The River's End, James Oliver Curwood [read people like a book TXT] 📗

whispered.
He did not explain to her that it was a borrowed home and that this was his first night in it. Such unimportant details would rest until tomorrow. He showed her the bath and its water system and then explained to Wallie that his sister was in the house and he would have to bunk in the kitchen. At the last he knew what he was expected to do, what he must do. He kissed Mary Josephine good night. He kissed her twice. And Mary Josephine kissed him and gave him a hug the like of which he had never experienced until this night. It sent him back to the fire with blood that danced like a drunken man's.
He turned the lights out and for an hour sat in the dying glow of the birch. For the first time since he had come from Miriam Kirkstone's he had the opportunity to think, and in thinking he found his brain crowded with cold and unemotional fact. He saw his lie in all its naked immensity. Yet he was not sorry that he had lied. He had saved Conniston. He had saved himself. And he had saved Conniston's sister, to love, to fight for, to protect. It had not been a Judas lie but a lie with his heart and his soul and all the manhood in him behind it. To have told the truth would have made him his own executioner, it would have betrayed the dead Englishman who had given to him his name and all that he possessed, and it would have dragged to a pitiless grief the heart of a girl for whom the sun still continued to shine. No regret rose before him now. He felt no shame. All that he saw was the fight, the tremendous fight, ahead of him, his fight to make good as Conniston, his fight to play the game as Conniston would have him play it. The inspiration that had come to him as he stood facing the storm from the western mountains possessed him again. He would go to the river's end as he had planned to go before McDowell told him of Shan Tung and Miriam Kirkstone. And he would not go alone. Mary Josephine would go with him.
It was midnight when he rose from the big chair and went to his room. The door was closed. He opened it and entered. Even as his hand groped for the switch on the wall, his nostrils caught the scent of something which was familiar and yet which should not have been there. It filled the room, just as it had filled the big hall at the Kirkstone house, the almost sickening fragrance of agallochum burned in a cigarette. It hung like a heavy incense. Keith's eyes glared as he scanned the room under the lights, half expecting to see Shan Tung sitting there waiting for him. It was empty. His eyes leaped to the two windows. The shade was drawn at one, the other was up, and the window itself was open an inch or two above the sill. Keith's hand gripped his pistol as he went to it and drew the curtain. Then he turned to the table on which were the reading lamp and Brady's pipes and tobacco and magazines. On an ash-tray lay the stub of a freshly burned cigarette. Shan Tung had come secretly, but he had made no effort to cover his presence.
It was then that Keith saw something on the table which had not been there before. It was a small, rectangular, teakwood box no larger than a half of the palm of his hand. He had noticed Miriam Kirkstone's nervous fingers toying with just such a box earlier in the evening. They were identical in appearance. Both were covered with an exquisite fabric of oriental carving, and the wood was stained and polished until it shone with the dark luster of ebony. Instantly it flashed upon him that this was the same box he had seen at Miriam's. She had sent it to him, and Shan Tung had been her messenger. The absurd thought was in his head as he took up a small white square of card that lay on top of the box. The upper side of this card was blank; on the other side, in a script as exquisite in its delicacy as the carving itself, were the words:
"WITH THE COMPLIMENTS OF SHAN TUNG."
In another moment Keith had opened the box. Inside was a carefully folded slip of paper, and on this paper was written a single line. Keith's heart stopped beating, and his blood ran cold as he read what it held for him, a message of doom from Shan Tung in nine words:
"WHAT HAPPENED TO DERWENT CONNISTON? DID YOU KILL HIM?"


XI
Stunned by a shock that for a few moments paralyzed every nerve center in his body, John Keith stood with the slip of white paper in his hands. He was discovered! That was the one thought that pounded like a hammer in his brain. He was discovered in the very hour of his triumph and exaltation, in that hour when the world had opened its portals of joy and hope for him again and when life itself, after four years of hell, was once more worth the living. Had the shock come a few hours before, he would have taken it differently. He was expecting it then. He had expected it when he entered McDowell's office the first time. He was prepared for it afterward. Discovery, failure, and death were possibilities of the hazardous game he was playing, and he was unafraid, because he had only his life to lose, a life that was not much more than a hopeless derelict at most. Now it was different. Mary Josephine had come like some rare and wonderful alchemy to transmute for him all leaden things into gold. In a few minutes she had upset the world. She had literally torn aside for him the hopeless chaos in which he saw himself struggling, flooding him with the warm radiance of a great love and a still greater desire. On his lips he could feel the soft thrill of her good-night kiss and about his neck the embrace of her soft arms. She had not gone to sleep yet. Across in the other room she was thinking of him, loving him; perhaps she was on her knees praying for him, even as he held in his fingers Shan Tung's mysterious forewarning of his doom.
