a fine art it must be conducted with dignity and precision.

"Let me see, I believe you take two lumps o' sugar an' no milk." Mrs. Martin knew perfectly what her friend took. "I don't know how this tea is. I got it from the new grocery over at the corner." She tasted it deliberately. "It might 'a' drawed a little more." Slowly she stirred it round and round, and then, as if she had drawn the truth from the depths of her cup, she observed, "This is a queer world, Mis' Smith."

Mrs. Smith sighed a sigh that was appreciative and questioning at once. "It is indeed," she echoed; "I 'm always a-sayin' to myself what a mighty cur'us world this is."

"Have you ever got any tea from that new grocery-man?" asked her companion, with tantalising irrelevance.

"No: I hain't never even been in there."

"Well, this here 's middlin' good; don't you think so?"

"Oh, it 's more than middlin', it 's downright good. I think I must go into that grocery some time, myself."

"I was in there to-day, and met Mis' Murphy: she says there 's great goin'-ons up at Miss Prime's--I never shall be able to call her Mis' Hodges."

"You don't tell me! She and Brother 'Liphalet 'ain't had a fallin' out already, have they? Though what more could you expect?"

"Oh, no, indeed. It ain't no fallin' out, nothin' o' the kind."

"Well, what then? What has Miss Hester--I mean Mis' Hodges been doin' now? Where will that woman stop? What 's she done?"

"Well, you see,--do have another cup of tea, an' help yoreself to that bread an' butter,--you see, Freddie Brent has finished at the high school, an' they 've been wonderin' what to make him."

"Well, what air they a-goin' to make him? His father was a good stone-mason, when he was anything."

"Humph! you don't suppose Miss Hester 's been sendin' a boy to school to learn Latin and Greek an' algebry an' sich, to be a stone-mason, do you? Huh uh! Said I to myself, as soon as I see her sendin' him from the common school to high school, says I, 'She 's got big notions in her head.' Oh, no; the father's trade was not good enough fur her boy: so thinks Mis' 'Liphalet Hodges."

"Well, what on airth is she goin' to make out of him, then?"

"Please pass me that sugar: thank you. You know Mr. Daniels offered him a place as clerk in the same store where Sophy Davis is. It was mighty kind o' Mr. Daniels, I think, to offer him the job."

"Well, did n't he take it?"

"Well, partly he did an' partly he did n't, ef you can understand that."

"Sally Martin, what do you mean? A body has to fairly pick a thing out o' you."

"I mean that she told Mr. Daniels he might work fur him half of every day."

"Half a day! An' what 's he goin' to do the other half?"

"He 's a-goin' to the Bible Seminary the other half-day. She 's a-goin' to make a preacher out o' him."

Mrs. Martin had slowly and tortuously worked up to her climax, and she shot forth the last sentence with a jubilant ring. She had well calculated its effects. Sitting back in her chair, she supped her tea complacently as she contemplated her companion's astonishment. Mrs. Smith had completely collapsed into her seat, folded her arms, and closed her eyes. "Laws a massy!" she exclaimed. "What next? Old Tom, drunken Tom, swearin' an' ravin' Tom Brent's boy a preacher!" Then suddenly she opened her eyes and sat up very erect and alert as she broke forth, "Sally Martin, what air you a-tellin' me? It ain't possible. It 's ag'in' nature. A panther's cub ain't a-goin' to be a lamb. It 's downright wicked, that 's what I say."

"An' so says I to Mis' Murphy, them same identical words; says I, 'Mis' Murphy, it 's downright wicked. It 's a-shamin' of the Lord's holy callin' o' the ministry.'"

"An' does the young scamp pertend to 'a' had a call?"

"No, indeed: he was mighty opposed to it, and so was her husband; but that woman was so set she would n't agree to nothin' else. He don't pertend to 'a' heerd no call, 'ceptin' Miss Hester's, an' that was a command. I know it 's all true, fur Mis' Murphy, while she was n't jest a-listenin', lives next door and heerd it all."

And so the two women fell to discussing the question, as they had heard it, pro and con. It was all true, as these gossips had it, that Miss Hester had put into execution her half-expressed determination to make a preacher of Fred. He had heard nothing of it until the day when he rushed in elated over the kindly offer of a place in Mr. Daniels's store. Then his guardian had firmly told him of her plan, and there was a scene.

"You kin jest tell Mr. Daniels that you kin work for him half a day every day, an' that you 're a-goin' to put in the rest of your time at the Bible Seminary. I 've made all the arrangements."

