Poor Folk, Fyodor Dostoyevsky [read the beginning after the end novel .txt] 📗

her head in a meaning manner; but, I always looked them straight in the face, and gradually they ceased to take any notice of my concern for Pokrovski. At all events my mother ceased to trouble her head about it.

 

Sometimes Pokrovski would know who I was, but not often, for more usually he was unconscious. Sometimes, too, he would talk all night with some unknown person, in dim, mysterious language that caused his gasping voice to echo hoarsely through the narrow room as through a sepulchre; and at such times, I found the situation a strange one. During his last night he was especially lightheaded, for then he was in terrible agony, and kept rambling in his speech until my soul was torn with pity. Everyone in the house was alarmed, and Anna Thedorovna fell to praying that God might soon take him. When the doctor had been summoned, the verdict was that the patient would die with the morning.

 

That night the elder Pokrovski spent in the corridor, at the door of his son’s room. Though given a mattress to lie upon, he spent his time in running in and out of the apartment. So broken with grief was he that he presented a dreadful spectacle, and appeared to have lost both perception and feeling. His head trembled with agony, and his body quivered from head to foot as at times he murmured to himself something which he appeared to be debating.

Every moment I expected to see him go out of his mind. Just before dawn he succumbed to the stress of mental agony, and fell asleep on his mattress like a man who has been beaten; but by eight o’clock the son was at the point of death, and I ran to wake the father. The dying man was quite conscious, and bid us all farewell. Somehow I could not weep, though my heart seemed to be breaking.

 

The last moments were the most harassing and heartbreaking of all. For some time past Pokrovski had been asking for something with his failing tongue, but I had been unable to distinguish his words. Yet my heart had been bursting with grief. Then for an hour he had lain quieter, except that he had looked sadly in my direction, and striven to make some sign with his death-cold hands. At last he again essayed his piteous request in a hoarse, deep voice, but the words issued in so many inarticulate sounds, and once more I failed to divine his meaning. By turns I brought each member of the household to his bedside, and gave him something to drink, but he only shook his head sorrowfully.

Finally, I understood what it was he wanted. He was asking me to draw aside the curtain from the window, and to open the casements. Probably he wished to take his last look at the daylight and the sun and all God’s world. I pulled back the curtain, but the opening day was as dull and mournful—looking as though it had been the fast-flickering life of the poor invalid.

Of sunshine there was none. Clouds overlaid the sky as with a shroud of mist, and everything looked sad, rainy, and threatening under a fine drizzle which was beating against the window-panes, and streaking their dull, dark surfaces with runlets of cold, dirty moisture. Only a scanty modicum of daylight entered to war with the trembling rays of the ikon lamp. The dying man threw me a wistful look, and nodded. The next moment he had passed away.

 

The funeral was arranged for by Anna Thedorovna. A plain coffin was bought, and a broken-down hearse hired; while, as security for this outlay, she seized the dead man’s books and other articles. Nevertheless, the old man disputed the books with her, and, raising an uproar, carried off as many of them as he could—

stuffing his pockets full, and even filling his hat. Indeed, he spent the next three days with them thus, and refused to let them leave his sight even when it was time for him to go to church.

Throughout he acted like a man bereft of sense and memory. With quaint assiduity he busied himself about the bier—now straightening the candlestick on the dead man’s breast, now snuffing and lighting the other candles. Clearly his thoughts were powerless to remain long fixed on any subject. Neither my mother nor Anna Thedorovna were present at the requiem, for the former was ill and the latter was at loggerheads with the old man. Only myself and the father were there. During the service a sort of panic, a sort of premonition of the future, came over me, and I could hardly hold myself upright. At length the coffin had received its burden and was screwed down; after which the bearers placed it upon a bier, and set out. I accompanied the cortege only to the end of the street. Here the driver broke into a trot, and the old man started to run behind the hearse—sobbing loudly, but with the motion of his running ever and anon causing the sobs to quaver and become broken off. Next he lost his hat, the poor old fellow, yet would not stop to pick it up, even though the rain was beating upon his head, and a wind was rising and the sleet kept stinging and lashing his face. It seemed as though he were impervious to the cruel elements as he ran from one side of the hearse to the other—the skirts of his old greatcoat flapping about him like a pair of wings. From every pocket of the garment protruded books, while in his hand he carried a specially large volume, which he hugged closely to his breast. The passers-by uncovered their heads and crossed themselves as the cortege passed, and some of them, having done so, remained staring in amazement at the poor old man. Every now and then a book would slip from one of his pockets and fall into the mud; whereupon somebody, stopping him, would direct his attention to his loss, and he would stop, pick up the book, and again set off in pursuit of the hearse. At the corner of the street he was joined by a ragged old woman; until at length the hearse turned a corner, and became hidden from my eyes. Then I went home, and threw myself, in a transport of grief, upon my mother’s breast—clasping her in my arms, kissing her amid a storm of sobs and tears, and clinging to her form as though in my embraces I were holding my last friend on earth, that I might preserve her from death. Yet already death was standing over her….

