The Matador of the Five Towns and Other Stories, Arnold Bennett [top novels TXT] 📗

Snaggs and the ministers of religion objected to was the theatre-booths, in which the mirror, more or less cracked and tarnished, was held up to nature.

Mr Snaggs's objection was professional. He considered that he alone was authorized to purvey drama to the town; he considered that among all purveyors of drama he alone was respectable, the rest being upstarts, poachers, and lewd fellows. And as the dissenting ministers gazed at Mr Snaggs's superb moleskin waistcoat, and listened to his positive brazen voice, they were almost convinced that the hated institution of the theatre could be made respectable and that Mr Snaggs had so made it. At any rate, by comparison with these flashy and flimsy booths, the Blood Tub, rooted in the antiquity of thirty years, had a dignified, even a reputable air--and did not Mr Snaggs give frequent performances of Cruickshanks' _The Bottle_, a sermon against intemperance more impressive than any sermon delivered from a pulpit in a chapel? The dissenting ministers listened with deference as Mr Snaggs explained to them exactly what they ought to have done, and what they had failed to do, in order to ensure the success of their campaign against play-acting in the Fair; a campaign which now for several years past had been abortive--largely (it was rumoured) owing to the secret jealousy of the Church of England.

"If ony on ye had had any gumption," Mr Snaggs was saying fearlessly to the parsons, "ye'd ha' gone straight to th' Chief Bailiff and ye'd ha'--Houch!" He made the peculiar exclamatory noise roughly indicated by the last word, and spat in disgust; and without the slightest ceremony of adieu walked ponderously away up the slope, leaving his sentence unfinished.

"It is remarkable how Mr Snaggs flees from before my face," said a neat, alert, pleasant voice from behind the three parsons. "And yet save that in my unregenerate day I once knocked him off a stool in front of his own theayter, I never did him harm nor wished him anything but good.... Gentlemen!"

A rather small, slight man of about forty, with tiny feet and hands, and "very quick on his pins," saluted the three parsons gravely.

"Mr Smith!" one parson stiffly inclined.

"Mr Smith!" from the second.

"Brother Smith!" from the third, who was Jock Smith's own parson, being in charge of the Bethesda in Trafalgar Road where Jock Smith worshipped and where he had recently begun to preach as a local preacher.

Jock Smith, herbalist, shook hands with vivacity but also with self-consciousness. He was self-conscious because he knew himself to be one of the chief characters and attractions of the town, because he was well aware that wherever he went people stared at him and pointed him out to each other. And he was half proud and half ashamed of his notoriety.

Even now a little band of ragged children had wandered after him, and, undeterred by the presence of the parsons, were repeating among themselves, in a low audacious monotone:

"Jock-at-a-Venture! Jock-at-a-Venture!"


II


He was the youngest of fourteen children, and when he was a month old his mother took him to church to be christened. The rector was the celebrated Rappey, sportsman, who (it is said) once pawned the church Bible in order to get up a bear-baiting. Rappey asked the name of the child, and was told by the mother that she had come to the end of her knowledge of names, and would be obliged for a suggestion. Whereupon Rappey began to cite all the most ludicrous names in the Bible, such as Aholibamah, Kenaz, Iram, Baalhanan, Abiasaph, Amram, Mushi, Libni, Nepheg, Abihu. And the mother laughed, shaking her head. And Rappey went on: Shimi, Carmi, Jochebed. And at Jochebed the mother became hysterical with laughter. "Jock-at-a-Venture," she had sniggered, and Rappey, mischievously taking her at her word, christened the infant Jock-at-a-Venture before she could protest; and the infant was stamped for ever as peculiar.

He lived up to his name. He ran away twice, and after having been both a sailor and a soldier, he returned home with the accomplishment of flourishing a razor, and settled in Bursley as a barber. Immediately he became the most notorious barber in the Five Towns, on account of his gab and his fisticuffs. It was he who shaved the left side of the face of an insulting lieutenant of dragoons (after the great riots of '45, which two thousand military had not quelled), and then pitched him out of the shop, soapsuds and all, and fought him to a finish in the Cock Yard and flung him through the archway into the market-place with just half a magnificent beard and moustache. It was he who introduced hair-dyeing into Bursley. Hair-dyeing might have grown popular in the town if one night, owing to some confusion with red ink, the Chairman of the Bursley Burial Board had not emerged from Jock-at-a-Venture's with a vermilion top-knot and been greeted on the pavement by his waiting wife with the bitter words: "Thou foo!"

A little later Jock-at-a-Venture abandoned barbering and took up music, for which he had always shown a mighty gift. He was really musical and performed on both the piano and the cornet, not merely with his hands and mouth, but with the whole of his agile expressive body. He made a good living out of public-houses and tea-meetings, for none could play the piano like Jock, were it hymns or were it jigs. His cornet was employed in a band at Moorthorne, the mining village to the east of Bursley, and on his nocturnal journeys to and from Moorthorne with the beloved instrument he had had many a set-to with the marauding colliers who made the road dangerous for cowards. One result of this connection with Moorthorne was that a boxing club had been formed in Bursley, with Jock as chief, for the upholding of Bursley's honour against visiting Moorthorne colliers in Bursley's market-place.

