A House-Boat on the Styx, John Kendrick Bangs [popular books of all time .txt] 📗

Raleigh. "He's getting sensitive about that; and what you need to learn more than anything else is that it isn't manners to twit a man on facts. What's bothering you, Dryden? You look like a man with an idea."

"It has just occurred to me," said Dryden, "that while we can safely leave the question of Henry the Eighth and his wives to the wisdom of the council, we ought to pay some attention to the advisability of inviting Lucretia Borgia. I'd hate to eat any supper if she came within a mile of the banqueting-hall. If she comes you'll have to appoint a tasting committee before I'll touch a drop of punch or eat a speck of salad."

"We might recommend the appointment of Raleigh to look after the fair Lucretia and see that she has no poison with her, or if she has, to keep her from dropping it into the salads," said Confucius, with a sidelong glance at Raleigh. "He's the especial champion of woman in this club, and no doubt would be proud of the distinction."

"I would with most women," said Raleigh. "But I draw the line at Lucretia Borgia."

And so a petition was drawn up, signed, and sent to the council, and they, after mature deliberation, decided to have the ladies' day, to which all the ladies in Hades, excepting Lucretia Borgia and Delilah, were to be duly invited, only the date was not specified. Delilah was excluded at the request of Samson, whose convincing muscles, rather than his arguments, completely won over all opposition to his proposition.


CHAPTER VIII: A DISCONTENTED SHADE

"It seems to me," said Shakespeare, wearily, one afternoon at the club--"that this business of being immortal is pretty dull. Didn't somebody once say he'd rather ride fifty years on a trolley in Europe than on a bicycle in Cathay?"

"I never heard any such remark by any self-respecting person," said Johnson.

"I said something like it," observed Tennyson.

Doctor Johnson looked around to see who it was that spoke.

"You?" he cried. "And who, pray, may you be?"

"My name is Tennyson," replied the poet.

"And a very good name it is," said Shakespeare.

"I am not aware that I ever heard the name before," said Doctor Johnson. "Did you make it yourself?"

"I did," said the late laureate, proudly.

"In what pursuit?" asked Doctor Johnson.

"Poetry," said Tennyson. "I wrote 'Locksley Hall' and 'Come into the Garden, Maude.'"

"Humph!" said Doctor Johnson. "I never read 'em."

"Well, why should you have read them?" snarled Carlyle. "They were written after you moved over here, and they were good stuff. You needn't think because you quit, the whole world put up its shutters and went out of business. I did a few things myself which I fancy you never heard of."

"Oh, as for that," retorted Doctor Johnson, with a smile, "I've heard of you; you are the man who wrote the life of Frederick the Great in nine hundred and two volumes--"

"Seven!" snapped Carlyle.

"Well, seven then," returned Johnson. "I never saw the work, but I heard Frederick speaking of it the other day. Bonaparte asked him if he had read it, and Frederick said no, he hadn't time. Bonaparte cried, 'Haven't time? Why, my dear king, you've got all eternity.' 'I know it,' replied Frederick, 'but that isn't enough. Read a page or two, my dear Napoleon, and you'll see why.'"

"Frederick will have his joke," said Shakespeare, with a wink at Tennyson and a smile for the two philosophers, intended, no doubt, to put them in a more agreeable frame of mind. "Why, he even asked me the other day why I never wrote a tragedy about him, completely ignoring the fact that he came along many years after I had departed. I spoke of that, and he said, 'Oh, I was only joking.' I apologized. 'I didn't know that,' said I. 'And why should you?' said he. 'You're English.'"

"A very rude remark," said Johnson. "As if we English were incapable of seeing a joke!"

"Exactly," put in Carlyle. "It strikes me as the absurdest notion that the Englishman can't see a joke. To the mind that is accustomed to snap judgments I have no doubt the Englishman appears to be dull of apprehension, but the philosophy of the whole matter is apparent to the mind that takes the trouble to investigate. The Briton weighs everything carefully before he commits himself, and even though a certain point may strike him as funny, he isn't going to laugh until he has fully made up his mind that it is funny. I remember once riding down Piccadilly with Froude in a hansom cab. Froude had a copy of _Punch_ in his hand, and he began to laugh immoderately over something. I leaned over his shoulder to see what he was laughing at. 'That isn't so funny,' said I, as I read the paragraph on which his eye was resting. 'No,' said Froude. 'I wasn't laughing at that. I was enjoying the joke that appeared in the same relative position in last week's issue.' Now that's the point--the whole point. The Englishman always laughs over last week's _Punch_, not this week's, and that is why you will find a file of that interesting journal in the home of all well-to-do Britons. It is the back number that amuses him--which merely proves that he is a deliberative person who weighs even his humor carefully before giving way to his emotions."

