The River's End, James Oliver Curwood [read people like a book TXT] 📗

the golden flash of the sun. "It is wonderful! And just over there is the town!"
"Yes, and beyond the town are the cities."
"And off there--"
"God's country," said Keith devoutly.
Mary Josephine drew a deep breath. "And people still live in towns and cities!" she exclaimed in wondering credulity. "I've dreamed of 'over here,' Derry, but I never dreamed that. And you've had it for years and years, while I--oh, Derry!"
And again those two words filled his heart with gladness, words of loving reproach, atremble with the mysterious whisper of a great desire. For she was looking into the west. And her eyes and her heart and her soul were in the west, and suddenly Keith saw his way as though lighted by a flaming torch. He came near to forgetting that he was Conniston. He spoke of his dream, his desire, and told her that last night--before she came--he had made up his mind to go. She had come to him just in time. A little later and he would have been gone, buried utterly away from the world in the wonderland of the mountains. And now they would go together. They would go as he had planned to go, quietly, unobtrusively; they would slip away and disappear. There was a reason why no one should know, not even McDowell. It must be their secret. Some day he would tell her why. Her heart thumped excitedly as he went on like a boy planning a wonderful day. He could see the swifter beat of it in the flush that rose into her face and the joy glowing tremulously in her eyes as she looked at him. They would get ready quietly. They might go tomorrow, the next day, any time. It would be a glorious adventure, just they two, with all the vastness of that mountain paradise ahead of them.
"We'll be pals," he said. "Just you and me, Mary Josephine. We're all that's left."
It was his first experiment, his first reference to the information he had gained in the letters, and swift as a flash Mary Josephine's eyes turned up to him. He nodded, smiling. He understood their quick questioning, and he held her hand closer and began to walk with her down the slope.
"A lot of it came back last night and this morning, a lot of it," he explained. "It's queer what miracles small things can work sometimes, isn't it? Think what a grain of sand can do to a watch! This was one of the small things." He was still smiling as he touched the scar on his forehead. "And you, you were the other miracle. And I'm remembering. It doesn't seem like seven or eight years, but only yesterday, that the grain of sand got mixed up somewhere in the machinery in my head. And I guess there was another reason for my going wrong. You'll understand, when I tell you."
Had he been Conniston it could not have come from him more naturally, more sincerely. He was living the great lie, and yet to him it was no longer a lie. He did not hesitate, as shame and conscience might have made him hesitate. He was fighting that something beautiful might be raised up out of chaos and despair and be made to exist; he was fighting for life in place of death, for happiness in place of grief, for light in place of darkness--fighting to save where others would destroy. Therefore the great lie was not a lie but a thing without venom or hurt, an instrument for happiness and for all the things good and beautiful that went to make happiness. It was his one great weapon. Without it he would fail, and failure meant desolation. So he spoke convincingly, for what he said came straight from the heart though it was born in the shadow of that one master-falsehood. His wonder was that Mary Josephine believed him so utterly that not for an instant was there a questioning doubt in her eyes or on her lips.
He told her how much he "remembered," which was no more and no less than he had learned from the letters and the clippings. The story did not appeal to him as particularly unusual or dramatic. He had passed through too many tragic happenings in the last four years to regard it in that way. It was simply an unfortunate affair beginning in misfortune, and with its necessary whirlwind of hurt and sorrow. The one thing of shame he would not keep out of his mind was that he, Derwent Conniston, must have been a poor type of big brother in those days of nine or ten years ago, even though little Mary Josephine had worshiped him. He was well along in his twenties then. The Connistons of Darlington were his uncle and aunt, and his uncle was a more or less prominent figure in ship-building interests on the Clyde. With these people the three--himself, Mary Josephine, and his brother Egbert--had lived, "farmed out" to a hard-necked, flinty-hearted pair of relatives because of a brother's stipulation and a certain English law. With them they had existed in mutual discontent and dislike. Derwent, when he became old enough, had stepped over the traces. All this Keith had gathered from the letters, but there was a great deal that was missing. Egbert, he gathered, must have been a scapegrace. He was a cripple of some sort and seven or eight years his junior. In the letters Mary Josephine had spoken of him as "poor Egbert," pitying instead of condemning him, though it was Egbert who had brought tragedy and separation upon them. One night Egbert had broken open the Conniston safe and in the darkness had had a fight and a narrow escape from his uncle, who laid the crime upon Derwent. And Derwent, in whom Egbert must have confided, had fled to America that the cripple might be saved, with the promise that some day he would send for Mary Josephine. He was followed by the uncle's threat that if he ever returned to England, he would be jailed. Not long afterward "poor Egbert" was found dead in bed, fearfully contorted. Keith guessed there had been something mentally as well as physically wrong with him.
