Harold : the Last of the Saxon Kings — Volume 01, Lytton [poetry books to read TXT] 📗

text that Mallet de Graville was originally intended for the Church, and that it was the peculiarity of his literary information, rare in a soldier (but for which his earlier studies for the ecclesiastical calling readily account, at a time when the Norman convent of Bec was already so famous for the erudition of its teachers, and the number of its scholars,) that attracted towards him the notice of Lanfranc, and founded his fortunes. Pedantry is made one of his characteristics (as it generally was the characteristic of any man with some pretensions to scholarship, in the earlier ages;) and if he indulges in a classical allusion, whether in taunting a courtier or conversing with a "Saxon from the wealds of Kent," it is no more out of keeping with the pedantry ascribed to him, than it is unnatural in Dominie Sampson to rail at Meg Merrilies in Latin, or James the First to examine a young courtier in the same unfamiliar language. Nor should the critic in question, when inviting his readers to condemn me for making Mallet de Graville quote Horace, have omitted to state that de Graville expressly laments that he had never read, nor could even procure, a copy of the Roman poet—judging only of the merits of Horace by an extract in some monkish author, who was equally likely to have picked up his quotation second-hand.

So, when a reference is made either by Graville, or by any one else in the romance, to Homeric fables and personages, a critic who had gone through the ordinary education of an English gentleman would never thereby have assumed that the person so referring had read the poems of Homer themselves—he would have known that Homeric fables, or personages, though not the Homeric poems, were made familiar, by quaint travesties [7], even to the most illiterate audience of the gothic age. It was scarcely more necessary to know Homer then than now, in order to have heard of Ulysses. The writer in the Athenaeum is acquainted with Homeric personages, but who on earth would ever presume to assert that he is acquainted with Homer?

Some doubt has been thrown upon my accuracy in ascribing to the Anglo- Saxon the enjoyments of certain luxuries (gold and silver plate—the use of glass, etc.), which were extremely rare in an age much more recent. There is no ground for that doubt; nor is there a single article of such luxury named in the text, for the mention of which I have not ample authority.

I have indeed devoted to this work a degree of research which, if unusual to romance, I cannot consider superfluous when illustrating an age so remote, and events unparalleled in their influence over the destinies of England. Nor am I without the hope, that what the romance-reader at first regards as a defect, he may ultimately acknowledge as a merit;—forgiving me that strain on his attention by which alone I could leave distinct in his memory the action and the actors in that solemn tragedy which closed on the field of Hastings, over the corpse of the Last Saxon King.

CONTENTS BOOK FIRST

The Norman Visitor, the Saxon King, and the Danish Prophetess

BOOK SECOND

Lanfranc the Scholar

BOOK THIRD

The House of Godwin

BOOK FOURTH

The Heathen Altar and the Saxon Church

BOOK FIFTH

Death and Love

BOOK SIXTH

Ambition

BOOK SEVENTH

The Welch King

BOOK EIGHTH

Fate

BOOK NINTH

The Bones of the Dead

BOOK TENTH

The Sacrifice on the Altar

BOOK ELEVENTH

The Norman Schemer, and the Norwegian Sea-king

BOOK TWELFTH

The Battle of Hastings

HAROLD, THE LAST OF THE SAXON KINGS

by Edward Bulwer Lytton

BOOK I. THE NORMAN VISITOR, THE SAXON KING, AND THE DANISH PROPHETESS. CHAPTER I.

Merry was the month of May in the year of our Lord 1052. Few were the boys, and few the lasses, who overslept themselves on the first of that buxom month. Long ere the dawn, the crowds had sought mead and woodland, to cut poles and wreathe flowers. Many a mead then lay fair and green beyond the village of Charing, and behind the isle of Thorney, (amidst the brakes and briars of which were then rising fast and fair the Hall and Abbey of Westminster;) many a wood lay dark in the starlight, along the higher ground that sloped from the dank Strand, with its numerous canals or dykes;—and on either side of the great road into Kent:—flutes and horns sounded far and near through the green places, and laughter and song, and the crash of breaking boughs.

As the dawn came grey up the east, arch and blooming faces bowed down to bathe in the May dew. Patient oxen stood dozing by the hedge-rows, all fragrant with blossoms, till the gay spoilers of the May came forth from the woods with lusty poles, followed by girls with laps full of flowers, which they had caught asleep. The poles were pranked with nosegays, and a chaplet was hung round the horns of every ox. Then towards daybreak, the processions streamed back into the city, through all its gates; boys with their May-gads (peeled willow wands twined with cowslips) going before; and clear through the lively din of the horns and flutes, and amidst the moving grove of branches, choral voices, singing some early Saxon stave, precursor of the later song—

"We have brought the summer home."

Often in the good old days before the Monk-king reigned, kings and ealdermen had thus gone forth a-maying; but these merriments, savouring of heathenesse, that good prince misliked: nevertheless the song was as blithe, and the boughs were as green, as if king and ealderman had walked in the train.