 

June 11th

 

How I thank you for our walk to the Islands yesterday, Makar Alexievitch! How fresh and pleasant, how full of verdure, was everything! And I had not seen anything green for such a long time! During my illness I used to think that I should never get better, that I was certainly going to die. Judge, then, how I felt yesterday! True, I may have seemed to you a little sad, and you must not be angry with me for that. Happy and lighthearted though I was, there were moments, even at the height of my felicity, when, for some unknown reason, depression came sweeping over my soul. I kept weeping about trifles, yet could not say why I was grieved. The truth is that I am unwell—so much so, that I look at everything from the gloomy point of view. The pale, clear sky, the setting sun, the evening stillness—ah, somehow I felt disposed to grieve and feel hurt at these things; my heart seemed to be overcharged, and to be calling for tears to relieve it.

But why should I write this to you? It is difficult for my heart to express itself; still more difficult for it to forego self-expression. Yet possibly you may understand me. Tears and laughter! … How good you are, Makar Alexievitch! Yesterday you looked into my eyes as though you could read in them all that I was feeling—as though you were rejoicing at my happiness.

Whether it were a group of shrubs or an alleyway or a vista of water that we were passing, you would halt before me, and stand gazing at my face as though you were showing me possessions of your own. It told me how kind is your nature, and I love you for it. Today I am again unwell, for yesterday I wetted my feet, and took a chill. Thedora also is unwell; both of us are ailing. Do not forget me. Come and see me as often as you can.—Your own, BARBARA ALEXIEVNA.

 

June 12th.

 

MY DEAREST BARBARA ALEXIEVNA—I had supposed that you meant to describe our doings of the other day in verse; yet from you there has arrived only a single sheet of writing. Nevertheless, I must say that, little though you have put into your letter, that little is not expressed with rare beauty and grace. Nature, your descriptions of rural scenes, your analysis of your own feelings-

-the whole is beautifully written. Alas, I have no such talent!

Though I may fill a score of pages, nothing comes of it— I might as well never have put pen to paper. Yes, this I know from experience.

 

You say, my darling, that I am kind and good, that I could not harm my fellow-men, that I have power to comprehend the goodness of God (as expressed in nature’s handiwork), and so on. It may all be so, my dearest one—it may all be exactly as you say.

Indeed, I think that you are right. But if so, the reason is that when one reads such a letter as you have just sent me, one’s heart involuntarily softens, and affords entrance to thoughts of a graver and weightier order. Listen, my darling; I have something to tell you, my beloved one.

 

I will begin from the time when I was seventeen years old and first entered the service—though I shall soon have completed my thirtieth year of official activity. I may say that at first I was much pleased with my new uniform; and, as I grew older, I grew in mind, and fell to studying my fellow-men. Likewise I may say that I lived an upright life—so much so that at last I incurred persecution. This you may not believe, but it is true.

To think that men so cruel should exist! For though, dearest one, I am dull and of no account, I have feelings like everyone else.

Consequently, would you believe it, Barbara, when I tell you what these cruel fellows did to me? I feel ashamed to tell it you—and all because I was of a quiet, peaceful, good-natured disposition!

 

Things began with “this or that, Makar Alexievitch, is your fault.” Then it went on to “I need hardly say that the fault is wholly Makar Alexievitch’s.” Finally it became “OF COURSE Makar Alexievitch is to blame.” Do you see the sequence of things, my darling? Every mistake was attributed to me, until “Makar Alexievitch” became a byword in our department. Also, while making of me a proverb, these fellows could not give me a smile or a civil word. They found fault with my boots, with my uniform, with my hair, with my figure. None of these things were to their taste: everything had to be changed. And so it has been from that day to this. True, I have now grown used to it, for I can grow accustomed to anything (being, as you know, a man of peaceable disposition, like all men of small stature)— yet why should these things be? Whom have I harmed? Whom have I ever supplanted?

Whom have I ever traduced to