The Beautiful and the Damned, F. Scott Fitzgerald [great novels TXT] 📗

shakes hands with ANTHONY and MAURY. He is one of those men who invariably shake hands, even with people whom they have seen an hour before.

ANTHONY: Hello, Caramel. Glad you’re here. We needed a comic relief.

MAURY: You’re late. Been racing the postman down the block? We’ve been clawing over your character.

DICK: (_Fixing_ ANTHONY eagerly with the bright eye) What’d you say? Tell me and I’ll write it down. Cut three thousand words out of Part One this afternoon.

MAURY: Noble aesthete. And I poured alcohol into my stomach.

DICK: I don’t doubt it. I bet you two have been sitting here for an hour talking about liquor.

ANTHONY: We never pass out, my beardless boy.

MAURY: We never go home with ladies we meet when we’re lit.

ANTHONY: All in our parties are characterized by a certain haughty distinction.

DICK: The particularly silly sort who boast about being “tanks”! Trouble is you’re both in the eighteenth century. School of the Old English Squire. Drink quietly until you roll under the table. Never have a good time. Oh, no, that isn’t done at all.

ANTHONY: This from Chapter Six, I’ll bet.

DICK: Going to the theatre?

MAURY: Yes. We intend to spend the evening doing some deep thinking over of life’s problems. The thing is tersely called “The Woman.” I presume that she will “pay.”

ANTHONY: My God! Is that what it is? Let’s go to the Follies again.

MAURY: I’m tired of it. I’ve seen it three times. (_To DICK:_) The first time, we went out after Act One and found a most amazing bar. When we came back we entered the wrong theatre.

ANTHONY: Had a protracted dispute with a scared young couple we thought were in our seats.

DICK: (_As though talking to himself_) I think—that when I’ve done another novel and a play, and maybe a book of short stories, I’ll do a musical comedy.

MAURY: I know—with intellectual lyrics that no one will listen to. And all the critics will groan and grunt about “Dear old Pinafore.” And I shall go on shining as a brilliantly meaningless figure in a meaningless world.

DICK: (_Pompously_) Art isn’t meaningless.

MAURY: It is in itself. It isn’t in that it tries to make life less so.

ANTHONY: In other words, Dick, you’re playing before a grand stand peopled with ghosts.

MAURY: Give a good show anyhow.

ANTHONY:(To MAURY) On the contrary, I’d feel that it being a meaningless world, why write? The very attempt to give it purpose is purposeless.

DICK: Well, even admitting all that, be a decent pragmatist and grant a poor man the instinct to live. Would you want every one to accept that sophistic rot?

ANTHONY: Yeah, I suppose so.

MAURY: No, sir! I believe that every one in America but a selected thousand should be compelled to accept a very rigid system of morals—Roman Catholicism, for instance. I don’t complain of conventional morality. I complain rather of the mediocre heretics who seize upon the findings of sophistication and adopt the pose of a moral freedom to which they are by no means entitled by their intelligences.

(_Here the soup arrives and what MAURY might have gone on to say is lost for all time._)

NIGHT

Afterward they visited a ticket speculator and, at a price, obtained seats for a new musical comedy called “High Jinks.” In the foyer of the theatre they waited a few moments to see the first-night crowd come in. There were opera cloaks stitched of myriad, many-colored silks and furs; there were jewels dripping from arms and throats and ear-tips of white and rose; there were innumerable broad shimmers down the middles of innumerable silk hats; there were shoes of gold and bronze and red and shining black; there were the high-piled, tight-packed coiffures of many women and the slick, watered hair of well-kept men—most of all there was the ebbing, flowing, chattering, chuckling, foaming, slow-rolling wave effect of this cheerful sea of people as to-night it poured its glittering torrent into the artificial lake of laughter….

After the play they parted—Maury was going to a dance at Sherry’s, Anthony homeward and to bed.

He found his way slowly over the jostled evening mass of Times Square, which the chariot race and its thousand satellites made rarely beautiful and bright and intimate with carnival. Faces swirled about him, a kaleidoscope of girls, ugly, ugly as sin—too fat, too lean, yet floating upon this autumn air as upon their own warm and passionate breaths poured out into the night. Here, for all their vulgarity, he thought, they were faintly and subtly mysterious. He inhaled carefully, swallowing into his lungs perfume and the not unpleasant scent of many cigarettes. He caught the glance of a dark young beauty sitting alone in a closed taxicab. Her eyes in the half-light suggested night and violets, and for a moment he stirred again to that half-forgotten remoteness of the afternoon.

Two young Jewish men passed him, talking in loud voices and craning their necks here and there in fatuous supercilious glances. They were dressed in suits of the exaggerated tightness then semi-fashionable; their turned over collars were notched at the Adam’s apple; they wore gray spats and carried gray gloves on their cane handles.

Passed a bewildered old lady borne along like a basket of eggs between two men who exclaimed to her of the wonders of Times Square—explained them so quickly that the old lady, trying to be impartially interested, waved her head here and there like a piece of wind-worried old orange-peel. Anthony heard a snatch of their conversation:

“There’s the Astor, mama!”

“Look! See the chariot race sign–-”

“There’s where we were to-day. No, there!”

