The Octopus, Frank Norris [books you need to read txt] 📗

“Well, you’ve got to like some people more than other people,” hazarded Annixter, “and I want to be one of those ‘some people,’ savvy? Good Lord, I don’t know how to say these fool things. I talk like a galoot when I get talking to feemale girls and I can’t lay my tongue to anything that sounds right. It isn’t my nature. And look here, I lied when I said I liked to have people like me—to be popular. Rot! I don’t care a curse about people’s opinions of me. But there’s a few people that are more to me than most others—that chap Presley, for instance—and those people I DO want to have like me. What they think counts. Pshaw! I know I’ve got enemies; piles of them. I could name you half a dozen men right now that are naturally itching to take a shot at me. How about this ranch? Don’t I know, can’t I hear the men growling oaths under their breath after I’ve gone by? And in business ways, too,” he went on, speaking half to himself, “in Bonneville and all over the county there’s not a man of them wouldn’t howl for joy if they got a chance to down Buck Annixter. Think I care? Why, I LIKE it. I run my ranch to suit myself and I play my game my own way. I’m a ‘driver,’ I know it, and a ‘bully,’ too. Oh, I know what they call me—‘a brute beast, with a twist in my temper that would rile up a new-born lamb,’ and I’m ‘crusty’ and ‘pig-headed’ and ‘obstinate.’ They say all that, but they’ve got to say, too, that I’m cleverer than any man-jack in the running. There’s nobody can get ahead of me.” His eyes snapped. “Let ‘em grind their teeth. They can’t ‘down’ me. When I shut my fist there’s not one of them can open it. No, not with a CHISEL.” He turned to Hilma again. “Well, when a man’s hated as much as that, it stands to reason, don’t it, Miss Hilma, that the few friends he has got he wants to keep? I’m not such an entire swine to the people that know me best—that jackass, Presley, for instance. I’d put my hand in the fire to do him a real service. Sometimes I get kind of lonesome; wonder if you would understand? It’s my fault, but there’s not a horse about the place that don’t lay his ears back when I get on him; there’s not a dog don’t put his tail between his legs as soon as I come near him. The cayuse isn’t foaled yet here on Quien Sabe that can throw me, nor the dog whelped that would dare show his teeth at me. I kick that Irish setter every time I see him—but wonder what I’d do, though, if he didn’t slink so much, if he wagged his tail and was glad to see me? So it all comes to this: I’d like to have you—well, sort of feel that I was a good friend of yours and like me because of it.”

The flame in the lamp on the wall in front of Hilma stretched upward tall and thin and began to smoke. She went over to where the lamp hung and, standing on tip-toe, lowered the wick. As she reached her hand up, Annixter noted how the sombre, lurid red of the lamp made a warm reflection on her smooth, round arm.

“Do you understand?” he queried.

“Yes, why, yes,” she answered, turning around. “It’s very good of you to want to be a friend of mine. I didn’t think so, though, when you tried to kiss me. But maybe it’s all right since you’ve explained things. You see I’m different from you. I like everybody to like me and I like to like everybody. It makes one so much happier. You wouldn’t believe it, but you ought to try it, sir, just to see. It’s so good to be good to people and to have people good to you. And everybody has always been so good to me. Mamma and papa, of course, and Billy, the stableman, and Montalegre, the Portugee foreman, and the Chinese cook, even, and Mr. Delaney—only he went away—and Mrs. Vacca and her little–-”

“Delaney, hey?” demanded Annixter abruptly. “You and he were pretty good friends, were you?”

“Oh, yes,” she answered. “He was just as GOOD to me. Every day in the summer time he used to ride over to the Seed ranch back of the Mission and bring me a great armful of flowers, the prettiest things, and I used to pretend to pay him for them with dollars made of cheese that I cut out of the cheese with a biscuit cutter. It was such fun. We were the best of friends.”

“There’s another lamp smoking,” growled Annixter. “Turn it down, will you?—and see that somebody sweeps this floor here. It’s all littered up with pine needles. I’ve got a lot to do. Goodbye.”

“Goodbye, sir.”

Annixter returned to the ranch house, his teeth clenched, enraged, his face flushed.

“Ah,” he muttered, “Delaney, hey? Throwing it up to me that I fired him.” His teeth gripped together more fiercely than ever. “The best of friends, hey? By God, I’ll have that girl yet. I’ll show that cow-puncher. Ain’t I her employer, her boss? I’ll show her—and Delaney, too. It would be easy enough—and then Delaney can have her—if he wants her—after me.”

An evil light flashing from under his scowl, spread over his face. The male instincts of possession, unreasoned, treacherous, oblique, came twisting to the surface. All the lower nature of the man, ignorant of women, racked at one and the same time with enmity and desire, roused itself like a hideous and abominable beast. And at the same moment, Hilma returned to her house, humming to herself as she walked, her white dress glowing with a shimmer of faint saffron light in the last ray of the afterglow.

