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in the last faded realism of the Renascence. There really is stiff and ungainly decoration, but it is not the harsh or ascetic decoration of a Spanish cloister; it is much more like the pompous yet frivolous decorations of a Parisian hotel. In short, in so far as the shrine has really been defaced it has not been defaced by the Dark Ages, but rather if anything by the Age of Reason. It is the enlightened eighteenth century, which regarded itself as the very noonday of natural culture and common sense, that has really though indirectly laid its disfiguring finger on the dark but dignified Byzantine temple. I do not particularly mind it myself; for in such great matters I do not think taste is the test. But if taste is to be made the test, there is matter for momentary reflection in this fact; for it is another example of the weakness of what may be called fashion. Voltaire, I believe, erected a sort of temple to God in his own garden; and we may be sure that it was in the most exquisite taste of the time. Nothing would have surprised him more than to learn that, fifty years after the success of the French Revolution, almost every freethinker of any artistic taste would think his temple far less artistically admirable than the nearest gargoyle on Notre Dame. Thus it is progress that must be blamed for most of these things: and we ought not to turn away in contempt from something antiquated, but rather recognise with respect and even alarm a sort of permanent man-trap in the idea of being modern. So that the moral of this matter is the same as that of the other; that these things should raise in us, not merely the question of whether we like them, but of whether there is anything very infallible or imperishable about what we like. At least the essentials of these things endure; and if they seem to have remained fixed as effigies, at least they have not faded like fashion-plates.

It has seemed worth while to insert here this note on the philosophy of sight-seeing, however dilatory or disproportionate it may seem. For I am particularly and positively convinced that unless these things can somehow or other be seen in the right historical perspective and philosophical proportion, they are not worth seeing at all. And let me say in conclusion that I can not only respect the sincerity, but understand the sentiments, of a man who says they are not worth seeing at all. Sight-seeing is a far more difficult and disputable matter than many seem to suppose; and a man refusing it altogether might be a man of sense and even a man of imagination. It was the great Wordsworth who refused to revisit Yarrow; it was only the small Wordsworth who revisited it after all. I remember the first great sight in my own entrance to the Near East, when I looked by accident out of the train going to Cairo, and saw far away across the luminous flats a faint triangular shape; the Pyramids. I could understand a man who had seen it turning his back and retracing his whole journey to his own country and his own home, saying, "I will go no further; for I have seen afar off the last houses of the kings." I can understand a man who had only seen in the distance Jerusalem sitting on the hill going no further and keeping that vision for ever. It would, of course, be said that it was absurd to come at all, and to see so little. To which I answer that in that sense it is absurd to come at all. It is no more fantastic to turn back for such a fancy than it was to come for a similar fancy. A man cannot eat the Pyramids; he cannot buy or sell the Holy City; there can be no practical aspect either of his coming or going. If he has not come for a poetic mood he has come for nothing; if he has come for such a mood, he is not a fool to obey that mood. The way to be really a fool is to try to be practical about unpractical things. It is to try to collect clouds or preserve moonshine like money. Now there is much to be said for the view that to search for a mood is in its nature moonshine. It may be said that this is especially true in the crowded and commonplace conditions in which most sight-seeing has to be done. It may be said that thirty tourists going together to see a tombstone is really as ridiculous as thirty poets going together to write poems about the nightingale. There would be something rather depressing about a crowd of travellers, walking over hill and dale after the celebrated cloud of Wordsworth; especially if the crowd is like the cloud, and moveth all together if it move at all. A vast mob assembled on Salisbury Plain to listen to Shelley's skylark would probably (after an hour or two) consider it a rather subdued sort of skylarking. It may be argued that it is just as illogical to hope to fix beforehand the elusive effects of the works of man as of the works of nature. It may be called a contradiction in terms to expect the unexpected. It may be counted mere madness to anticipate astonishment, or go in search of a surprise. To all of which there is only one answer; that such anticipation is absurd, and such realisation will be disappointing, that images will seem to be idols and idols will seem to be dolls, unless there be some rudiment of such a habit of mind as I have tried to suggest in this chapter. No great works will seem great, and no wonders of the world will seem wonderful, unless the angle from which they are seen is that of historical humility.

