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rhododendron bushes, and shuddered at the sight of the ruin which had saved him. She said, following famous philosophers, that Chance was merely the name we give to the effect of laws which we cannot understand. And, upon this high level of conversation, she poured forth his coffee and passed his toast.

It was a lovely morning after the tempest.

Goldie, all newly combed, and looking as though he had never seen a roof, strolled pompously into the room with tail unfurled. Miss Ebag picked the animal up and kissed it passionately.

"Darling!" she murmured, not exactly to Mr Ullman, nor yet exactly to the cat. Then she glanced effulgently at Carl and said, "When I think that you risked your precious life, in that awful storm, to save my poor Goldie?... You must have guessed how dear he was to me?... No, really, Mr Ullman, I cannot thank you properly! I can't express my--"

Her eyes were moist.

Although not young, she was two years younger. Her age was two years less. The touch of man had never profaned her. No masculine kiss had ever rested on that cheek, that mouth. And Carl felt that he might be the first to cull the flower that had so long waited. He did not see, just then, the hollow beneath her chin, the two lines of sinew that, bounding a depression, disappeared beneath her collarette. He saw only her soul. He guessed that she would be more malleable than the widow, and he was sure that she was not in a position, as the widow was, to make comparisons between husbands. Certainly there appeared to be some confusion as to the proprietorship of this cat. Certainly he could not have saved the cat's life for love of two different persons. But that was beside the point. The essential thing was that he began to be glad that he had decided nothing definite about the widow on the previous evening.

"Darling!" said she again, with a new access of passion, kissing Goldie, but darting a glance at Carl.

He might have put to her the momentous question, between two bites of buttered toast, had not Mrs Ebag, at the precise instant, swum amply into the room.

"Sister! You up!" exclaimed Miss Ebag.

"And you, sister!" retorted Mrs Ebag.


VII


It is impossible to divine what might have occurred for the delectation of the very ancient borough of Oldcastle if that frivolous piece of goods, Edith, had not taken it into her head to run down from London for a few days, on the plea that London was too ridiculously hot. She was a pretty girl, with fluffy honey-coloured hair and about thirty white frocks. And she seemed to be quite as silly as her staid stepmother and her prim step-aunt had said. She transformed the careful order of the house into a wild disorder, and left a novel or so lying on the drawing-room table between her stepmother's _Contemporary Review_ and her step-aunt's _History of European Morals_. Her taste in music was candidly and brazenly bad. It was a fact, as her elders had stated, that she played nothing but waltzes. What was worse, she compelled Carl Ullman to perform waltzes. And one day she burst into the drawing-room when Carl was alone there, with a roll under her luscious arm, and said:

"What do you think I've found at Barrowfoot's?"

"I don't know," said Carl, gloomily smiling, and then smiling without gloom.

"Waldteufel's waltzes arranged for four hands. You must play them with me at once."

And he did. It was a sad spectacle to see the organist of St Placid's galloping through a series of dances with the empty-headed Edith.

The worst was, he liked it. He knew that he ought to prefer the high intellectual plane, the severe artistic tastes, of the elderly sisters. But he did not. He was amazed to discover that frivolity appealed more powerfully to his secret soul. He was also amazed to discover that his gloom was leaving him. This vanishing of gloom gave him strange sensations, akin to the sensations of a man who, after having worn gaiters into middle-age, abandons them.

After the Waldteufel she began to tell him all about herself; how she went slumming in the East End, and how jolly it was. And how she helped in the Bloomsbury Settlement, and how jolly that was. And, later, she said:

"You must have thought it very odd of me, Mr Ullman, not thanking you for so bravely rescuing my poor cat; but the truth is I never heard of it till to-day. I can't say how grateful I am. I should have loved to see you doing it."

"Is Goldie your cat?" he feebly inquired.

"Why, of course?" she said. "Didn't you know? Of course you did! Goldie always belonged to me. Grandpa bought him for me. But I couldn't do with him in London, so I always leave him here for them to take care of. He adores me. He never forgets me. He'll come to me before anyone. You must have noticed that. I can't say how grateful I am! It was perfectly marvellous of you! I can't help laughing, though, whenever I think what a state mother and auntie must have been in that night!"

Strictly speaking, they hadn't a cent between them, except his hundred a year. But he married her hair and she married his melancholy eyes; and she was content to settle in Oldcastle, where there are almost no slums. And her stepmother was forced by Edith to make the hundred up to four hundred. This was rather hard on Mrs Ebag. Thus it fell out that Mrs Ebag remained a widow, and that Miss Ebag continues a flower uncalled. However, gossip was stifled.

In his appointed time, and in the fulness of years, Goldie died, and was mourned. And by none was he more sincerely mourned than by the aged bedridden Caiaphas.

