The Matador of the Five Towns and Other Stories, Arnold Bennett [top novels TXT] 📗

he had the air of a successful, solid, much-respected individual. To be a cashier, though worthy, is not to be a nabob, but a bachelor can save a lot out of over twenty years of regular salary. And Mr Loggerheads had saved quite a lot. And he had had opportunities of advantageously investing his savings. Then everybody knew him, and he knew everybody. He handed out gold at least once a week to nearly half the town, and you cannot help venerating a man who makes a practice of handing out gold to you. And he had thrilled thousands with the wistful beauty of his voice in "The Sands of Dee." In a word, Simon Loggerheads was a personage, if not talkative.

They went into the drawing-room. Mary Morfe closed the door gently. Simon Loggerheads strolled vaguely and self-consciously up to the fireplace, murmuring:

"So he's gone out?"

"Yes," said Mary Morfe, in confirmation of her first statement.

"I'm sorry!" said Simon Loggerheads. A statement which was absolutely contrary to the truth. Simon Loggerheads was deeply relieved and glad that Richard Morfe was out.

The pair, aged slightly under and slightly over forty, seemed to hover for a fraction of a second uncertainly near each other, and then, somehow, mysteriously, Simon Loggerheads had kissed Mary Morfe. She blushed. He blushed. The kiss was repeated. Mary gazed up at him. Mary could scarcely believe that he was hers. She could scarcely believe that on the previous evening he had proposed marriage to her--rather suddenly, so it seemed to her, but delightfully. She could comprehend his conduct no better than her own. They two, staid, settled-down, both of them "old maids," falling in love and behaving like lunatics! Mary, a year ago, would have been ready to prophesy that if ever Simon Loggerheads--at his age!--did marry, he would assuredly marry something young, something ingenuous, something cream-and-rose, and probably something with rich parents. For twenty years Simon Loggerheads had been marked down for capture by the marriageable spinsters and widows, and the mothers with daughters, of Bursley. And he had evaded capture, despite the special temptations to which an after-dinner tenor is necessarily subject. And now Mary Morfe had caught him--caught him, moreover, without having had the slightest intention of catching him. She was one of the most spinsterish spinsters in the Five Towns; and she had often said things about men and marriage of which the recollection now, as an affianced woman, was very disturbing to her. However, she did not care. She did not understand how Simon Loggerheads had had the wit to perceive that she would be an ideal wife. And she did not care. She did not understand how, as a result of Simon Loggerheads falling in love with her, she had fallen in love with him. And she did not care. She did not care a fig for anything. She _was_ in love with him, and he with her, and she was idiotically joyous, and so was he. And that was all.

On reflection, I have to admit that she did in fact care for one thing. That one thing was the look on her brother's face when he should learn that she, the faithful sardonic sister, having incomprehensibly become indispensable and all in all to a bank cashier, meant to desert him. She was afraid of that look. She trembled at the fore-vision of it.

Still, Richard had to be informed, and the world had to be informed, for the silken dalliance between Mary and Simon had been conducted with a discretion and a secrecy more than characteristic of their age and dispositions. It had been arranged between the lovers that Simon should call on that Friday evening, when he would be sure to catch Richard in his easy chair, and should, in presence of Mary, bluntly communicate to Richard the blunt fact.

"What's he gone out for? Anything special?" asked Simon.

Mary explained the circumstances.

"The truth is," she finished, "that girl is just throwing herself at Dick's head. There's no doubt of it. I never saw such work!"

"Well," said Simon Loggerheads, "of course, you know, there's been a certain amount of talk about them. Some folks say that your brother--er--began--"

"And do you believe that?" demanded Mary.

"I don't know," said Simon. By which he meant diplomatically to convey that he had had a narrow escape of believing it, at any rate.

"Well," said Mary, with conviction, "you may take it from me that it isn't so. I know Dick. Eva Harracles may throw herself at his head till there's no breath left in her body, and it'll make no difference to Dick. Do _you_ see Dick a married man? I don't. I only wish he _would_ take it into his head to get married. It would make me much easier in my mind. But all the same I do think it's downright wicked that a girl should fling herself _at_ him, right _at_ him. Fancy her calling to-night! It's the sort of thing that oughtn't to be encouraged."

"But I understood you to say that you yourself had told him to see her home," Simon Loggerheads put in. "Isn't that encouraging her, as it were?"

"Ah!" said Mary, with a smile. "I only suggested it to him because it came over me all of a sudden how nice it would be to have you here all alone! He can't be back much before twelve."

To such a remark there is but one response. A sofa is, after all, made for two people, and the chance of the servant calling on them was small.

"And so the clock stopped!" observed Simon Loggerheads.

"Yes," said Mary. "If it hadn't been for the sheer accident of that clock stopping, we shouldn't be sitting here on this sofa now, and Dick would be in that chair, and you would just be beginning to tell him that we are engaged." She sighed. "Poor Dick! What on earth will he do?"

