The Octopus, Frank Norris [books you need to read txt] 📗

air, mingled with gusts of laughter. Everybody seemed having a good time. In the increasing heat the decorations of evergreen trees and festoons threw off a pungent aroma that suggested a Sunday-school Christmas festival. In the other stalls, lower down the barn, the young men had brought chairs, and in these deep recesses the most desperate love-making was in progress, the young man, his hair neatly parted, leaning with great solicitation over the girl, his “partner” for the moment, fanning her conscientiously, his arm carefully laid along the back of her chair.

By the doorway, Annixter met Sarria, who had stepped out to smoke a fat, black cigar. The set smile of amiability was still fixed on the priest’s smooth, shiny face; the cigar ashes had left grey streaks on the front of his cassock. He avoided Annixter, fearing, no doubt, an allusion to his game cocks, and took up his position back of the second rank of chairs by the musicians’ stand, beaming encouragingly upon every one who caught his eye.

Annixter was saluted right and left as he slowly went the round of the floor. At every moment he had to pause to shake hands and to listen to congratulations upon the size of his barn and the success of his dance. But he was distrait, his thoughts elsewhere; he did not attempt to hide his impatience when some of the young men tried to engage him in conversation, asking him to be introduced to their sisters, or their friends’ sisters. He sent them about their business harshly, abominably rude, leaving a wake of angry disturbance behind him, sowing the seeds of future quarrels and renewed unpopularity. He was looking for Hilma Tree.

When at last he came unexpectedly upon her, standing near where Mrs. Tree was seated, some half-dozen young men hovering uneasily in her neighbourhood, all his audacity was suddenly stricken from him; his gruffness, his overbearing insolence vanished with an abruptness that left him cold. His old-time confusion and embarrassment returned to him. Instead of speaking to her as he intended, he affected not to see her, but passed by, his head in the air, pretending a sudden interest in a Japanese lantern that was about to catch fire.

But he had had a single distinct glimpse of her, definite, precise, and this glimpse was enough. Hilma had changed. The change was subtle, evanescent, hard to define, but not the less unmistakable. The excitement, the enchanting delight, the delicious disturbance of “the first ball,” had produced its result. Perhaps there had only been this lacking. It was hard to say, but for that brief instant of time Annixter was looking at Hilma, the woman. She was no longer the young girl upon whom he might look down, to whom he might condescend, whose little, infantile graces were to be considered with amused toleration.

When Annixter returned to the harness room, he let himself into a clamour of masculine hilarity. Osterman had, indeed, made a marvellous “fertiliser,” whiskey for the most part, diluted with champagne and lemon juice. The first round of this drink had been welcomed with a salvo of cheers. Hooven, recovering his spirits under its violent stimulation, spoke of “heving ut oudt mit Cudder, bei Gott,” while Osterman, standing on a chair at the end of the room, shouted for a “few moments quiet, gentlemen,” so that he might tell a certain story he knew. But, abruptly, Annixter discovered that the liquors—the champagne, whiskey, brandy, and the like—were running low. This would never do. He felt that he would stand disgraced if it could be said afterward that he had not provided sufficient drink at his entertainment. He slipped out, unobserved, and, finding two of his ranch hands near the doorway, sent them down to the ranch house to bring up all the cases of “stuff” they found there.

However, when this matter had been attended to, Annixter did not immediately return to the harness room. On the floor of the barn a square dance was under way, the leader of the City Band calling the figures. Young Vacca indefatigably continued the rounds of the barn, paring candle after candle, possessed with this single idea of duty, pushing the dancers out of his way, refusing to admit that the floor was yet sufficiently slippery. The druggist had returned indoors, and leaned dejected and melancholy against the wall near the doorway, unable to dance, his evening’s enjoyment spoiled. The gayly apparelled clerk from Bonneville had just involved himself in a deplorable incident. In a search for his handkerchief, which he had lost while trying to find his programme card, he had inadvertently wandered into the feed room, set apart as the ladies’ dressing room, at the moment when Mrs. Hooven, having removed the waist of Minna’s dress, was relacing her corsets. There was a tremendous scene. The clerk was ejected forcibly, Mrs. Hooven filling all the neighbourhood with shrill expostulation. A young man, Minna’s “partner,” who stood near the feed room door, waiting for her to come out, had invited the clerk, with elaborate sarcasm, to step outside for a moment; and the clerk, breathless, stupefied, hustled from hand to hand, remained petrified, with staring eyes, turning about and about, looking wildly from face to face, speechless, witless, wondering what had happened.

But the square dance was over. The City Band was just beginning to play a waltz. Annixter assuring himself that everything was going all right, was picking his way across the floor, when he came upon Hilma Tree quite alone, and looking anxiously among the crowd of dancers.

“Having a good time, Miss Hilma?” he demanded, pausing for a moment.

“Oh, am I, JUST!” she exclaimed. “The best time—but I don’t know what has become of my partner. See! I’m left all alone— the only time this whole evening,” she added proudly. “Have you seen him—my partner, sir? I forget his name. I only met him this evening, and I’ve met SO many I can’t begin to remember half of them. He was a young man from Bonneville—a clerk, I think, because I remember seeing him in a store there, and he wore the prettiest clothes!”