“Good gracious! …”

“You should worry and grow thin like a dime.” He recognized the current witticism of the year as it issued stridently from one of the pairs at his elbow.

“And I says to him, I says–-”

The soft rush of taxis by him, and laughter, laughter hoarse as a crow’s, incessant and loud, with the rumble of the subways underneath—and over all, the revolutions of light, the growings and recedings of light—light dividing like pearls—forming and reforming in glittering bars and circles and monstrous grotesque figures cut amazingly on the sky.

He turned thankfully down the hush that blew like a dark wind out of a cross-street, passed a bakery-restaurant in whose windows a dozen roast chickens turned over and over on an automatic spit. From the door came a smell that was hot, doughy, and pink. A drug-store next, exhaling medicines, spilt soda water and a pleasant undertone from the cosmetic counter; then a Chinese laundry, still open, steamy and stifling, smelling folded and vaguely yellow. All these depressed him; reaching Sixth Avenue he stopped at a corner cigar store and emerged feeling better—the cigar store was cheerful, humanity in a navy blue mist, buying a luxury ….

Once in his apartment he smoked a last cigarette, sitting in the dark by his open front window. For the first time in over a year he found himself thoroughly enjoying New York. There was a rare pungency in it certainly, a quality almost Southern. A lonesome town, though. He who had grown up alone had lately learned to avoid solitude. During the past several months he had been careful, when he had no engagement for the evening, to hurry to one of his clubs and find some one. Oh, there was a loneliness here–-

His cigarette, its smoke bordering the thin folds of curtain with rims of faint white spray, glowed on until the clock in St. Anne’s down the street struck one with a querulous fashionable beauty. The elevated, half a quiet block away, sounded a rumble of drums—and should he lean from his window he would see the train, like an angry eagle, breasting the dark curve at the corner. He was reminded of a fantastic romance he had lately read in which cities had been bombed from aerial trains, and for a moment he fancied that Washington Square had declared war on Central Park and that this was a north-bound menace loaded with battle and sudden death. But as it passed the illusion faded; it diminished to the faintest of drums—then to a far-away droning eagle.

There were the bells and the continued low blur of auto horns from Fifth Avenue, but his own street was silent and he was safe in here from all the threat of life, for there was his door and the long hall and his guardian bedroom—safe, safe! The arc-light shining into his window seemed for this hour like the moon, only brighter and more beautiful than the moon.

A FLASHBACK IN PARADISE

Beauty, who was born anew every hundred years, sat in a sort of outdoor waiting room through which blew gusts of white wind and occasionally a breathless hurried star. The stars winked at her intimately as they went by and the winds made a soft incessant flurry in her hair. She was incomprehensible, for, in her, soul and spirit were one—the beauty of her body was the essence of her soul. She was that unity sought for by philosophers through many centuries. In this outdoor waiting room of winds and stars she had been sitting for a hundred years, at peace in the contemplation of herself.

It became known to her, at length, that she was to be born again. Sighing, she began a long conversation with a voice that was in the white wind, a conversation that took many hours and of which I can give only a fragment here.

BEAUTY: (_Her lips scarcely stirring, her eyes turned, as always, inward upon herself_) Whither shall I journey now?

THE VOICE: To a new country—a land you have never seen before.

BEAUTY: (_Petulantly_) I loathe breaking into these new civilizations. How long a stay this time?

THE VOICE: Fifteen years.

BEAUTY: And what’s the name of the place?

THE VOICE: It is the most opulent, most gorgeous land on earth—a land whose wisest are but little wiser than its dullest; a land where the rulers have minds like little children and the law-givers believe in Santa Claus; where ugly women control strong men–-

BEAUTY: (_In astonishment_) What?

THE VOICE: (_Very much depressed_) Yes, it is truly a melancholy spectacle. Women with receding chins and shapeless noses go about in broad daylight saying “Do this!” and “Do that!” and all the men, even those of great wealth, obey implicitly their women to whom they refer sonorously either as “Mrs. So-and-so” or as “the wife.”

BEAUTY: But this can’t be true! I can understand, of course, their obedience to women of charm—but to fat women? to bony women? to women with scrawny cheeks?

THE VOICE: Even so.

BEAUTY: What of me? What chance shall I have?

THE VOICE: It will be “harder going,” if I may borrow a phrase.

BEAUTY: (_After a dissatisfied pause_) Why not the old lands, the land of grapes and soft-tongued men or the land of ships and seas?

THE VOICE: It’s expected that they’ll be very busy shortly.

BEAUTY: Oh!

THE VOICE: Your life on earth will be, as always, the interval between two significant glances in a mundane mirror.

BEAUTY: What will I be? Tell me?

THE VOICE: At first it was thought that you would go this time as an actress in the motion pictures but, after all, it’s not advisable. You will be disguised during your fifteen years as what is called a “susciety gurl.”

BEAUTY: What’s that?

(_There is a new sound in the wind which must for our purposes be interpreted as_ THE VOICE scratching its head.)

THE VOICE: (_At length_) It’s a sort of bogus aristocrat.

BEAUTY: Bogus? What is bogus?

THE VOICE: That, too, you will discover in this land. You will find much that is bogus. Also, you will do much that