"I miss my cat, I can tell ye!" said old Caiaphas pettishly to Carl, who was sitting by his couch. "He knew his master, Goldie did! Edith did her best to steal him from me when you married and set up house. A nice thing considering I bought him and he never belonged to anybody but me! Ay! I shall never have another cat like that cat."

And this is the whole truth of the affair.



THE FORTUNE TELLER



I


The prologue to this somewhat dramatic history was of the simplest. The affair came to a climax, if one may speak metaphorically, in fire and sword and high passion, but it began like the month of March. Mr Bostock (a younger brother of the senior partner in the famous firm of Bostocks, drapers, at Hanbridge) was lounging about the tennis-court attached to his house at Hillport. Hillport has long been known as the fashionable suburb of Bursley, and indeed as the most aristocratic quarter strictly within the Five Towns; there certainly are richer neighbourhoods not far off, but such neighbourhoods cannot boast that they form part of the Five Towns--no more than Hatfield can boast that it is part of London. A man who lives in a detached house at Hillport, with a tennis-court, may be said to have succeeded in life. And Mr Bostock had succeeded. A consulting engineer of marked talent, he had always worked extremely hard and extremely long, and thus he had arrived at luxuries. The chief of his luxuries was his daughter Florence, aged twenty-three, height five feet exactly, as pretty and as neat as a new doll, of expensive and obstinate habits. It was Florence who was the cause of the episode, and I mention her father only to show where Florence stood in the world. She ruled her father during perhaps eleven months of the year. In the twelfth month (which was usually January--after the Christmas bills) there would be an insurrection, conducted by the father with much spirit for a time, but ultimately yielding to the forces of the government. Florence had many admirers; a pretty woman, who habitually rules a rich father, is bound to have many admirers. But she had two in particular; her cousin, Ralph Martin, who had been apprenticed to her father, and Adam Tellwright, a tile manufacturer at Turnhill.

These four--the father and daughter and the rivals--had been playing tennis that Saturday afternoon. Mr Bostock, though touching on fifty, retained a youthful athleticism; he looked and talked younger than his years, and he loved the society of young people. If he wandered solitary and moody about the tennis-court now, it was because he had a great deal on his mind besides business. He had his daughter's future on his mind.

A servant with apron-strings waving like flags in the breeze came from the house with a large loaded tea-tray, and deposited it on a wicker table on the small lawn at the end of the ash court. The rivals were reclining in deck chairs close to the table; the Object of Desire, all in starched white, stood over the table and with quick delicious movements dropped sugar and poured milk into tinkling porcelain.

"Now, father," she called briefly, without looking up, as she seized the teapot.

He approached, gazing thoughtfully at the group. Yes, he was worried. And everyone was secretly worried. The situation was exceedingly delicate, fragile, breakable. Mr Bostock looked uneasily first at Adam Tellwright, tall, spick and span, self-confident, clever, shining, with his indubitable virtues mainly on the outside. If ever any man of thirty-two in all this world was eligible, Adam Tellwright was. Decidedly he had a reputation for preternaturally keen smartness in trade, but in trade that cannot be called a defect; on the contrary, if a man has virtues, you cannot precisely quarrel with him because they happen to be on the outside; the principal thing is to have virtues. And then Mr Bostock looked uneasily at Ralph Martin, heavy, short, dark, lowering, untidy, often incomprehensible, and more often rude; with virtues concealed as if they were secret shames. Ralph was capricious. At moments he showed extraordinary talent as an engineer; at others he behaved like a nincompoop. He would be rich one day; but he had a formidable temper. The principal thing in favour of Ralph Martin was that he and Florence had always been "something to each other." Indeed of late years it had been begun to be understood that the match was "as good as arranged." It was taken for granted. Then Adam Tellwright had dropped like a bomb into the Bostock circle. He had fallen heavily and disastrously in love with the slight Florence (whom he could have crushed and eaten). At the start his case was regarded as hopeless, and Ralph Martin had scorned him. But Adam Tellwright soon caused gossip to sing a different tune, and Ralph Martin soon ceased to scorn him. Adam undoubtedly made a profound impression on Florence Bostock. He began by dazzling her, and then, as her eyes grew accustomed to the glare, he gradually showed her his good qualities. Everything that skill and tact could do Tellwright did. The same could not be said of Ralph Martin. Most people had a vague feeling that Ralph had not been treated fairly. Mr Bostock had this feeling. Yet why? Nothing had been settled. Florence's heart was evidently still open to competition, and Adam Tellwright had a perfect right to compete. Still, most people sympathized with Ralph. But Florence did not. Young girls are like that.

Now the rivals stood about equal. No one knew how the battle would go. Adam did not know. Ralph did not know. Florence assuredly did not know. Mr Bostock was

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