"What is the average weight of a copy of _Punch_?" drawled Artemas Ward, who had strolled in during the latter part of the conversation.

Shakespeare snickered quietly, but Carlyle and Johnson looked upon the intruder severely.

"We will take that question into consideration," said Carlyle. "Perhaps to-morrow we shall have a definite answer ready for you."

"Never mind," returned the humorist. "You've proved your point. Tennyson tells me you find life here dull, Shakespeare."

"Somewhat," said Shakespeare. "I don't know about the rest of you fellows, but I was not cut out for an eternity of ease. I must have occupation, and the stage isn't popular here. The trouble about putting on a play here is that our managers are afraid of libel suits. The chances are that if I should write a play with Cassius as the hero, Cassius would go to the first night's performance with a dagger concealed in his toga, with which to punctuate his objections to the lines put in his mouth. There is nothing I'd like better than to manage a theatre in this place, but think of the riots we'd have! Suppose, for an instant, that I wrote a play about Bonaparte! He'd have a box, and when the rest of you spooks called for the author at the end of the third act, if he didn't happen to like the play he'd greet me with a salvo of artillery instead of applause."

"He wouldn't if you made him out a great conqueror from start to finish," said Tennyson.

"No doubt," returned Shakespeare, sadly; "but in that event Wellington would be in the other stage-box, and I'd get the greeting from him."

"Why come out at all?" asked Johnson.

"Why come out at all?" echoed Shakespeare. "What fun is there in writing a play if you can't come out and show yourself at the first night? That's the author's reward. If it wasn't for the first-night business, though, all would be plain sailing."

"Then why don't you begin it the second night?" drawled Ward.

"How the deuce could you?" put in Carlyle.

"A most extraordinary proposition," sneered Johnson.

"Yes," said Ward; "but wait a week--you'll see the point then."

"There isn't any doubt in my mind," said Shakespeare, reverting to his original proposition, "that the only perfectly satisfactory life is under a system not yet adopted in either world--the one we have quitted or this. There we had hard work in which our mortal limitations hampered us grievously; here we have the freedom of the immortal with no hard work; in other words, now that we feel like fighting-cocks, there isn't any fighting to be done. The great life in my estimation, would be to return to earth and battle with mortal problems, but equipped mentally and physically with immortal weapons."

"Some people don't know when they are well off," said Beau Brummel. "This strikes me as being an ideal life. There are no tailors bills to pay--we are ourselves nothing but memories, and a memory can clothe himself in the shadow of his former grandeur--I clothe myself in the remembrance of my departed clothes, and as my memory is good I flatter myself I'm the best-dressed man here. The fact that there are ghosts of departed unpaid bills haunting my bedside at night doesn't bother me in the least, because the bailiffs that in the old life lent terror to an overdue account, thanks to our beneficent system here, are kept in the less agreeable sections of Hades. I used to regret that bailiffs were such low people, but now I rejoice at it. If they had been of a different order they might have proven unpleasant here."

"You are right, my dear Brummel," interposed Munchausen. "This life is far preferable to that in the other sphere. Any of you gentlemen who happen to have had the pleasure of reading my memoirs must have been struck with the tremendous difficulties that encumbered my progress. If I wished for a rare liqueur for my luncheon, a liqueur served only at the table of an Oriental potentate, more jealous of it than of his one thousand queens, I had to raise armies, charter ships, and wage warfare in which feats of incredible valor had to be performed by myself alone and unaided to secure the desired thimbleful. I have destroyed empires for a bon-bon at great expense of nervous energy."

"That's very likely true," said Carlyle. "I should think your feats of strength would have wrecked your imagination in time."

"Not so," said Munchausen. "On the contrary, continuous exercise served only to make it stronger. But, as I was going to say, in this life we have none of these fearful obstacles--it is a life of leisure; and if I want a bird and a cold bottle at any time, instead of placing my life in peril and jeopardizing the peace of all mankind to get it, I have only to summon before me the memory of some previous bird and cold bottle, dine thereon like a well-ordered citizen, and smoke the spirit of the best cigar my imagination can conjure up."

"You miss my point," said Shakespeare. "I don't say this life is worse or better than the other we used to live. What I do say is that a combination of both would suit me. In short, I'd like to live here and go to the other world every day to business, like a suburban resident who sleeps in the country and makes his living in the city. For instance, why shouldn't I dwell here and go to London every day, hire an office there, and put out a sign something like this:


WILLIAM SHAKESPEARE
DRAMATIST

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