"Strange how things happen!" Simon reflected in a low voice. "But I'm really surprised at that clock stopping like that. It's a clock that you ought to be able to depend on, that clock is."

He got up to inspect the timepiece. He knew all about the clock, because he had been chairman of the presentation committee which had gone to Manchester to buy it.

"Why!" he murmured, after he had toyed a little with the pendulum, "it goes all right. Its tick is as right as rain."

"How odd!" responded Mary.

Simon Loggerheads set the clock by his own impeccable watch, and then sat down again. And he drew something from his waistcoat pocket and slid it on to Mary's finger.

Mary regarded her finger in silent ecstasy, and then breathed "How lovely!"--not meaning her finger.

"Shall I stay till he comes back?" asked Simon.

"If I were you I shouldn't do that," said Mary. "But you can safely stay till eleven-thirty. Then I shall go to bed. He'll be tired and short [curt] when he gets back. I'll tell him myself to-morrow morning at breakfast. And you might come to-morrow afternoon early, for tea."

Simon did stay till half-past eleven. He left precisely when the clock, now convalescent, struck the half-hour. At the door Mary said to him:

"I won't have any secrets from you, Simon. It was I who stopped that clock. I stopped it while they were bending down looking for music. I wanted to be as sure as I could of a good excuse for me suggesting that he ought to take her home. I just wanted to get him out of the house."

"But why?" asked Simon.

"I must leave that to you to guess," said Mary, with a hint of tartness, but smiling.

Loggerheads and Richard Morfe met in Trafalgar Road.

"Good-night, Morfe."

"'night, Loggerheads!"

And each passed on, without having stopped.

You can picture for yourself the breakfast of the brother and sister.



HOT POTATOES

I


It was considered by certain people to be a dramatic moment in the history of musical enterprise in the Five Towns when Mrs Swann opened the front door of her house at Bleakridge, in the early darkness of a November evening, and let forth her son Gilbert. Gilbert's age was nineteen, and he was wearing evening dress, a form of raiment that had not hitherto happened to him. Over the elegant suit was his winter overcoat, making him bulky, and round what may be called the rim of the overcoat was a white woollen scarf, and the sleeves of the overcoat were finished off with white woollen gloves. Under one arm he carried a vast inanimate form whose extremity just escaped the ground. This form was his violoncello, fragile as a pretty woman, ungainly as a navvy, and precious as honour. Mrs Swann looked down the street, which ended to the east in darkness and a marl pit, and up the street, which ended to the west in Trafalgar Road and electric cars; and she shivered, though she had a shawl over her independent little shoulders. In the Five Towns, and probably elsewhere, when a woman puts her head out of her front door, she always looks first to right and then to left, like a scouting Iroquois, and if the air nips she shivers--not because she is cold, but merely to express herself.

"For goodness sake, keep your hands warm," Mrs Swann enjoined her son.

"Oh!" said Gilbert, with scornful lightness, as though his playing had never suffered from cold hands, "it's quite warm to-night!" Which it was not.

"And mind what you eat!" added his mother. "There! I can hear the car."

He hurried up the street. The electric tram slid in thunder down Trafalgar Road, and stopped for him with a jar, and he gingerly climbed into it, practising all precautions on behalf of his violoncello. The car slid away again towards Bursley, making blue sparks. Mrs Swann stared mechanically at the flickering gas in her lobby, and then closed her front door. He was gone! The boy was gone!

Now, the people who considered the boy's departure to be a dramatic moment in the history of musical enterprise in the Five Towns were Mrs Swann, chiefly, and the boy, secondarily.


II


And more than the moment--the day, nay, the whole week--was dramatic in the history of local musical enterprise.

It had occurred to somebody in Hanbridge, about a year before, that since York, Norwich, Hereford, Gloucester, Birmingham, and even Blackpool had their musical festivals, the Five Towns, too, ought to have its musical festival. The Five Towns possessed a larger population than any of these centres save Birmingham, and it was notorious for its love of music. Choirs from the Five Towns had gone to all sorts of places--such as Brecknock, Aberystwyth, the Crystal Palace, and even a place called Hull--and had come back with first prizes--cups and banners--for the singing of choruses and part-songs. There were three (or at least two and a half) rival choirs in Hanbridge alone. Then also the brass band contests were famously attended. In the Five Towns the number of cornet players is scarcely exceeded by the number of public-houses. Hence the feeling, born and fanned into lustiness at Hanbridge, that the Five Towns owed it to its self-respect to have a Musical Festival like the rest of the world! Men who had never heard of Wagner, men who could not have told the difference between a sonata and a sonnet to save their souls, men who spent all their lives in manufacturing tea-cups or china door-knobs, were invited to guarantee