A House-Boat on the Styx, John Kendrick Bangs [popular books of all time .txt] 📗

a baseball-bat, have done more for you than you ever did for them. Every statue of you these men have made is a standing advertisement of your books, and it hasn't cost you a penny. There isn't a doubt in my mind that if it were not for those statues countless people would go to their graves supposing that the great Scottish Burns were little rivulets, and not a poet. What difference does it make to you if they haven't made an Adonis of you? You never set them an example by making one of yourself. If there's deception anywhere, it isn't you that is deceived; it is the mortals. And who cares about them or their opinions?"

"I never thought of it in that way," said Burns. "I hate caricatures--that is, caricatures of myself. I enjoy caricatures of other people, but--"

"You have a great deal of the mortal left in you, considering that you pose as an immortal," said Homer, interrupting the speaker.

"Well, so have I," said Phidias, resolved to stand by Burns in the argument, "and I'm sorry for the man who hasn't. I was a mortal once, and I'm glad of it. I had a good time, and I don't care who knows it. When I look about me and see Jupiter, the arch-snob of creation, and Mars, a little tin warrior who couldn't have fought a soldier like Napoleon, with all his alleged divinity, I thank the Fates that they enabled me to achieve immortality through mortal effort. Hang hereditary greatness, I say. These men were born immortals. You and I worked for it and got it. We know what it cost. It was ours because we earned it, and not because we were born to it. Eh, Burns?"

The Scotchman nodded assent, and the Greek sculptor went on.

"I am not vindictive myself, Homer," he said. "Nobody has hurt me, and, on the whole, I don't think sculpture is in such a bad way, after all. There's a shoemaker I wot of in the mortal realms who can turn the prettiest last you ever saw; and I encountered a carver in a London eating-house last month who turned out a slice of beef that was cut as artistically as I could have done it myself. What I object to chiefly is the tendency of the times. This is an electrical age, and men in my old profession aren't content to turn out one _chef-d'oeuvre_ in a lifetime. They take orders by the gross. I waited upon inspiration. To-day the sculptor waits upon custom, and an artist will make a bust of anybody in any material desired as long as he is sure of getting his pay afterwards. I saw a life-size statue of the inventor of a new kind of lard the other day, and what do you suppose the material was? Gold? Not by a great deal. Ivory? Marble, even? Not a bit of it. He was done in lard, sir. I have seen a woman's head done in butter, too, and it makes me distinctly weary to think that my art should be brought so low."

"You did your best work in Greece," chuckled Homer.

"A bad joke, my dear Homer," retorted Phidias. "I thought sculpture was getting down to a pretty low ebb when I had to fashion friezes out of marble; but marble is more precious than rubies alongside of butter and lard."

"Each has its uses," said Homer. "I'd rather have butter on my bread than marble, but I must confess that for sculpture it is very poor stuff, as you say."

"It is indeed," said Phidias. "For practice it's all right to use butter, but for exhibition purposes--bah!"

Here Phidias, to show his contempt for butter as raw material in sculpture, seized a wooden toothpick, and with it modelled a beautiful head of Minerva out of the pat that stood upon the small plate at his side, and before Burns could interfere had spread the chaste figure as thinly as he could upon a piece of bread, which he tossed to the shade of a hungry dog that stood yelping on the river-bank.

"Heavens!" cried Burns. "Imperious Caesar dead and turned to bricks is as nothing to a Minerva carved by Phidias used to stay the hunger of a ravening cur."

"Well, it's the way I feel," said Phidias, savagely.

"I think you are a trifle foolish to be so eternally vexed about it," said Homer, soothingly. "Of course you feel badly, but, after all, what's the use? You must know that the mortals would pay more for one of your statues than they would for a specimen of any modern sculptor's art; yes, even if yours were modelled in wine-jelly and the other fellow's in pure gold. So why repine?"

"You'd feel the same way if poets did a similarly vulgar thing," retorted Phidias; "you know you would. If you should hear of a poet to-day writing a poem on a thin layer of lard or butter, you would yourself be the first to call a halt."

"No, I shouldn't," said Homer, quietly; "in fact, I wish the poets would do that. We'd have fewer bad poems to read; and that's the way you should look at it. I venture to say that if this modern plan of making busts and friezes in butter had been adopted at an earlier period, the public places in our great cities and our national Walhallas would seem less like repositories of comic art, since the first critical rays of a warm sun would have reduced the carven atrocities therein to a spot on the pavement. The butter school of sculpture has its advantages, my boy, and you should be crowning the inventor of the system with laurel, and not heaping coals of fire upon his brow."

