Raffles: Further Adventures of the Amateur Cracksman, E. W. Hornung [free e reader .TXT] 📗

he had not to ring at all; and suddenly I saw his foot in the letter-box, his left hand on the lintel overhead. It was thrilling, even to a hardened accomplice with an explanation up his sleeve! A tight grip with that left hand of his, as he leant backward with all his weight upon those five fingers; a right arm stretched outward and upward to its last inch; and the base of the low, projecting balcony was safely caught.

I looked down and took breath. The maid was removing the crumbs in the lighted room, and the square was empty as before. What a blessing it was the end of the season! Many of the houses remained in darkness. I looked up again, and Raffles was drawing his left leg over the balcony railing. In another moment he had disappeared through one of the French windows which opened upon the balcony, and in yet another he had switched on the electric light within. This was bad enough, for now I, at least, could see everything he did; but the crowning folly was still to come. There was no point in it; the mad thing was done for my benefit, as I knew at once and he afterward confessed; but the lunatic reappeared on the balcony, bowing like a mountebank—in his crape mask!

I set off with the empty chair, but I came back. I could not desert old Raffles, even when I would, but must try to explain away his mask as well, if he had not the sense to take it off in time. It would be difficult, but burglaries are not usually committed from a bath-chair, and for the rest I put my faith in Dr. Theobald. Meanwhile Raffles had at least withdrawn from the balcony, and now I could only see his head as he peered into a cabinet at the other side of the room. It was like the opera of Aïda, in which two scenes are enacted simultaneously, one in the dungeon below, the other in the temple above. In the same fashion my attention now became divided between the picture of Raffles moving stealthily about the upper room, and that of the husband and wife at table underneath. And all at once, as the man replenished his glass with a shrug of the shoulders, the woman pushed back her chair and sailed to the door.

Raffles was standing before the fireplace upstairs. He had taken one of the framed photographs from the chimney-piece, and was scanning it at suicidal length through the eye-holes in the hideous mask which he still wore. He would need it after all. The lady had left the room below, opening and shutting the door for herself; the man was filling his glass once more. I would have shrieked my warning to Raffles, so fatally engrossed overhead, but at this moment (of all others) a constable (of all men) was marching sedately down our side of the square. There was nothing for it but to turn a melancholy eye upon the bath-chair, and to ask the constable the time. I was evidently to be kept there all night, I remarked, and only realized with the words that they disposed of my other explanations before they were uttered. It was a horrible moment for such a discovery. Fortunately the enemy was on the pavement, from which he could scarcely have seen more than the drawing-room ceiling, had he looked; but he was not many houses distant when a door opened and a woman gasped so that I heard both across the road. And never shall I forget the subsequent tableaux in the lighted room behind the low balcony and the French windows.

Raffles stood confronted by a dark and handsome woman whose profile, as I saw it first in the electric light, is cut like a cameo in my memory. It had the undeviating line of brow and nose, the short upper lip, the perfect chin, that are united in marble oftener than in the flesh; and like marble she stood, or rather like some beautiful pale bronze; for that was her coloring, and she lost none of it that I could see, neither trembled; but her bosom rose and fell, and that was all. So she stood without flinching before a masked ruffian, who, I felt, would be the first to appreciate her courage; to me it was so superb that I could think of it in this way even then, and marvel how Raffles himself could stand unabashed before so brave a figure. He had not to do so long. The woman scorned him, and he stood unmoved, a framed photograph still in his hand. Then, with a quick, determined movement she turned, not to the door or to the bell, but to the open window by which Raffles had entered; and this with that accursed policeman still in view. So far no word had passed between the pair. But at this point Raffles said something, I could not hear what, but at the sound of his voice the woman wheeled. And Raffles was looking humbly in her face, the crape mask snatched from his own.

“Arthur!” she cried; and that might have been heard in the middle of the square garden.

Then they stood gazing at each other, neither unmoved any more, and while they stood the street-door opened and banged. It was her husband leaving the house, a fine figure of a man, but a dissipated face, and a step even now distinguished by the extreme caution which precedes unsteadiness. He broke the spell. His wife came to the balcony, then looked back into the room, and yet again along the road, and this time I saw her face. It was the face of one glancing indeed from Hyperion to a satyr. And then I saw the rings flash, as her hand fell gently upon Raffles’s arm.

They disappeared from that window. Their heads showed for an instant in the next. Then they dipped out of sight, and an inner ceiling flashed out under a new light; they had gone into the back drawing-room, beyond my ken. The maid came up with coffee, her mistress hastily met her at the door, and once more disappeared. The square was as quiet as ever. I remained some minutes where I was. Now and then I thought I heard their voices in the back drawing-room. I was seldom sure.

