Harold : the Last of the Saxon Kings — Volume 01, Lytton [poetry books to read TXT] 📗

of the East and the nearer markets of Flanders and Saracenic Spain.

In this room the walls were draped with silken hangings richly embroidered. The single window was glazed with a dull grey glass [9]. On a beaufet were ranged horns tipped with silver, and a few vessels of pure gold. A small circular table in the centre was supported by symbolical monsters quaintly carved. At one side of the wall, on a long settle, some half-a-dozen handmaids were employed in spinning; remote from them, and near the window, sat a woman advanced in years, and of a mien and aspect singularly majestic. Upon a small tripod before her was a Runic manuscript, and an inkstand of elegant form, with a silver graphium, or pen. At her feet reclined a girl somewhat about the age of sixteen, her long hair parted across her forehead and falling far down her shoulders. Her dress was a linen under-tunic, with long sleeves, rising high to the throat, and without one of the modern artificial restraints of the shape, the simple belt sufficed to show the slender proportions and delicate outline of the wearer. The colour of the dress was of the purest white, but its hems, or borders, were richly embroidered. This girl's beauty was something marvellous. In a land proverbial for fair women, it had already obtained her the name of "the fair." In that beauty were blended, not as yet without a struggle for mastery, the two expressions seldom united in one countenance, the soft and the noble; indeed in the whole aspect there was the evidence of some internal struggle; the intelligence was not yet complete; the soul and heart were not yet united: and Edith the Christian maid dwelt in the home of Hilda the heathen prophetess. The girl's blue eyes, rendered dark by the shade of their long lashes, were fixed intently upon the stern and troubled countenance which was bent upon her own, but bent with that abstract gaze which shows that the soul is absent from the sight. So sate Hilda, and so reclined her grandchild Edith.

"Grandam," said the girl in a low voice and after a long pause; and the sound of her voice so startled the handmaids, that every spindle stopped for a moment and then plied with renewed activity; "Grandam, what troubles you—are you not thinking of the great Earl and his fair sons, now outlawed far over the wide seas?"

As the girl spoke, Hilda started slightly, like one awakened from a dream; and when Edith had concluded her question, she rose slowly to the height of a statue, unbowed by her years, and far towering above even the ordinary standard of men; and turning from the child, her eye fell upon the row of silent maids, each at her rapid, noiseless, stealthy work. "Ho!" said she; her cold and haughty eye gleaming as she spoke; "yesterday they brought home the summer—to-day, ye aid to bring home the winter. Weave well—heed well warf and woof; Skulda [10] is amongst ye, and her pale fingers guide the web!"

The maidens lifted not their eyes, though in every cheek the colour paled at the words of the mistress. The spindles revolved, the thread shot, and again there was silence more freezing than before.

"Askest thou," said Hilda at length, passing to the child, as if the question so long addressed to her ear had only just reached her mind; "askest thou if I thought of the Earl and his fair sons?—yea, I heard the smith welding arms on the anvil, and the hammer of the shipwright shaping strong ribs for the horses of the sea. Ere the reaper has bound his sheaves, Earl Godwin will scare the Normans in the halls of the Monk-king, as the hawk scares the brood in the dovecot. Weave well, heed well warf and woof, nimble maidens—strong be the texture, for biting is the worm."

"What weave they, then, good grandmother?" asked the girl, with wonder and awe in her soft mild eyes.

"The winding-sheet of the great!"

Hilda's lips closed, but her eyes, yet brighter than before, gazed upon space, and her pale hand seemed tracing letters, like runes, in the air.

Then slowly she turned, and looked forth through the dull window.
"Give me my coverchief and my staff," said she quickly.

Every one of the handmaids, blithe for excuse to quit a task which seemed recently commenced, and was certainly not endeared to them by the knowledge of its purpose communicated to them by the lady, rose to obey.

Unheeding the hands that vied with each other, Hilda took the hood, and drew it partially over her brow. Leaning lightly on a long staff, the head of which formed a raven, carved from some wood stained black, she passed into the hall, and thence through the desecrated tablinum, into the mighty court formed by the shattered peristyle; there she stopped, mused a moment, and called on Edith. The girl was soon by her side.

"Come with me.—There is a face you shall see but twice in life;—this day,"—and Hilda paused, and the rigid and almost colossal beauty of her countenance softened.

"And when again, my grandmother?"

"Child, put thy warm hand in mine. So! the vision darkens from me.— when again, saidst thou, Edith?—alas, I know not."

While thus speaking, Hilda passed slowly by the Roman fountain and the heathen fane, and ascended the little hillock. There on the opposite side of the summit, backed by the Druid crommel and the Teuton altar, she seated herself deliberately on the sward.

A few daisies, primroses, and cowslips, grew around; these Edith began to pluck. Singing, as she wove, a simple song, that, not more by the dialect than the sentiment, betrayed its origin in the ballad of the Norse [11], which had, in its more careless composition, a character quite distinct from the artificial poetry of the Saxons. The song may be thus imperfectly rendered:

    "Merrily the throstle sings
       Amid the merry May;
     The throstle signs but to my ear;
       My heart is far away!

     Blithely bloometh mead and bank;
       And blithely buds the tree;
     And hark!—they bring the Summer home;
       It has no home with me!