A little after half-past seven, the first carryall, bearing the druggist of Bonneville and his women-folk, arrived in front of the new barn. Immediately afterward an express wagon loaded down with a swarming family of Spanish-Mexicans, gorgeous in red and yellow colours, followed. Billy, the stableman, and his assistant took charge of the teams, unchecking the horses and hitching them to a fence back of the barn. Then Caraher, the saloonkeeper, in “derby” hat, “Prince Albert” coat, pointed yellow shoes and inevitable red necktie, drove into the yard on his buckboard, the delayed box of lemons under the seat. It looked as if the whole array of invited guests was to arrive in one unbroken procession, but for a long half-hour nobody else appeared. Annixter and Caraher withdrew to the harness room and promptly involved themselves in a wrangle as to the make-up of the famous punch. From time to time their voices could be heard uplifted in clamorous argument.

“Two quarts and a half and a cupful of chartreuse.”

“Rot, rot, I know better. Champagne straight and a dash of brandy.”

The druggist’s wife and sister retired to the feed room, where a bureau with a swinging mirror had been placed for the convenience of the women. The druggist stood awkwardly outside the door of the feed room, his coat collar turned up against the draughts that drifted through the barn, his face troubled, debating anxiously as to the propriety of putting on his gloves. The Spanish-Mexican family, a father, mother and five children and sister-in-law, sat rigid on the edges of the hired chairs, silent, constrained, their eyes lowered, their elbows in at their sides, glancing furtively from under their eyebrows at the decorations or watching with intense absorption young Vacca, son of one of the division superintendents, who wore a checked coat and white thread gloves and who paced up and down the length of the barn, frowning, very important, whittling a wax candle over the floor to make it slippery for dancing.

The musicians arrived, the City Band of Bonneville—Annixter having managed to offend the leader of the “Dirigo” Club orchestra, at the very last moment, to such a point that he had refused his services. These members of the City Band repaired at once to their platform in the corner. At every instant they laughed uproariously among themselves, joshing one of their number, a Frenchman, whom they called “Skeezicks.” Their hilarity reverberated in a hollow, metallic roll among the rafters overhead. The druggist observed to young Vacca as he passed by that he thought them pretty fresh, just the same.

“I’m busy, I’m very busy,” returned the young man, continuing on his way, still frowning and paring the stump of candle.

“Two quarts ‘n’ a half. Two quarts ‘n’ a half.”

“Ah, yes, in a way, that’s so; and then, again, in a way, it ISN’T. I know better.”

All along one side of the barn were a row of stalls, fourteen of them, clean as yet, redolent of new cut wood, the sawdust still in the cracks of the flooring. Deliberately the druggist went from one to the other, pausing contemplatively before each. He returned down the line and again took up his position by the door of the feed room, nodding his head judicially, as if satisfied. He decided to put on his gloves.

By now it was quite dark. Outside, between the barn and the ranch houses one could see a group of men on step-ladders lighting the festoons of Japanese lanterns. In the darkness, only their faces appeared here and there, high above the ground, seen in a haze of red, strange, grotesque. Gradually as the multitude of lanterns were lit, the light spread. The grass underfoot looked like green excelsior. Another group of men invaded the barn itself, lighting the lamps and lanterns there. Soon the whole place was gleaming with points of light. Young Vacca, who had disappeared, returned with his pockets full of wax candles. He resumed his whittling, refusing to answer any questions, vociferating that he was busy.

Outside there was a sound of hoofs and voices. More guests had arrived. The druggist, seized with confusion, terrified lest he had put on his gloves too soon, thrust his hands into his pockets. It was Cutter, Magnus Derrick’s division superintendent, who came, bringing his wife and her two girl cousins. They had come fifteen miles by the trail from the far distant division house on “Four” of Los Muertos and had ridden on horseback instead of driving. Mrs. Cutter could be heard declaring that she was nearly dead and felt more like going to bed than dancing. The two girl cousins, in dresses of dotted Swiss over blue sateen, were doing their utmost to pacify her. She could be heard protesting from moment to moment. One distinguished the phrases “straight to my bed,” “back nearly broken in two,” “never wanted to come in the first place.” The druggist, observing Cutter take a pair of gloves from Mrs. Cutter’s reticule, drew his hands from his pockets.

But abruptly there was an interruption. In the musicians’ corner a scuffle broke out. A chair was overturned. There was a noise of imprecations mingled with shouts of derision. Skeezicks, the Frenchman, had turned upon the joshers.

“Ah, no,” he was heard to exclaim, “at the end of the end it is too much. Kind of a bad canary—we will go to see about that. Aha, let him close up his face before I demolish it with a good stroke of the fist.”

The men who were lighting the lanterns were obliged to intervene before he could be placated.

Hooven and his wife and daughters arrived. Minna was carrying little Hilda, already asleep, in her arms. Minna looked very pretty, striking even, with her black hair, pale face, very red lips and greenish-blue eyes. She