"--And I was going to send for you," he said, as they came to the level of the valley. "My plans were made, and I was going to send for you, when this came."
He stopped, and in a few tense, breathless moments Mary Josephine read the ninth and last letter he had taken from the Englishman's chest. It was from her uncle. In a dozen lines it stated that she, Mary Josephine, was dead, and it reiterated the threat against Derwent Conniston should he ever dare to return to England.
A choking cry came to her lips. "And that--THAT was it?"
"Yes, that--and the hurt in my head," he said, remembering the part he must play. "They came at about the same time, and the two of them must have put the grain of sand in my brain."
It was hard to lie now, looking straight into her face that had gone suddenly white, and with her wonderful eyes burning deep into his soul.
She did not seem, for an instant, to hear his voice or sense his words. "I understand now," she was saying, the letter crumpling in her fingers. "I was sick for almost a year, Derry. They thought I was going to die. He must have written it then, and they destroyed my letters to you, and when I was better they told me you were dead, and then I didn't write any more. And I wanted to die. And then, almost a year ago, Colonel Reppington came to me, and his dear old voice was so excited that it trembled, and he told me that he believed you were alive. A friend of his had just returned from British Columbia, and this friend told him that three years before, while on a grizzly shooting trip, he had met a man named Conniston, an Englishman. We wrote a hundred letters up there and found the man, Jack Otto, who was in the mountains with you, and then I knew you were alive. But we couldn't find you after that, and so I came--"
He would have wagered that she was going to cry, but she fought the tears back, smiling.
"And--and I've found you!" she finished triumphantly.
She snuggled close to him, and he slipped an arm about her waist, and they walked on. She told him about her arrival in Halifax, how Colonel Reppington had given her letters to nice people in Montreal and Winnipeg, and how it happened one day that she found his name in one of the Mounted Police blue books, and after that came on as fast as she could to surprise him at Prince Albert. When she came to that point, Keith pointed once more into the west and said:
"And there is our new world. Let us forget the old. Shall we, Mary Josephine?"
"Yes," she whispered, and her hand sought his again and crept into it, warm and confident.


XV
They went on through the golden morning, the earth damp under their feet, the air filled with its sweet incense, on past scattered clumps of balsams and cedars until they came to the river and looked down on its yellow sand-bars glistening in the sun. The town was hidden. They heard no sound from it. And looking up the great Saskatchewan, the river of mystery, of romance, of glamour, they saw before them, where the spruce walls seemed to meet, the wide-open door through which they might pass into the western land beyond. Keith pointed it out. And he pointed out the yellow bars, the glistening shores of sand, and told her how even as far as this, a thousand miles by river--those sands brought gold with them from the mountains, the gold whose treasure-house no man had ever found, and which must be hidden up there somewhere near the river's end. His dream, like Duggan's, had been to find it. Now they would search for it together.
Slowly he was picking his way so that at last they came to the bit of cleared timber in which was his old home. His heart choked him as they drew near. There was an uncomfortable tightness in his breath. The timber was no longer "clear." In four years younger generations of life had sprung up among the trees, and the place was jungle-ridden. They were within a few yards of the house before Mary Josephine saw it, and then she stopped suddenly with a little gasp. For this that she faced was not desertion, was not mere neglect. It was tragedy. She saw in an instant that there was no life in this place, and yet it stood as if tenanted. It was a log chateau with a great, red chimney rising at one end curtains and shades still hung at the windows. There were three chairs on the broad veranda that looked riverward. But two of the windows were broken, and the chairs were falling into ruin. There was no life. They were facing only the ghosts of life.
A swift glance into Keith's face told her this was so. His lips were set tight. There was a strange look in his face. Hand in hand they had come up, and her fingers pressed his tighter now.
"What is it?" she asked.
"It is John Keith's home as he left it four years ago," he replied.
The suspicious break in his voice drew her eyes from the chateau to his own again. She could see him fighting. There was a twitching in his throat. His hand was gripping hers until it hurt.
"John Keith?" she whispered softly.
"Yes, John Keith."
She