"That," said Burns, "is, after all, the solid truth, Phidias. Take the brass caricatures of me, for instance. Where would they be now if they had been cast in lard instead of in bronze?"

Phidias was silent a moment.

"Well," he said, finally, as the value of the plan dawned upon his mind, "from that point of view I don't know but what you are right, after all; and, to show that I have spoken in no vindictive spirit, let me propose a toast. Here's to the Butter Sculptors. May their butter never give out."

The toast was drained to the dregs, and Phidias went home feeling a little better.


CHAPTER X: STORY-TELLERS' NIGHT

It was Story-tellers' Night at the house-boat, and the best talkers of Hades were impressed into the service. Doctor Johnson was made chairman of the evening.

"Put him in the chair," said Raleigh. "That's the only way to keep him from telling a story himself. If he starts in on a tale he'll make it a serial sure as fate, but if you make him the medium through which other story-tellers are introduced to the club he'll be finely epigrammatic. He can be very short and sharp when he's talking about somebody else. Personality is his forte."

"Great scheme," said Diogenes, who was chairman of the entertainment committee. "The nights over here are long, but if Johnson started on a story they'd have to reach twice around eternity and halfway back to give him time to finish all he had to say."

"He's not very witty, in my judgment," said Carlyle, who since his arrival in the other world has manifested some jealousy of Solomon and Doctor Johnson.

"That's true enough," said Raleigh; "but he's strong, and he's bound to say something that will put the audience in sympathy with the man that he introduces, and that's half the success of a Story-tellers' Night. I've told stories myself. If your audience doesn't sympathize with you you'd be better off at home putting the baby to bed."

And so it happened. Doctor Johnson was made chairman, and the evening came. The Doctor was in great form. A list of the story-tellers had been sent him in advance, and he was prepared. The audience was about as select a one as can be found in Hades. The doors were thrown open to the friends of the members, and the smoke-furnace had been filled with a very superior quality of Arcadian mixture which Scott had brought back from a haunting-trip to the home of "The Little Minister," at Thrums.

"Friends and fellow-spooks," the Doctor began, when all were seated on the visionary camp-stools--which, by the way, are far superior to those in use in a world of realities, because they do not creak in the midst of a fine point demanding absolute silence for appreciation--"I do not know why I have been chosen to preside over this gathering of phantoms; it is the province of the presiding officer on occasions of this sort to say pleasant things, which he does not necessarily endorse, about the sundry persons who are to do the story-telling. Now, I suppose you all know me pretty well by this time. If there is anybody who doesn't, I'll be glad to have him presented after the formal work of the evening is over, and if I don't like him I'll tell him so. You know that if I can be counted upon for any one thing it is candor, and if I hurt the feelings of any of these individuals whom I introduce to-night, I want them distinctly to understand that it is not because I love them less, but that I love truth more. With this--ah--blanket apology, as it were, to cover all possible emergencies that may arise during the evening, I will begin. The first speaker on the programme, I regret to observe, is my friend Goldsmith. Affairs of this kind ought to begin with a snap, and while Oliver is a most excellent writer, as a speaker he is a pebbleless Demosthenes. If I had had the arrangement of the programme I should have had Goldsmith tell his story while the rest of us were down-stairs at supper. However, we must abide by our programme, which is unconscionably long, for otherwise we will never get through it. Those of you who agree with me as to the pleasure of listening to my friend Goldsmith will do well to join me in the grill-room while he is speaking, where, I understand, there is a very fine line of punches ready to be served. Modest Noll, will you kindly inflict yourself upon the gathering, and send me word when you get through, if you ever do, so that I may return and present number two to the assembly, whoever or whatever he may be?"

With these words the Doctor retired, and poor Goldsmith, pale with fear, rose up to speak. It was evident that he was quite as doubtful of his ability as a talker as was Johnson.

"I'm not much of a talker, or, as some say, speaker," he said. "Talking is not my forte, as Doctor Johnson has told you, and I am therefore not much at it. Speaking is not in my line. I cannot speak or talk, as it were, because I am not particularly ready at the making of a speech, due partly to the fact that I am not much of a talker anyhow, and seldom if ever speak. I will therefore not