The New Jerusalem, G. K. Chesterton [good fiction books to read .TXT] 📗

scepticism. I do not speak of the theological tenets or even the deeper emotions involved, but only, as I have said, of contrasts visible even in the street. And the whole difference is sufficiently suggested in two phrases I heard within a few days. A distinguished Anglo-Catholic, who has himself much sympathy with the Greek Orthodox traditions, said to me, "After all, the Romans were the first Puritans." And I heard that a Franciscan, being told that this Englishman and perhaps the English generally were disposed to make an alliance with the Greek Church, had only said by way of comment, "And a good thing too, the Greeks might do something at last."

Anyhow the first impression is that the Greek is more gorgeous in black than the Roman in colours. But the Greek of course can also appear in colours, especially in those eternal forms of frozen yet fiery colours which we call jewels. I have seen the Greek Patriarch, that magnificent old gentleman, walking down the street like an emperor in the Arabian Nights, hung all over with historic jewels as thick as beads or buttons, with a gigantic cross of solid emeralds that might have been given him by the green genii of the sea, if any of the genii are Christians. These things are toys, but I am entirely in favour of toys; and rubies and emeralds are almost as intoxicating as that sort of lustrous coloured paper they put inside Christmas crackers. This beauty has been best achieved in the North in the glory of coloured glass; and I have seen great Gothic windows in which one could really believe that the robes of martyrs were giant rubies or the starry sky a single enormous sapphire. But the colours of the West are transparent, the colours of the East opaque. I have spoken of the Arabian Nights, and there is really a touch of them even in the Christian churches, perhaps increased with a tradition of early Christian secrecy. There are glimpses of gorgeously tiled walls, of blue curtains and green doors and golden inner chambers, that are just like the entrance to an Eastern tale. The Orthodox are at least more oriental in the sense of being more ornamental; more flat and decorative. The Romans are more Western, I might even say more modern, in the sense of having more realism even in their ritualism. The Greek cross is a cross; the Roman cross is a crucifix.

But these are deeper matters; I am only trying to suggest a sort of silhouette of the crowd like the similar silhouette of the city, a profile or outline of the heads and hats, like the profile of the towers and spires. The tower that makes the Greek priest look like a walking catafalque is by no means alone among the horns thus fantastically exalted. There is the peaked hood of the Armenian priest, for instance; the stately survival of that strange Monophysite heresy which perpetuated itself in pomp and pride mainly through the sublime accident of the Crusades. That black cone also rises above the crowd with something of the immemorial majesty of a pyramid; and rightly so, for it is typical of the prehistoric poetry by which these places live that some say it is a surviving memory of Ararat and the Ark.

Again the high white headgear of the Bethlehem women, or to speak more strictly of the Bethlehem wives, has already been noted in another connection; but it is well to remark it again among the colours of the crowd, because this at least has a significance essential to all criticism of such a crowd. Most travellers from the West regard such an Eastern city far too much as a Moslem city, like the lady whom Mr. Maurice Baring met who travelled all over Russia, and thought all the churches were mosques. But in truth it is very hard to generalise about Jerusalem, precisely because it contains everything, and its contrasts are real contrasts. And anybody who doubts that its Christianity is Christian, a thing fighting for our own culture and morals on the borders of Asia, need only consider the concrete fact of these women of Bethlehem and their costume. There is no need to sneer in any unsympathetic fashion at all the domestic institutions of Islam; the sexes are never quite so stupid as some feminists represent; and I dare say a woman often has her own way in a harem as well as in a household. But the broad difference does remain. And if there be one thing, I think, that can safely be said about all Asia and all oriental tribes, it is this; that if a married woman wears any distinctive mark, it is always meant to prevent her from receiving the admiration or even the notice of strange men. Often it is only made to disguise her; sometimes it is made to disfigure her. It may be the masking of the face as among the Moslems; it may be the shaving of the head as among the Jews; it may, I believe, be the blackening of the teeth and other queer expedients among the people of the Far East. But is never meant to make her look magnificent in public; and the Bethlehem wife is made to look magnificent in public. She not only shows all the beauty of her face; and she is often very beautiful. She also wears a towering erection which is as unmistakably meant to give her consequence as the triple tiara of the Pope. A woman wearing such a crown, and wearing it without a veil, does stand, and can only conceivably stand, for what we call the Western view of women, but should rather call the Christian view of women. This is the sort of dignity which must of necessity come from some vague memory of chivalry. The woman may or may not be, as the legend says, a lineal descendant of a Crusader. But whether or no she is his daughter, she is certainly his heiress.

