Sanctuary, Edith Wharton [best novels in english .TXT] 📗
- Author: Edith Wharton
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inferences had carried her a point farther. For it was now plain to her that Miss Verney had not risked so much without first trying to gain her point at less cost: that if she had had to give herself as a prize, it was because no other bribe had been sufficient. This then, as the mother saw with a throb of hope, meant that Dick, who since Darrow's death had held to his purpose unwaveringly, had been deflected from it by the first hint of Clemence Verney's connivance. Kate had not miscalculated: things had happened as she had foreseen. In the light of the girl's approval his act had taken an odious look. He had recoiled from it, and it was to revive his flagging courage that she had had to promise herself, to take him in the meshes of her surrender.
Kate, looking up, saw above her the young perplexity of her boy's face, the suspended happiness waiting to brim over. With a fresh touch of misery she said to herself that this was his hour, his one irrecoverable moment, and that she was darkening it by her silence. Her memory went back to the same hour in her own life: she could feel its heat in her pulses still. What right had she to stand in Dick's light? Who was she to decide between his code and hers? She put out her hand and drew him down to her.
"She'll be the making of me, you know, mother," he said, as they leaned together. "She'll put new life in me--she'll help me get my second wind. Her talk is like a fresh breeze blowing away the fog in my head. I never knew any one who saw so straight to the heart of things, who had such a grip on values. She goes straight up to life and catches hold of it, and you simply can't make her let go."
He got up and walked the length of the room; then he came back and stood smiling above his mother.
"You know you and I are rather complicated people," he said. "We're always walking around things to get new views of them--we're always rearranging the furniture. And somehow she simplifies life so tremendously." He dropped down beside her with a deprecating laugh. "Not that I mean, dear, that it hasn't been good for me to argue things out with myself, as you've taught me to--only the man who stops to talk is apt to get shoved aside nowadays, and I don't believe Milton's archangels would have had much success in active business."
He had begun in a strain of easy confidence, but as he went on she detected an effort to hold the note, she felt that his words were being poured out in a vain attempt to fill the silence which was deepening between them. She longed, in her turn, to pour something into that menacing void, to bridge it with a reconciling word or look; but her soul hung back, and she had to take refuge in a vague murmur of tenderness.
"My boy! My boy!" she repeated; and he sat beside her without speaking, their hand-clasp alone spanning the distance which had widened between their thoughts.
* * * * *
The engagement, as Kate subsequently learned, was not to be made known till later. Miss Verney had even stipulated that for the present there should be no recognition of it in her own family or in Dick's. She did not wish to interfere with his final work for the competition, and had made him promise, as he laughingly owned, that he would not see her again till the drawings were sent in. His mother noticed that he made no other allusion to his work; but when he bade her good-night he added that he might not see her the next morning, as he had to go to the office early. She took this as a hint that he wished to be left alone, and kept her room the next day till the closing door told her that he was out of the house.
She herself had waked early, and it seemed to her that the day was already old when she came downstairs. Never had the house appeared so empty. Even in Dick's longest absences something of his presence had always hung about the rooms: a fine dust of memories and associations, which wanted only the evocation of her thought to float into a palpable semblance of him. But now he seemed to have taken himself quite away, to have broken every fibre by which their lives had hung together. Where the sense of him had been there was only a deeper emptiness: she felt as if a strange man had gone out of her house.
She wandered from room to room, aimlessly, trying to adjust herself to their solitude. She had known such loneliness before, in the years when most women's hearts are fullest; but that was long ago, and the solitude had after all been less complete, because of the sense that it might still be filled. Her son had come: her life had brimmed over; but now the tide ebbed again, and she was left gazing over a bare stretch of wasted years. Wasted! There was the mortal pang, the stroke from which there was no healing. Her faith and hope had been marsh-lights luring her to the wilderness, her love a vain edifice reared on shifting ground.