The first impulse that crowded in upon him was that of flight, the selfish impulse of personal salvation. He could get away. The night would swallow him up. A moment later he was mentally castigating himself for the treachery of that impulse to Mary Josephine. His floundering senses began to readjust themselves.
Why had Shan Tung given him this warning? Why had he not gone straight to Inspector McDowell with the astounding disclosure of the fact that the man supposed to be Derwent Conniston was not Derwent Conniston, but John Keith, the murderer of Miriam Kirkstone's father?
The questions brought to Keith a new thrill. He read the note again. It was a definite thing stating a certainty and not a guess. Shan Tung had not shot at random. He knew. He knew that he was not Derwent Conniston but John Keith. And he believed that he had killed the Englishman to steal his identity. In the face of these things he had not gone to McDowell! Keith's eyes fell upon the card again. "With the compliments of Shan Tung." What did the words mean? Why had Shan Tung written them unless--with his compliments--he was giving him a warning and the chance to save himself?
His immediate alarm grew less. The longer he contemplated the slip of paper in his hand, the more he became convinced that the inscrutable Shan Tung was the last individual in the world to stage a bit of melodrama without some good reason for it. There was but one conclusion he could arrive at. The Chinaman was playing a game of his own, and he had taken this unusual way of advising Keith to make a getaway while the going was good. It was evident that his intention had been to avoid the possibility of a personal discussion of the situation. That, at least, was Keith's first impression.
He turned to examine the window. There was no doubt that Shan Tung had come in that way. Both the sill and curtain bore stains of water and mud, and there was wet dirt on the floor. For once the immaculate oriental had paid no attention to his feet. At the door leading into the big room Keith saw where he had stood for some time, listening, probably when McDowell and Mary Josephine were in the outer room waiting for him. Suddenly his eyes riveted themselves on the middle panel of the door. Brady had intended his color scheme to be old ivory--the panel itself was nearly white--and on it Shan Tung had written heavily with a lead pencil the hour of his presence, "10.45 P.M." Keith's amazement found voice in a low exclamation. He looked at his watch. It was a quarter-hour after twelve. He had returned to the Shack before ten, and the clever Shan Tung was letting him know in this cryptic fashion that for more than three-quarters of an hour he had listened at the door and spied upon him and Mary Josephine through the keyhole.
Had even such an insignificant person as Wallie been guilty of that act, Keith would have felt like thrashing him. It surprised himself that he experienced no personal feeling of outrage at Shan Tung's frank confession of eavesdropping. A subtle significance began to attach itself more and more to the story his room was telling him. He knew that Shan Tung had left none of the marks of his presence out of bravado, but with a definite purpose. Keith's psychological mind was at all times acutely ready to seize upon possibilities, and just as his positiveness of Conniston's spiritual presence had inspired him to act his lie with Mary Josephine, so did the conviction possess him now that his room held for him a message of the most vital importance.
In such an emergency Keith employed his own method. He sat down, lighted his pipe again, and centered the full resource of his mind on Shan Tung, dissociating himself from the room and the adventure of the night as much as possible in his objective analysis of the man. Four distinct emotional factors entered into that analysis--fear, distrust, hatred, personal enmity. To his surprise he found himself drifting steadily into an unusual and unexpected mental attitude. From the time he had faced Shan Tung in the inspector's office, he had regarded him as the chief enemy of his freedom, his one great menace. Now he felt neither personal enmity nor hatred for him. Fear and distrust remained, but the fear was impersonal and the distrust that of one who watches a clever opponent in a game or a fight. His conception of Shan Tung changed. He found his occidental mind running parallel with the oriental, bridging the spaces which otherwise it never would have crossed, and at the end it seized upon the key. It proved to him that his first impulse had been wrong. Shan Tung had not expected him to seek safety in flight. He had given the white man credit for a larger understanding than that. His desire, first of all, had been to let Keith know that he was not the only one who was playing for big stakes, and that another, Shan Tung himself, was gambling a hazard of his own, and that the fraudulent Derwent Conniston was a trump card in that game.
To impress this upon Keith