“I guess he got lost in the shuffle,” observed Annixter. Suddenly an idea occurred to him. He took his resolution in both hands. He clenched his teeth.

“Say! look here, Miss Hilma. What’s the matter with you and I stealing this one for ourselves? I don’t mean to dance. I don’t propose to make a jumping-jack of myself for some galoot to give me the laugh, but we’ll walk around. Will you? What do you say?”

Hilma consented.

“I’m not so VERY sorry I missed my dance with that—that—little clerk,” she said guiltily. “I suppose that’s very bad of me, isn’t it?”

Annixter fulminated a vigorous protest.

“I AM so warm!” murmured Hilma, fanning herself with her handkerchief; “and, oh! SUCH a good time as I have had! I was so afraid that I would be a wall-flower and sit up by mamma and papa the whole evening; and as it is, I have had every single dance, and even some dances I had to split. Oh-h!” she breathed, glancing lovingly around the barn, noting again the festoons of tri-coloured cambric, the Japanese lanterns, flaring lamps, and “decorations” of evergreen; “oh-h! it’s all so lovely, just like a fairy story; and to think that it can’t last but for one little evening, and that to-morrow morning one must wake up to the every-day things again!”

“Well,” observed Annixter doggedly, unwilling that she should forget whom she ought to thank, “I did my best, and my best is as good as another man’s, I guess.”

Hilma overwhelmed him with a burst of gratitude which he gruffly pretended to deprecate. Oh, that was all right. It hadn’t cost him much. He liked to see people having a good time himself, and the crowd did seem to be enjoying themselves. What did SHE think? Did things look lively enough? And how about herself— was she enjoying it?

Stupidly Annixter drove the question home again, at his wits’ end as to how to make conversation. Hilma protested volubly she would never forget this night, adding:

“Dance! Oh, you don’t know how I love it! I didn’t know myself. I could dance all night and never stop once!”

Annixter was smitten with uneasiness. No doubt this “promenading” was not at all to her taste. Wondering what kind of a spectacle he was about to make of himself, he exclaimed:

“Want to dance now?”

“Oh, yes!” she returned.

They paused in their walk, and Hilma, facing him, gave herself into his arms. Annixter shut his teeth, the perspiration starting from his forehead. For five years he had abandoned dancing. Never in his best days had it been one of his accomplishments.

They hesitated a moment, waiting to catch the time from the musicians. Another couple bore down upon them at precisely the wrong moment, jostling them out of step. Annixter swore under his breath. His arm still about the young woman, he pulled her over to one corner.

“Now,” he muttered, “we’ll try again.”

A second time, listening to the one-two-three, one-two-three cadence of the musicians, they endeavoured to get under way. Annixter waited the fraction of a second too long and stepped on Hilma’s foot. On the third attempt, having worked out of the corner, a pair of dancers bumped into them once more, and as they were recovering themselves another couple caromed violently against Annixter so that he all but lost his footing. He was in a rage. Hilma, very embarrassed, was trying not to laugh, and thus they found themselves, out in the middle of the floor, continually jostled from their position, holding clumsily to each other, stammering excuses into one another’s faces, when Delaney arrived.

He came with the suddenness of an explosion. There was a commotion by the doorway, a rolling burst of oaths, a furious stamping of hoofs, a wild scramble of the dancers to either side of the room, and there he was. He had ridden the buckskin at a gallop straight through the doorway and out into the middle of the floor of the barn.

Once well inside, Delaney hauled up on the cruel spade-bit, at the same time driving home the spurs, and the buckskin, without halting in her gait, rose into the air upon her hind feet, and coming down again with a thunder of iron hoofs upon the hollow floor, lashed out with both heels simultaneously, her back arched, her head between her knees. It was the running buck, and had not Delaney been the hardest buster in the county, would have flung him headlong like a sack of sand. But he eased off the bit, gripping the mare’s flanks with his knees, and the buckskin, having long since known her master, came to hand quivering, the bloody spume dripping from the bit upon the slippery floor.

Delaney had arrayed himself with painful elaboration, determined to look the part, bent upon creating the impression, resolved that his appearance at least should justify his reputation of being “bad.” Nothing was lacking—neither the campaign hat with upturned brim, nor the dotted blue handkerchief knotted behind the neck, nor the heavy gauntlets stitched with red, nor—this above all—the bear-skin “chaparejos,” the hair trousers of the mountain cowboy, the pistol holster low on the thigh. But for the moment this holster was empty, and in his right hand, the hammer at full cock, the chamber loaded, the puncher flourished his teaser, an army Colt’s, the lamplight dully reflected in the dark blue steel.

In a second of time the dance was a bedlam. The musicians stopped with a discord, and the middle of the crowded floor bared itself instantly. It was like sand blown from off a rock; the throng of guests, carried by an impulse that was not to be resisted, bore back against