In her round of the rooms she came at last to Dick's study upstairs. It was full of his boyhood: she could trace the history of his past in its quaint relics and survivals, in the school-books lingering on his crowded shelves, the school-photographs and college-trophies hung among his later treasures. All his successes and failures, his exaltations and inconsistencies, were recorded in the warm huddled heterogeneous room. Everywhere she saw the touch of her own hand, the vestiges of her own steps. It was she alone who held the clue to the labyrinth, who could thread a way through the confusions and contradictions of his past; and her soul rejected the thought that his future could ever escape from her. She dropped down into his shabby college armchair and hid her face in the papers on his desk.
VIII
The day dwelt in her memory as a long stretch of aimless hours: blind alleys of time that led up to a dead wall of inaction.
Toward afternoon she remembered that she had promised to dine out and go to the opera. At first she felt that the contact of life would be unendurable; then she shrank from shutting herself up with her misery. In the end she let herself drift passively on the current of events, going through the mechanical routine of the day without much consciousness of what was happening.
At twilight, as she sat in the drawing-room, the evening paper was brought in, and in glancing over it her eye fell on a paragraph which seemed printed in more vivid type than the rest. It was headed, _The New Museum of Sculpture_, and underneath she read: "The artists and architects selected to pass on the competitive designs for the new Museum will begin their sittings on Monday, and tomorrow is the last day on which designs may be sent in to the committee. Great interest is felt in the competition, as the conspicuous site chosen for the new building, and the exceptionally large sum voted by the city for its erection, offer an unusual field for the display of architectural ability."
She leaned back, closing her eyes. It was as though a clock had struck, loud and inexorably, marking off some irrecoverable hour. She was seized by a sudden longing to seek Dick out, to fall on her knees and plead with him: it was one of those physical obsessions against which the body has to stiffen its muscles as well as the mind its thoughts. Once she even sprang up to ring for a cab; but she sank back again, breathing as if after a struggle, and gripping the arms of her chair to keep herself down.
"I can only wait for him--only wait for him--" she heard herself say; and the words loosened the sobs in her throat.
At length she went upstairs to dress for dinner. A ghostlike self looked back at her from her toilet-glass: she watched it performing the mechanical gestures of the toilet, dressing her, as it appeared, without help from her actual self. Each little act stood out sharply against the blurred background of her brain: when she spoke to her maid her voice sounded extraordinarily loud. Never had the house been so silent; or, stay--yes, once she had felt the same silence, once when Dick, in his school-days, had been ill of a fever, and she had sat up with him on the decisive night. The silence had been as deep and as terrible then; and as she dressed she had before her the vision of his room, of the cot in which he lay, of his restless head working a hole in the pillow, his face so pinched and alien under the familiar freckles. It might be his death-watch she was keeping: the doctors had warned her to be ready. And in the silence her soul had fought for her boy, her love had hung over him like wings, her abundant useless hateful life had struggled to force itself into his empty veins. And she had succeeded, she had saved him, she had poured her life into him; and in place of the strange child she had watched all night, at daylight she held her own boy to her breast.
That night had once seemed to her the most dreadful of her life; but she knew now that it was one of the agonies which enrich, that the passion thus spent grows fourfold from its ashes. She could not have borne to keep this new vigil alone. She must escape from its sterile misery, must take refuge in other lives till she regained courage to face her own. At the opera, in the illumination of the first _entr'acte_, as she gazed about the house, wondering through the numb ache of her wretchedness how others could talk and smile and be indifferent, it seemed to her that all the jarring animation about her was suddenly focussed in the face of Clemence Verney. Miss Verney sat opposite, in the front of a crowded box, a box in which, continually, the black-coated background shifted and renewed itself. Mrs. Peyton felt a throb of anger at the girl's bright air of unconcern. She forgot that she too was talking, smiling, holding out her hand to newcomers, in a studied mimicry of life, while her real self played out its tragedy behind the scenes. Then it occurred to her that, to Clemence Verney, there was no tragedy in the situation. According to the girl's calculations, Dick was virtually certain of success; and unsuccess was to her the only conceivable disaster.