My state of mind may be imagined by those readers who take an interest in my personal psychology. It does not amuse me to look back upon it. But at length I had the sense to put myself in Raffles’s place. He had been recognized at last, he had come to life. Only one person knew as yet, but that person was a woman, and a woman who had once been fond of him, if the human face could speak. Would she keep his secret? Would he tell her where he lived? It was terrible to think we were such neighbors, and with the thought that it was terrible came a little enlightenment as to what could still be done for the best. He would not tell her where he lived. I knew him too well for that. He would run for it when he could, and the bath-chair and I must not be there to give him away. I dragged the infernal vehicle round the nearer corner. Then I waited—there could be no harm in that—and at last he came.

He was walking briskly, so I was right, and he had not played the invalid to her; yet I heard him cry out with pleasure as he turned the corner, and he flung himself into the chair with a long-drawn sigh that did me good.

“Well done, Bunny—well done! I am on my way to Earl’s Court, she’s capable of following me, but she won’t look for me in a bath-chair. Home, home, home, and not another word till we get there!”

Capable of following him? She overtook us before we were past the studios on the south side of the square, the woman herself, in a hooded opera-cloak. But she never gave us a glance, and we saw her turn safely in the right direction for Earl’s Court, and the wrong one for our humble mansions. Raffles thanked his gods in a voice that trembled, and five minutes later we were in the flat. Then for once it was Raffles who filled the tumblers and found the cigarettes, and for once (and once only in all my knowledge of him) did he drain his glass at a draught.

“You didn’t see the balcony scene?” he asked at length; and they were his first words since the woman passed us on his track.

“Do you mean when she came in?”

“No, when I came down.”

“I didn’t.”

“I hope nobody else saw it,” said Raffles devoutly. “I don’t say that Romeo and Juliet were brother and sister to us. But you might have said so, Bunny!”

He was staring at the carpet with as wry a face as lover ever wore.

“An old flame?” said I, gently.

“A married woman,” he groaned.

“So I gathered.”

“But she always was one, Bunny,” said he, ruefully. “That’s the trouble. It makes all the difference in the world!”

I saw the difference, but said I did not see how it could make any now. He had eluded the lady, after all; had we not seen her off upon a scent as false as scent could be? There was occasion for redoubled caution in the future, but none for immediate anxiety. I quoted the bedside Theobald, but Raffles did not smile. His eyes had been downcast all this time, and now, when he raised them, I perceived that my comfort had been administered to deaf ears.

“Do you know who she is?” said he.

“Not from Eve.”

“Jacques Saillard,” he said, as though now I must know.

But the name left me cold and stolid. I had heard it, but that was all. It was lamentable ignorance, I am aware, but I had specialized in Letters at the expense of Art.

“You must know her pictures,” said Raffles, patiently; “but I suppose you thought she was a man. They would appeal to you, Bunny; that festive piece over the sideboard was her work. Sometimes they risk her at the Academy, sometimes they fight shy. She has one of those studios in the same square; they used to live up near Lord’s.”

My mind was busy brightening a dim memory of nymphs reflected in woody pools. “Of course!” I exclaimed, and added something about “a clever woman.” Raffles rose at the phrase.

“A clever woman!” he echoed, scornfully; “if she were only that I should feel safe as houses. Clever women can’t forget their cleverness, they carry it as badly as a boy does his wine, and are about as dangerous. I don’t call Jacques Saillard clever outside her art, but neither do I call her a woman at all. She does man’s work over a man’s name, has the will of any ten men I ever knew, and I don’t mind telling you that I fear her more than any person on God’s earth. I broke with her once,” said Raffles, grimly, “but I know her. If I had been asked to name the one person in London by whom I was keenest not to be bowled out, I should have named Jacques Saillard.”

That he had never before named her to me was as characteristic as the reticence with which Raffles spoke of their past relations, and even of their conversation in the back drawing-room that evening.

It was a question of principle with him, and one that I like to remember. “Never give a woman away, Bunny,” he used to say; and he said it again to-night, but with a heavy cloud upon him, as though his chivalry was sorely tried.

“That’s all right,” said I, “if you’re not going to be given away yourself.”

“That’s just it, Bunny! That’s just—”

The words were out of him, it was too late to recall them. I had hit the nail upon the head.

“So she threatened you,” I said, “did she?”

“I didn’t say so,” he replied, coldly.

“And she is mated with a clown!” I pursued.

“How she ever married him,” he admitted, “is a mystery to me.”

“It always is,” said I, the wise man for once, and rather enjoying the role.

“Southern blood?”

“Spanish.”

“She’ll be pestering you to run off with her, old chap,” said I.

Raffles was pacing the room. He stopped in his stride for half a second. So she had begun pestering him already! It is wonderful how acute any fool can be in the affairs of his friend. But Raffles resumed his walk without a syllable, and I retreated to safer ground.

“So you sent her to Earl’s Court,” I mused aloud; and