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more harshly, as she continued down the room and out of sight on Paula's sleeping porch.

Dick stiffened his shoulders, unconsciously bracing himself to face what was now soon to happen. Well, it was the beginning of the end. Oh Dear knew. Soon more would know, all would know. And in a way he was glad of it, glad that the torment of suspense would endure but little longer.

But when he started to leave he whistled a merry jingle to advertise to Oh Dear that the world wagged very well with him so far as he knew anything about it.

* * * * *

The same afternoon, while Dick was out and away with Froelig and Martinez and Graham, Paula stole a pilgrimage to Dick's quarters. Out on his sleeping porch she looked over his rows of press buttons, his switchboard that from his bed connected him with every part of the ranch and most of the rest of California, his phonograph on the hinged and swinging bracket, the orderly array of books and magazines and agricultural bulletins waiting to be read, the ash tray, cigarettes, scribble pads, and thermos bottle.

Her photograph, the only picture on the porch, held her attention. It hung under his barometers and thermometers, which, she knew, was where he looked oftenest. A fancy came to her, and she turned the laughing face to the wall and glanced from the blankness of the back of the frame to the bed and back again. With a quick panic movement, she turned the laughing face out. It belonged, was her thought; it did belong.

The big automatic pistol in the holster on the wall, handy to one's hand from the bed, caught her eye. She reached to it and lifted gently at the butt. It was as she had expected--loose--Dick's way. Trust him, no matter how long unused, never to let a pistol freeze in its holster.

Back in the work room she wandered solemnly about, glancing now at the prodigious filing system, at the chart and blue-print cabinets, at the revolving shelves of reference books, and at the long rows of stoutly bound herd registers. At last she came to his books--a goodly row of pamphlets, bound magazine articles, and an even dozen ambitious tomes. She read the titles painstakingly: "Corn in California," "Silage Practice," "Farm Organization," "Farm Book-keeping," "The Shire in America," "Humus Destruction," "Soilage," "Alfalfa in California," "Cover Crops for California," "The Shorthorn in America"--at this last she smiled affectionately with memory of the great controversy he had waged for the beef cow and the milch cow as against the dual purpose cow.

She caressed, the backs of the books with her palm, pressed her cheek against them and leaned with closed eyes. Oh, Dick, Dick--a thought began that faded to a vagueness of sorrow and died because she did not dare to think it.

The desk was so typically Dick. There was no litter. Clean it was of all work save the wire tray with typed letters waiting his signature and an unusual pile of the flat yellow sheets on which his secretaries typed the telegrams relayed by telephone from Eldorado. Carelessly she ran her eyes over the opening lines of the uppermost sheet and chanced upon a reference that puzzled and interested her. She read closely, with in-drawn brows, then went deeper into the heap till she found confirmation. Jeremy Braxton was dead--big, genial, kindly Jeremy Braxton. A Mexican mob of pulque-crazed peons had killed him in the mountains through which he had been trying to escape from the Harvest into Arizona. The date of the telegram was two days old. Dick had known it for two days and never worried her with it. And it meant more. It meant money. It meant that the affairs of the Harvest Group were going from bad to worse. And it was Dick's way.

And Jeremy was dead. The room seemed suddenly to have grown cold. She shivered. It was the way of life--death always at the end of the road. And her own nameless dread came back upon her. Doom lay ahead. Doom for whom? She did not attempt to guess. Sufficient that it was doom. Her mind was heavy with it, and the quiet room was heavy with it as she passed slowly out.


CHAPTER XXIX


"'Tis a birdlike sensuousness that is all the Little Lady's own," Terrence was saying, as he helped himself to a cocktail from the tray Ah Ha was passing around.

It was the hour before dinner, and Graham, Leo and Terrence McFane had chanced together in the stag-room.

"No, Leo," the Irishman warned the young poet. "Let the one suffice you. Your cheeks are warm with it. A second one and you'll conflagrate. 'Tis no right you have to be mixing beauty and strong drink in that lad's head of yours. Leave the drink to your elders. There is such a thing as consanguinity for drink. You have it not. As for me--"

He emptied the glass and paused to turn the cocktail reminiscently on his tongue.

"'Tis women's drink," he shook his head in condemnation. "It likes me not. It bites me not. And devil a bit of a taste is there to it.--Ah Ha, my boy," he called to the Chinese, "mix me a highball in a long, long glass--a stiff one."

He held up four fingers horizontally to indicate the measure of liquor he would have in the glass, and, to Ah Ha's query as to what kind of whiskey, answered, "Scotch or Irish, bourbon or rye--whichever comes nearest to hand."

Graham shook his head to the Chinese, and laughed to the Irishman. "You'll never drink me down, Terrence. I've not forgotten what you did to O'Hay."