All through the opera the sense of that opposing force, that negation of her own beliefs, burned itself into Mrs. Peyton's consciousness. The space between herself and the girl seemed to vanish, the throng about them to disperse, till they were face to face and alone, enclosed in their mortal enmity. At length the feeling of humiliation and defeat grew unbearable to Mrs. Peyton. The girl seemed to flout her in the insolence of victory, to sit there as the visible symbol of her failure. It was better after all to be at
Kate, looking up, saw above her the young perplexity of her boy's face, the suspended happiness waiting to brim over. With a fresh touch of misery she said to herself that this was his hour, his one irrecoverable moment, and that she was darkening it by her silence. Her memory went back to the same hour in her own life: she could feel its heat in her pulses still. What right had she to stand in Dick's light? Who was she to decide between his code and hers? She put out her hand and drew him down to her.
"She'll be the making of me, you know, mother," he said, as they leaned together. "She'll put new life in me--she'll help me get my second wind. Her talk is like a fresh breeze blowing away the fog in my head. I never knew any one who saw so straight to the heart of things, who had such a grip on values. She goes straight up to life and catches hold of it, and you simply can't make her let go."
He got up and walked the length of the room; then he came back and stood smiling above his mother.
"You know you and I are rather complicated people," he said. "We're always walking around things to get new views of them--we're always rearranging the furniture. And somehow she simplifies life so tremendously." He dropped down beside her with a deprecating laugh. "Not that I mean, dear, that it hasn't been good for me to argue things out with myself, as you've taught me to--only the man who stops to talk is apt to get shoved aside nowadays, and I don't believe Milton's archangels would have had much success in active business."
He had begun in a strain of easy confidence, but as he went on she detected an effort to hold the note, she felt that his words were being poured out in a vain attempt to fill the silence which was deepening between them. She longed, in her turn, to pour something into that menacing void, to bridge it with a reconciling word or look; but her soul hung back, and she had to take refuge in a vague murmur of tenderness.
"My boy! My boy!" she repeated; and he sat beside her without speaking, their hand-clasp alone spanning the distance which had widened between their thoughts.
* * * * *
The engagement, as Kate subsequently learned, was not to be made known till later. Miss Verney had even stipulated that for the present there should be no recognition of it in her own family or in Dick's. She did not wish to interfere with his final work for the competition, and had made him promise, as he laughingly owned, that he would not see her again till the drawings were sent in. His mother noticed that he made no other allusion to his work; but when he bade her good-night he added that he might not see her the next morning, as he had to go to the office early. She took this as a hint that he wished to be left alone, and kept her room the next day till the closing door told her that he was out of the house.
She herself had waked early, and it seemed to her that the day was already old when she came downstairs. Never had the house appeared so empty. Even in Dick's longest absences something of his presence had always hung about the rooms: a fine dust of memories and associations, which wanted only the evocation of her thought to float into a palpable semblance of him. But now he seemed to have taken himself quite away, to have broken every fibre by which their lives had hung together. Where the sense of him had been there was only a deeper emptiness: she felt as if a strange man had gone out of her house.
She wandered from room to room, aimlessly, trying to adjust herself to their solitude. She had known such loneliness before, in the years when most women's hearts are fullest; but that was long ago, and the solitude had after all been less complete, because of the sense that it might still be filled. Her son had come: her life had brimmed over; but now the tide ebbed again, and she was left gazing over a bare stretch of wasted years. Wasted! There was the mortal pang, the stroke from which there was no healing. Her faith and hope had been marsh-lights luring her to the wilderness, her love a vain edifice reared on shifting ground.
In her round of the rooms she came at last to Dick's study upstairs. It was full of his boyhood: she could trace the history of his past in its quaint relics and survivals, in the school-books lingering on his crowded shelves, the school-photographs and college-trophies hung among his later treasures. All his successes and failures, his exaltations and inconsistencies, were recorded in the warm huddled heterogeneous room. Everywhere she saw the touch of her own hand, the vestiges of her own steps. It was she alone who held the clue to the labyrinth, who could thread a way through the confusions and contradictions of his past; and her soul rejected the thought that his future could ever escape from her. She dropped down into his shabby college armchair and hid her face in the papers on his desk.