One more word may be added of a more practical sort. The place where the most passionate convictions on this planet are concentrated is not one where it will always be wise, even from a political standpoint, to air our plutocratic patronage and our sceptical superiority. Strange scenes have already been enacted round that fane where the Holy Fire bursts forth to declare that Christ is risen; and whether or no we think the thing holy there is no doubt about it being fiery. Whether or no the superior person is right to expect the unexpected, it is possible that something may be revealed to him that he really does not expect. And whatever he may think about the philosophy of sight-seeing, it is not unlikely that he may see some sights.







CHAPTER V. — THE STREETS OF THE CITY

When Jerusalem had been half buried in snow for two or three days, I remarked to a friend that I was prepared henceforward to justify all the Christmas cards. The cards that spangle Bethlehem with frost are generally regarded by the learned merely as vulgar lies. At best they are regarded as popular fictions, like that which made the shepherds in the Nativity Play talk a broad dialect of Somerset. In the deepest sense of course this democratic tradition is truer than most history. But even in the cruder and more concrete sense the tradition about the December snow is not quite so false as is suggested. It is not a mere local illusion for Englishmen to picture the Holy Child in a snowstorm, as it would be for the Londoners to picture him in a London fog. There can be snow in Jerusalem, and there might be snow in Bethlehem; and when we penetrate to the idea behind the image, we find it is not only possible but probable. In Palestine, at least in these mountainous parts of Palestine, men have the same general sentiment about the seasons as in the West or the North. Snow is a rarity, but winter is a reality. Whether we regard it as the divine purpose of a mystery or the human purpose of a myth, the purpose of putting such a feast in winter would be just the same in Bethlehem as it would be in Balham. Any one thinking of the Holy Child as born in December would mean by it exactly what we mean by it; that Christ is not merely a summer sun of the prosperous but a winter fire for the unfortunate.

In other words, the semi-tropical nature of the place, like its vulgarity and desecration, can be, and are, enormously exaggerated. But it is always hard to correct the exaggeration without exaggerating the correction. It would be absurd seriously to deny that Jerusalem is an Eastern town; but we may say it was Westernised without being modernised. Anyhow, it was medievalised before it was modernised. And in the same way it would be absurd to deny that Jerusalem is a Southern town, in the sense of being normally out of the way of snowstorms, but the truth can be suggested by saying that it has always known the quality of snow, but not the quantity. And the quantity of snow that fell on this occasion would have been something striking and even sensational in Sussex or Kent. And yet another way of putting the proportions of the thing would be to say that Jerusalem has been besieged more often and by more different kinds of people than any town upon the globe; that it has been besieged by Jews and Assyrians, Egyptians and Babylonians, Greeks and Romans, Persians and Saracens, Frenchmen and Englishmen; but perhaps never before in all its agony of ages has it ever really been besieged by winter. In this case it was not only snowed on, it was snowed up.

For some days the city was really in a state of siege. If the snow had held for a sufficient number of days it might have been in a state of famine. The railway failed between Jerusalem and the nearest station. The roads were impassable between Jerusalem and the nearest village, or even the nearest suburb. In some places the snow drifted deep enough to bury a man, and in some places, alas, it did actually bury little children; poor little Arabs whose bodies were stiff where they had fallen. Many mules were overwhelmed as if by floods, and countless trees struck down as if by lightning. Even when the snow began at last to melt it only threatened to turn the besieged fortress into a sort of island. A river that men could not ford flowed between Jerusalem and the Mount of Olives. Even a man walking about the ordinary streets could easily step up to his knees or up to his waist. Snow stood about like a new system of natural barricades reared in some new type of revolution. I have already remarked that what struck me most about the city was the city wall; but now a new white wall stood all round the city; and one that neither friend nor foe could pass.

But a state of siege, whatever its inconveniences, is exceedingly convenient for a critic and observer of the town. It concentrated all that impression of being something compact and what, with less tragic attendant circumstances, one might call cosy. It fixed the whole picture in a frame even more absolute than the city wall; and it turned the eyes of all spectators inwards. Above all, by its very abnormality it accentuated the normal divisions and differences of the place; and made it more possible to distinguish and describe them like dramatis personae. The parts they played in the crisis of the snow were very like the parts they played in the general crisis of the state. And the very cut and colour of the figures, turban and tarbouch, khaki and burnous and

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