"'Twas an accident I would have you think," was the reply. "They say when a man's not feeling any too fit a bit of drink will hit him like a club."

"And you?" Graham questioned.

"Have never been hit by a club. I am a man of singularly few experiences."

"But, Terrence, you were saying... about Mrs. Forrest?" Leo begged. "It sounded as if it were going to be nice."

"As if it could be otherwise," Terrence censured. "But as I was saying, 'tis a bird-like sensuousness--oh, not the little, hoppy, wagtail kind, nor yet the sleek and solemn dove, but a merry sort of bird, like the wild canaries you see bathing in the fountains, always twittering and singing, flinging the water in the sun, and glowing the golden hearts of them on their happy breasts. 'Tis like that the Little Lady is. I have observed her much.

"Everything on the earth and under the earth and in the sky contributes to the passion of her days--the untoward purple of the ground myrtle when it has no right to aught more than pale lavender, a single red rose tossing in the bathing wind, one perfect Duchesse rose bursting from its bush into the sunshine, as she said to me, 'pink as the dawn, Terrence, and shaped like a kiss.'

"'Tis all one with her--the Princess's silver neigh, the sheep bells of a frosty morn, the pretty Angora goats making silky pictures on the hillside all day long, the drifts of purple lupins along the fences, the long hot grass on slope and roadside, the summer-burnt hills tawny as crouching lions--and even have I seen the sheer sensuous pleasure of the Little Lady with bathing her arms and neck in the blessed sun."

"She is the soul of beauty," Leo murmured. "One understands how men can die for women such as she."

"And how men can live for them, and love them, the lovely things," Terrence added. "Listen, Mr. Graham, and I'll tell you a secret. We philosophers of the madroño grove, we wrecks and wastages of life here in the quiet backwater and easement of Dick's munificence, are a brotherhood of lovers. And the lady of our hearts is all the one--the Little Lady. We, who merely talk and dream our days away, and who would lift never a hand for God, or country, or the devil, are pledged knights of the Little Lady."

"We would die for her," Leo affirmed, slowly nodding his head.

"Nay, lad, we would live for her and fight for her, dying is that easy."

Graham missed nothing of it. The boy did not understand, but in the blue eyes of the Celt, peering from under the mop of iron-gray hair, there was no mistaking the knowledge of the situation.

Voices of men were heard coming down the stairs, and, as Martinez and Dar Hyal entered, Terrence was saying:

"'Tis fine weather they say they're having down at Catalina now, and I hear the tunny fish are biting splendid."

Ah Ha served cocktails around, and was kept busy, for Hancock and Froelig followed along. Terrence impartially drank stiff highballs of whatever liquor the immobile-faced Chinese elected to serve him, and discoursed fatherly to Leo on the iniquities and abominations of the flowing bowl.

Oh My entered, a folded note in his hand, and looked about in doubt as to whom to give it.

"Hither, wing-heeled Celestial," Terrence waved him up.

"'Tis a petition, couched in very proper terms," Terrence explained, after a glance at its contents. "And Ernestine and Lute have arrived, for 'tis they that petition. Listen." And he read: "'Oh, noble and glorious stags, two poor and lowly meek-eyed does, wandering lonely in the forest, do humbly entreat admission for the brief time before dinner to the stamping ground of the herd.'

"The metaphor is mixed," said Terrence. "Yet have they acted well. 'Tis the rule--Dick's rule--and a good rule it is: no petticoats in the stag-room save by the stags' unanimous consent.--Is the herd ready for the question? All those in favor will say 'Aye.'--Contrary minded?--The ayes have it.

"Oh My, fleet with thy heels and bring in the ladies."

"'With sandals beaten from the crowns of kings,'" Leo added, murmuring the words reverently, loving them with his lips as his lips formed them and uttered them.

"'Shall he tread down the altars of their night,'" Terrence completed the passage. "The man who wrote that is a great man. He is Leo's friend, and Dick's friend, and proud am I that he is my friend."

"And that other line," Leo said. "From the same sonnet," he explained to Graham. "Listen to the sound of it: 'To hear what song the star of morning sings'--oh, listen," the boy went on, his voice hushed low with beauty-love for the words: "'With perished beauty in his hands as clay, Shall he restore futurity its dream--'"

He broke off as Paula's sisters entered, and rose shyly to greet them.

* * * * *

Dinner that night was as any dinner at which the madroño sages were present. Dick was as robustly controversial as usual, locking horns with Aaron Hancock on Bergson, attacking the latter's metaphysics in sharp realistic fashion.

"Your Bergson is a charlatan philosopher, Aaron," Dick concluded. "He has the same old medicine-man's bag of metaphysical tricks, all decked out and frilled with the latest ascertained facts of science."

"'Tis true," Terrence agreed. "Bergson is a charlatan thinker. 'Tis why he is so popular--"
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