VIII
The day dwelt in her memory as a long stretch of aimless hours: blind alleys of time that led up to a dead wall of inaction.
Toward afternoon she remembered that she had promised to dine out and go to the opera. At first she felt that the contact of life would be unendurable; then she shrank from shutting herself up with her misery. In the end she let herself drift passively on the current of events, going through the mechanical routine of the day without much consciousness of what was happening.
At twilight, as she sat in the drawing-room, the evening paper was brought in, and in glancing over it her eye fell on a paragraph which seemed printed in more vivid type than the rest. It was headed, _The New Museum of Sculpture_, and underneath she read: "The artists and architects selected to pass on the competitive designs for the new Museum will begin their sittings on Monday, and tomorrow is the last day on which designs may be sent in to the committee. Great interest is felt in the competition, as the conspicuous site chosen for the new building, and the exceptionally large sum voted by the city for its erection, offer an unusual field for the display of architectural ability."
She leaned back, closing her eyes. It was as though a clock had struck, loud and inexorably, marking off some irrecoverable hour. She was seized by a sudden longing to seek Dick out, to fall on her knees and plead with him: it was one of those physical obsessions against which the body has to stiffen its muscles as well as the mind its thoughts. Once she even sprang up to ring for a cab; but she sank back again, breathing as if after a struggle, and gripping the arms of her chair to keep herself down.
"I can only wait for him--only wait for him--" she heard herself say; and the words loosened the sobs in her throat.
At length she went upstairs to dress for dinner. A ghostlike self looked back at her from her toilet-glass: she watched it performing the mechanical gestures of the toilet, dressing her, as it appeared, without help from her actual self. Each little act stood out sharply against the blurred background of her brain: when she spoke to her maid her voice sounded extraordinarily loud. Never had the house been so silent; or, stay--yes, once she had felt the same silence, once when Dick, in his school-days, had been ill of a fever, and she had sat up with him on the decisive night. The silence had been as deep and as terrible then; and as she dressed she had before her the vision of his room, of the cot in which he lay, of his restless head working a hole in the pillow, his face so pinched and alien under the familiar freckles. It might be his death-watch she was keeping: the doctors had warned her to be ready. And in the silence her soul had fought for her boy, her love had hung over him like wings, her abundant useless hateful life had struggled to force itself into his empty veins. And she had succeeded, she had saved him, she had poured her life into him; and in place of the strange child she had watched all night, at daylight she held her own boy to her breast.
That night had once seemed to her the most dreadful of her life; but she knew now that it was one of the agonies which enrich, that the passion thus spent grows fourfold from its ashes. She could not have borne to keep this new vigil alone. She must escape from its sterile misery, must take refuge in other lives till she regained courage to face her own. At the opera, in the illumination of the first _entr'acte_, as she gazed about the house, wondering through the numb ache of her wretchedness how others could talk and smile and be indifferent, it seemed to her that all the jarring animation about her was suddenly focussed in the face of Clemence Verney. Miss Verney sat opposite, in the front of a crowded box, a box in which, continually, the black-coated background shifted and renewed itself. Mrs. Peyton felt a throb of anger at the girl's bright air of unconcern. She forgot that she too was talking, smiling, holding out her hand to newcomers, in a studied mimicry of life, while her real self played out its tragedy behind the scenes. Then it occurred to her that, to Clemence Verney, there was no tragedy in the situation. According to the girl's calculations, Dick was virtually certain of success; and unsuccess was to her the only conceivable disaster.
All through the opera the sense of that opposing force, that negation of her own beliefs, burned itself into Mrs. Peyton's consciousness. The space between herself and the girl seemed to vanish, the throng about them to disperse, till they were face to face and alone, enclosed in their mortal enmity. At length the feeling of humiliation and defeat grew unbearable to Mrs. Peyton. The girl seemed to flout her in the insolence of victory, to sit there as the visible symbol of her failure. It was better after all to be at
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