Then came Jock's conversion to religion, a blazing affair, and his abandonment of public-houses. As tea-meetings alone would not keep him, he had started again in life, for the fifth or sixth time--as a herbalist now. It was a vocation which suited his delicate hands and his enthusiasm for humanity. At last, and quite lately, he had risen to be a local preacher. His first two sermons had impassioned the congregations, though there were critics to accuse him of theatricality. Accidents happened to him sometimes. On this very afternoon of the Friday before Martinmas an accident had happened to him. He had been playing the piano at the rehearsal of the Grand Annual Evening Concert of the Bursley Male Glee-Singers. The Bursley Male Glee-Singers, determined to beat records, had got a soprano with a foreign name down from Manchester. On seeing the shabby perky little man who was to accompany her songs the soprano had had a moment of terrible misgiving. But as soon as Jock, with a careful-careless glance at the music, which he had never seen before, had played the first chords (with a "How's that for time, missis?"), she was reassured. At the end of the song her enthusiasm for the musical gifts of the local artist was such that she had sprung from the platform and simply but cordially kissed him. She was a stout, feverish lady. He liked a lady to be stout; and the kiss was pleasant and the compliment enormous. But what a calamity for a local preacher with a naughty past to be kissed in full rehearsal by a soprano from Manchester! He knew that he had to live that kiss down, and to live down also the charge of theatricality.

Here was a reason, and a very good one, why he deliberately sought the company of parsons in the middle of the Fair-ground. He had to protect himself against tongues.


III


"I don't know," said Jock-at-a-Venture to the parsons, gesturing with his hands and twisting his small, elegant feet, "I don't know as I'm in favour of stopping these play-acting folk from making a living; stopping 'em by force, that is."

He knew that he had said something shocking, something that when he joined the group he had not in the least meant to say. He knew that instead of protecting himself he was exposing himself to danger. But he did not care. When, as now, he was carried away by an idea, he cared for naught. And, moreover, he had the consciousness of being cleverer, acuter, than any of these ministers of religion, than anybody in the town! His sheer skill and resourcefulness in life had always borne him safely through every difficulty--from a prize-fight to a soprano's embrace.

"A strange doctrine, Brother Smith!" said Jock's own pastor.

The other two hummed and hawed, and brought the tips of their fingers together.

"Nay!" said Jock, persuasively smiling. "'Stead o' bringing 'em to starvation, bring 'em to the House o' God! Preach the gospel to 'em, and then when ye've preached the gospel to 'em, happen they'll change their ways o' their own accord. Or happen they'll put their play-acting to the service o' God. If there's plays agen drink, why shouldna' there be plays agen the devil, and _for_ Jesus Christ, our Blessed Redeemer?"

"Good day to you, brethren," said one of the parsons, and departed. Thus only could he express his horror of Jock's sentiments.

In those days churches and chapels were not so empty that parsons had to go forth beating up congregations. A pew was a privilege. And those who did not frequent the means of grace had at any rate the grace to be ashamed of not doing so. And, further, strolling players, in spite of John Wesley's exhortations, were not considered salvable. The notion of trying to rescue them from merited perdition was too fantastic to be seriously entertained by serious Christians. Finally, the suggested connection between Jesus Christ and a stage-play was really too appalling! None but Jock-at-a-Venture would have been capable of such an idea.

"I think, my friend--" began the second remaining minister.

"Look at that good woman there!" cried Jock-at-a-Venture, interrupting him with a dramatic out-stretching of the right arm, as he pointed to a very stout but comely dame, who, seated on a three-legged stool, was calmly peeling potatoes in front of one of the more resplendent booths. "Look at that face! Is there no virtue in it? Is there no hope for salvation in it?"

"None," Jock's pastor replied mournfully. "That woman--her name is Clowes--is notorious. She has eight children, and she has brought them all up to her trade. I have made inquiries. The elder daughters are actresses and married to play-actors, and even the youngest child is taught to strut on the boards. Her troupe is the largest in the Midlands."

Jock-at-a-Venture was certainly dashed by this information.

"The more reason," said he, obstinately, "for saving her!... And all hers!"

The two ministers did not want her to be saved. They liked to think of the theatre as being beyond the pale. They remembered the time, before they were ordained, and after, when they had hotly desired to see the inside of a theatre and to rub shoulders with wickedness. And they took pleasure in the knowledge that the theatre was always there, and the wickedness thereof, and the lost souls therein. But Jock-at-a-Venture genuinely longed, in that ecstasy of his, for the total abolition of all forms of sin.

"And what would you do to save her, brother?" Jock's pastor inquired coldly.

"What would I do? I'd go and axe her to come to chapel Sunday, her and hers. I'd axe her kindly, and I'd crack a joke with her. And I'd get round her