On the great Kent road, the fairest meads for the cowslip, and the greenest woods for the bough, surrounded a large building that once had belonged to some voluptuous Roman, now all defaced and despoiled; but the boys and the lasses shunned those demesnes; and even in their mirth, as they passed homeward along the road, and saw near the ruined walls, and timbered outbuildings, grey Druid stones (that spoke of an age before either Saxon or Roman invader) gleaming through the dawn— the song was hushed—the very youngest crossed themselves; and the elder, in solemn whispers, suggested the precaution of changing the song into a psalm. For in that old building dwelt Hilda, of famous and dark repute; Hilda, who, despite all law and canon, was still believed to practise the dismal arts of the Wicca and Morthwyrtha (the witch and worshipper of the dead). But once out of sight of those fearful precincts, the psalm was forgotten, and again broke, loud, clear, and silvery, the joyous chorus.

So, entering London about sunrise, doors and windows were duly wreathed with garlands; and every village in the suburbs had its May- pole, which stood in its place all the year. On that happy day labour rested; ceorl and theowe had alike a holiday to dance, and tumble round the May-pole; and thus, on the first of May—Youth, and Mirth, and Music, "brought the summer home."

The next day you might still see where the buxom bands had been; you might track their way by fallen flowers, and green leaves, and the deep ruts made by oxen (yoked often in teams from twenty to forty, in the wains that carried home the poles); and fair and frequent throughout the land, from any eminence, you might behold the hamlet swards still crowned with the May trees, and air still seemed fragrant with their garlands.

It is on that second day of May, 1052, that my story opens, at the House of Hilda, the reputed Morthwyrtha. It stood upon a gentle and verdant height; and, even through all the barbarous mutilation it had undergone from barbarian hands, enough was left strikingly to contrast the ordinary abodes of the Saxon.

The remains of Roman art were indeed still numerous throughout England, but it happened rarely that the Saxon had chosen his home amidst the villas of those noble and primal conquerors. Our first forefathers were more inclined to destroy than to adapt.

By what chance this building became an exception to the ordinary rule, it is now impossible to conjecture, but from a very remote period it had sheltered successive races of Teuton lords.

The changes wrought in the edifice were mournful and grotesque. What was now the Hall, had evidently been the atrium; the round shield, with its pointed boss, the spear, sword, and small curved saex of the early Teuton, were suspended from the columns on which once had been wreathed the flowers; in the centre of the floor, where fragments of the old mosaic still glistened from the hard-pressed paving of clay and lime, what now was the fire-place had been the impluvium, and the smoke went sullenly through the aperture in the roof, made of old to receive the rains of heaven. Around the Hall were still left the old cubicula or dormitories, (small, high, and lighted but from the doors,) which now served for the sleeping-rooms of the humbler guest or the household servant; while at the farther end of the Hall, the wide space between the columns, which had once given ample vista from graceful awnings into tablinum and viridarium, was filled up with rude rubble and Roman bricks, leaving but a low, round, arched door, that still led into the tablinum. But that tablinum, formerly the gayest state-room of the Roman lord, was now filled with various lumber, piles of faggots, and farming utensils. On either side of this desecrated apartment, stretched, to the right, the old lararium, stripped of its ancient images of ancestor and god; to the left, what had been the gynoecium (women's apartment).

One side of the ancient peristyle, which was of vast extent, was now converted into stabling, sties for swine, and stalls for oxen. On the other side was constructed a Christian chapel, made of rough oak planks, fastened by plates at the top, and with a roof of thatched reeds. The columns and wall at the extreme end of the peristyle were a mass of ruins, through the gigantic rents of which loomed a grassy hillock, its sides partially covered with clumps of furze. On this hillock were the mutilated remains of an ancient Druidical crommel, in the centre of which (near a funeral mound, or barrow, with the bautastean, or gravestone, of some early Saxon chief at one end) had been sacrilegiously placed an altar to Thor, as was apparent both from the shape, from a rude, half-obliterated, sculptured relief of the god, with his lifted hammer, and a few Runic letters. Amidst the temple of the Briton the Saxon had reared the shrine of his triumphant war-god.

Now still, amidst the ruins of that extreme side of the peristyle which opened to this hillock were left, first, an ancient Roman fountain, that now served to water the swine, and next, a small sacellum, or fane to Bacchus (as relief and frieze, yet spared, betokened): thus the eye, at one survey, beheld the shrines of four creeds: the Druid, mystical and symbolical; the Roman, sensual, but humane; the Teutonic, ruthless and destroying; and, latest riser and surviving all, though as yet with but little of its gentler influence over the deeds of men, the edifice of the Faith of Peace.

Across the peristyle, theowes and swineherds passed to and fro:—in the atrium, men of a higher class, half-armed, were, some drinking, some at dice, some playing with huge hounds, or caressing the hawks that stood grave and solemn on their perches.

The lararium was deserted; the gynoecium was still, as in the Roman time, the favoured apartment of the female portion of the household, and indeed bore the same name [8], and with the group there assembled we have now to do.

The appliances of the chamber showed the rank and wealth of the owner. At that period the domestic luxury of the rich was infinitely greater than has been generally supposed. The industry of the women decorated wall and furniture with needlework and hangings: and as a thegn forfeited his rank if he lost his lands, so the higher orders of an aristocracy rather of wealth than birth had, usually, a certain portion of superfluous riches, which served to flow towards the bazaars