She may be put last among the local figures I have here described, for the special reason that her case has this rather deeper significance. For it is not possible to remain content with the fact that the crowd offers such varied shapes and colours to the eye, when it also offers much deeper divisions and even dilemmas to the intelligence. The black dress of the Moslem woman and the white dress of the Christian woman are in sober truth as different as black and white. They stand for real principles in a real opposition; and the black and white will not easily disappear in the dull grey of our own compromises. The one tradition will defend what it regards as modesty, and the other what it regards as dignity, with passions far deeper than most of our paltry political appetites. Nor do I see how we can deny such a right of defence, even in the case we consider the less enlightened. It is made all the more difficult by the fact that those who consider themselves the pioneers of enlightenment generally also consider themselves the protectors of native races and aboriginal rights. Whatever view we take of the Moslem Arab, we must at least admit that the greater includes the less. It is manifestly absurd to say we have no right to interfere in his country, but have a right to interfere in his home.

It is the intense interest of Jerusalem that there can thus be two universes in the same street. Indeed there are ten rather than two; and it is a proverb that the fight is not only between Christian and Moslem, but between Christian and Christian. At this moment, it must be admitted, it is almost entirely a fight of Christian and Moslem allied against Jew. But of that I shall have to speak later; the point for the moment is that the varied colours of the streets are a true symbol of the varied colours of the souls. It is perhaps the only modern place where the war waged between ideas has such a visible and vivid heraldry.

And that fact alone may well leave the spectator with one final reflection; for it is a matter in which the modern world may well have to learn something from the motley rabble of this remote Eastern town.

It may be an odd thing to suggest that a crowd in Bond Street or Piccadilly should model itself on this masquerade of religions. It would be facile and fascinating to turn it into a satire or an extravaganza. Every good and innocent mind would be gratified with the image of a bowler hat in the precise proportions of the Dome of St. Paul's, and surmounted with a little ball and cross, symbolising the loyalty of some Anglican to his mother church. It might even be pleasing to see the street dominated with a more graceful top-hat modelled on the Eiffel Tower, and signifying the wearer's faith in scientific enterprise, or perhaps in its frequent concomitant of political corruption. These would be fair Western parallels to the head-dresses of Jerusalem; modelled on Mount Ararat or Solomon's Temple, and some may insinuate that we are not very likely ever to meet them in the Strand. A man wearing whiskers is not even compelled to plead some sort of excuse or authority for wearing whiskers, as the Jew can for wearing ringlets; and though the Anglican clergyman may indeed be very loyal to his mother church, there might be considerable hesitation if his mother bade him bind his hair. Nevertheless a more historical view of the London and Jerusalem crowds will show as far from impossible to domesticate such symbols; that some day a lady's jewels might mean something like the sacred jewels of the Patriarch, or a lady's furs mean something like the furred turban of the Rabbi. History indeed will show us that we are not so much superior to them as inferior to ourselves.

When the Crusaders came to Palestine, and came riding up that road from Jaffa where the orange plantations glow on either side, they came with motives which may have been mixed and are certainly disputed. There may have been different theories among the Crusaders; there are certainly different theories among the critics of the Crusaders. Many sought God, some gold, some perhaps black magic. But whatever else they were in search of, they were not in search of the picturesque. They were not drawn from a drab civilisation by that mere thirst for colour that draws so many modern artists to the bazaars of the East. In those days there were colours in the West as well as in the East; and a glow in the sunset as well as in the sunrise. Many of the men who rode up that road were dressed to match the most glorious orange garden and to rival the most magnificent oriental king. King Richard cannot have been considered dowdy, even by comparison, when he rode on that high red saddle graven with golden lions, with his great scarlet hat and his vest of silver crescents. That squire of the comparatively unobtrusive household of Joinville, who was clad in scarlet striped with yellow, must surely have been capable (if I may be allowed the expression) of knocking them in the most magnificent Asiatic bazaar. Nor were these external symbols less significant, but rather more significant than the corresponding symbols of the Eastern civilisation. It is true that heraldry began beautifully as an art and afterwards degenerated into a science. But even in being a science it had to possess a significance; and the Western colours were often allegorical where the Eastern were only accidental. To a certain extent this more philosophical ornament was doubtless imitated; and I have remarked elsewhere on the highly heraldic lions which even the Saracens carved over the gate of St. Stephen. But it