     They have outlawed him—my Summer!
       An outlaw far away!
     The birds may sing, the flowers may bloom,
       O, give me back my May!"

As she came to the last line, her soft low voice seemed to awaken a chorus of sprightly horns and trumpets, and certain other wind instruments peculiar to the music of that day. The hillock bordered the high road to London—which then wound through wastes of forest land—and now emerging from the trees to the left appeared a goodly company. First came two riders abreast, each holding a banner. On the one was depicted the cross and five martlets, the device of Edward, afterwards surnamed the Confessor: on the other, a plain broad cross with a deep border round it, and the streamer shaped into sharp points.

The first was familiar to Edith, who dropped her garland to gaze on the approaching pageant; the last was strange to her. She had been accustomed to see the banner of the great Earl Godwin by the side of the Saxon king; and she said, almost indignantly,—

"Who dares, sweet grandam, to place banner or pennon where Earl
Godwin's ought to float?"

"Peace," said Hilda, "peace and look."

Immediately behind the standard-bearers came two figures—strangely dissimilar indeed in mien, in years, in bearing: each bore on his left wrist a hawk. The one was mounted on a milk-white palfrey, with housings inlaid with gold and uncut jewels. Though not really old— for he was much on this side of sixty—both his countenance and carriage evinced age. His complexion, indeed, was extremely fair, and his cheeks ruddy; but the visage was long and deeply furrowed, and from beneath a bonnet not dissimilar to those in use among the Scotch, streamed hair long and white as snow, mingling with a large and forked beard. White seemed his chosen colour. White was the upper tunic clasped on his shoulder with a broad ouche or brooch; white the woollen leggings fitted to somewhat emaciated limbs; and white the mantle, though broidered with a broad hem of gold and purple. The fashion of his dress was that which well became a noble person, but it suited ill the somewhat frail and graceless figure of the rider. Nevertheless, as Edith saw him, she rose, with an expression of deep reverence on her countenance, and saying, "it is our lord the King," advanced some steps down the hillock, and there stood, her arms folded on her breast, and quite forgetful, in her innocence and youth, that she had left the house without the cloak and coverchief which were deemed indispensable to the fitting appearance of maid and matron when they were seen abroad.

"Fair sir, and brother mine," said the deep voice of the younger rider, in the Romance or Norman tongue, "I have heard that the small people of whom my neighbours, the Breton tell us much, abound greatly in this fair land of yours; and if I were not by the side of one whom no creature unassoilzed and unbaptised dare approach, by sweet St. Valery I should say—yonder stands one of those same gentilles fees!"

King Edward's eye followed the direction of his companion's outstretched hand, and his quiet brow slightly contracted as he beheld the young form of Edith standing motionless a few yards before him, with the warm May wind lifting and playing with her long golden locks. He checked his palfrey, and murmured some Latin words which the knight beside him recognised as a prayer, and to which, doffing his cap, he added an Amen, in a tone of such unctuous gravity, that the royal saint rewarded him with a faint approving smile, and an affectionate "Bene vene, Piosissime."

Then inclining his palfrey's head towards the knoll, he motioned to the girl to approach him. Edith, with a heightened colour, obeyed, and came to the roadside. The standard-bearers halted, as did the king and his comrade—the procession behind halted—thirty knights, two bishops, eight abbots, all on fiery steeds and in Norman garb— squires and attendants on foot—a long and pompous retinue—they halted all. Only a stray hound or two broke from the rest, and wandered into the forest land with heads trailing.

"Edith, my child," said Edward, still in Norman-French, for he spoke his own language with hesitation, and the Romance tongue, which had long been familiar to the higher classes in England, had, since his accession, become the only language in use at court, and as such every one of 'Eorl-kind' was supposed to speak it;—"Edith, my child, thou hast not forgotten my lessons, I trow; thou singest the hymns I gave thee, and neglectest not to wear the relic round thy neck."

The girl hung her head, and spoke not.

"How comes it, then," continued the King, with a voice to which he in vain endeavoured to impart an accent of severity, "how comes it, O little one, that thou, whose thoughts should be lifted already above this carnal world, and eager for the service of Mary the chaste and blessed, standest thus hoodless and alone on the waysides, a mark for the eyes of men? go to, it is naught."

Thus reproved, and in presence of so large and brilliant a company, the girl's colour went and came, her breast heaved high, but with an effort beyond her age she checked her tears, and said meekly, "My grandmother, Hilda, bade me come with her, and I came."

"Hilda!" said the King, backing his palfrey with apparent perturbation, "but Hilda is not with thee; I see her not."

As he spoke, Hilda rose, and so suddenly did her tall form appear on the brow of the hill, that it seemed as if she had emerged from the earth. With a light and rapid stride she gained the side of her grandchild; and after a slight and haughty reverence, said, "Hilda is here; what wants Edward the King with his servant Hilda?"

"Nought, nought," said the King, hastily; and something like fear passed over his placid countenance; "save, indeed," he added, with a reluctant tone, as that of a man who obeys his conscience against his inclination, "that I would pray thee to keep this child pure to threshold and altar, as is meet for one whom our Lady, the Virgin, in due time, will elect to her service."

"Not so, son of Etheldred, son of Woden, the last descendant of Penda should live, not to glide a ghost amidst cloisters, but to rock children for war