"But I don't want to be a preacher," the boy had retorted, with some heat. "I 'd a good deal rather learn business, and some day start out for myself."

"It ain't what some of us wants to do in this life; it 's what the Lord appoints us to; an' it 's wicked fur you to rebel."

"I don't know how you can know so much what the Lord means for me to do. I should think He would give His messages to those who are to do the work."

"That 's right, Freddie Brent, sass me, sass me. That 's what I 've struggled all the best days of my life to raise you fur."

"I 'm not sassing you, but--"

"Don't you think, Hester," broke in her husband, "that mebbe there 's some truth in what Freddie says? Don't you think the Lord kind o' whispers what He wants people to do in their own ears? Mebbe it was n't never intended fur Freddie to be a preacher: there 's other ways o' doin' good besides a-talkin' from the pulpit."

"I 'd be bound fur you, 'Liphalet: it 's a shame, you a-goin' ag'in' me, after all I 've done to make Freddie material fit for the Lord's use. Jest think what you 'll have to answer fur, a-helpin' this unruly boy to shirk his dooty."

"I ain't a-goin' ag'in' you, Hester. You 're my wife, an' I 'low 'at your jedgment 's purty sound on most things. I ain't a-goin' ag'in' you at all, but--but--I was jest a-wonderin'."

The old man brought out the last words slowly, meditatively. He was "jest a-wonderin'." His wife, though, never wondered.

"Mind you," she went on, "I say to you, Freddie, and to yore uncle 'Liphalet too, ef he upholds you, that it ain't me you 're a-rebellin' against. It 's yore dooty an' the will o' God that you 're a-fightin'. It 's easy enough to rebel against man; but do you know what you 're a-doin' when you set yourself up against the Almighty? Do you want to do that?"

"Yes," came the boy's answer like a flash. He was stung and irritated into revolt, and a torrent of words poured from his lips unrestrained. "I 'm tired of doing right. I 'm tired of being good. I 'm tired of obeying God--"

"Freddie!" But over the dam the water was flowing with irresistible force. The horror of his guardian's face and the terrible reproach in her voice could not check the boy.

"Everything," he continued, "that I have ever wanted to do since I can remember has been bad, or against my duty, or displeasing to God. Why does He frown on everything I want to do? Why do we always have to be killing our wishes on account of duty? I don't believe it. I hate duty. I hate obedience. I hate everything, and I won't obey--"

"Freddie, be keerful: don't say anything that 'll hurt after yore mad spell 's over. Don't blaspheme the Lord A'mighty."

'Liphalet Hodges' voice was cool and tender and persuasive. He laid his hand on the boy's shoulder, while his wife sat there motionless, white and rigid with horror.

The old man's words and his gentle touch had a wonderful effect on the boy; they checked his impassioned outburst; but his pent-up heart was too full. He burst into tears and rushed headlong from the house.

For a time he walked aimlessly on, his mind in a tumult of rage. Then he began to come to himself. He saw the people as they passed him. He had eyes again for the street, and he wondered where he was going. He felt an overwhelming desire to talk to some one and to get sympathy, consolation, and perhaps support. But whither should he turn? If 'Liphalet Hodges had been at the old house, his steps would naturally have bent in that direction; but this refuge was no longer his. Then his mind began going over the people whom he knew, and no name so stuck in his fancy as that of Elizabeth. It was a hard struggle. He was bashful. Any other time he would not have done it, but now his great need created in him an intense desperation that made him bold. He turned and retraced his steps toward the Simpson house.

Elizabeth was leaning over the gate. The autumn evening was cool: she had a thin shawl about her shoulders. She was humming a song as Fred came up. His own agitation made her seem irritatingly calm. She opened the gate and made room for him at her side.

"You seem dreadfully warm," she said, "and here I was getting ready to go in because it is so cool."

"I 've been walking very fast," he answered, hesitatingly.

"Don't you think you 'd better go in, so as not to take cold?"

"Oh, I don't care if I do take cold." The speech sounded rude. Elizabeth looked at him in surprise.

"What 's the matter with you?" she asked.

"I 'm mad; that 's what 's the matter."

"Oh, Fred, you should n't get mad: you know it 's wrong."

He put up his hand as if she had struck him. "Wrong! wrong! It seems I can't hear anything else but that word. Everything is wrong. Don't say any more about it. I don't want to hear the word again."