The Little Lady of the Big House, Jack London [best non fiction books to read .TXT] 📗

exposure under the ordinary lighting is sufficient. And the best of it is that the plate can be immediately developed just like an ordinary blue print. Of course, the drawback is one cannot print from the plate."

"But if it's good, an ordinary plate can be copied from it from which prints can be made," Ernestine amplified.

She knew the huge, twenty-foot, spring snake coiled inside the camera and ready to leap out like a jack-in-the-box when Dick squeezed the bulb. And there were others who knew and who urged Dick to get the camera and make an exposure.

He was gone longer than he expected, for Bonbright had left on his desk several telegrams concerning the Mexican situation that needed immediate replies. Trick camera in hand, Dick returned by a short cut across the house and patio. The dancing couples were ebbing down the arcade and disappearing into the hall, and he leaned against a pillar and watched them go by. Last of all came Paula and Evan, passing so close that he could have reached out and touched them. But, though the moon shone full on him, they did not see him. They saw only each other in the tender sport of gazing.

The last preceding couple was already inside when the music ceased. Graham and Paula paused, and he was for giving her his arm and leading her inside, but she clung to him in sudden impulse. Man-like, cautious, he slightly resisted for a moment, but with one arm around his neck she drew his head willingly down to the kiss. It was a flash of quick passion. The next instant, Paula on his arm, they were passing in and Paula's laugh was ringing merrily and naturally.

Dick clutched at the pillar and eased himself down abruptly until he sat flat on the pavement. Accompanying violent suffocation, or causing it, his heart seemed rising in his chest. He panted for air. The cursed thing rose and choked and stifled him until, in the grim turn his fancy took, it seemed to him that he chewed it between his teeth and gulped it back and down his throat along with the reviving air. He felt chilled, and was aware that he was wet with sudden sweat.

"And who ever heard of heart disease in the Forrests?" he muttered, as, still sitting, leaning against the pillar for support, he mopped his face dry. His hand was shaking, and he felt a slight nausea from an internal quivering that still persisted.

It was not as if Graham had kissed her, he pondered. It was Paula who had kissed Graham. That was love, and passion. He had seen it, and as it burned again before his eyes, he felt his heart surge, and the premonitory sensation of suffocation seized him. With a sharp effort of will he controlled himself and got to his feet.

"By God, it came up in my mouth and I chewed it," he muttered. "I chewed it."

Returning across the patio by the round-about way, he entered the lighted room jauntily enough, camera in hand, and unprepared for the reception he received.

"Seen a ghost?" Lute greeted.

"Are you sick?"--"What's the matter?" were other questions.

"What is the matter?" he countered.

"Your face--the look of it," Ernestine said. "Something has happened. What is it?"

And while he oriented himself he did not fail to note Lottie Mason's quick glance at the faces of Graham and Paula, nor to note that Ernestine had observed Lottie's glance and followed it up for herself.

"Yes," he lied. "Bad news. Just got the word. Jeremy Braxton is dead. Murdered. The Mexicans got him while he was trying to escape into Arizona."

"Old Jeremy, God love him for the fine man he was," Terrence said, tucking his arm in Dick's. "Come on, old man, 'tis a stiffener you're wanting and I'm the lad to lead you to it."

"Oh, I'm all right," Dick smiled, shaking his shoulders and squaring himself as if gathering himself together. "It did hit me hard for the moment. I hadn't a doubt in the world but Jeremy would make it out all right. But they got him, and two engineers with him. They put up a devil of a fight first. They got under a cliff and stood off a mob of half a thousand for a day and night. And then the Mexicans tossed dynamite down from above. Oh, well, all flesh is grass, and there is no grass of yesteryear. Terrence, your suggestion is a good one. Lead on."

After a few steps he turned his head over his shoulder and called back: "Now this isn't to stop the fun. I'll be right back to take that photograph. You arrange the group, Ernestine, and be sure to have them under the strongest light."

Terrence pressed open the concealed buffet at the far end of the room and set out the glasses, while Dick turned on a wall light and studied his face in the small mirror inside the buffet door.

"It's all right now, quite natural," he announced.

"'Twas only a passing shade," Terrence agreed, pouring the whiskey. "And man has well the right to take it hard the going of old friends."

They toasted and drank silently.

"Another one," Dick said, extending his glass.

"Say 'when,'" said the Irishman, and with imperturbable eyes he watched the rising tide of liquor in the glass.

Dick waited till it was half full.

Again they toasted and drank silently, eyes to eyes, and Dick was grateful for the offer of all his heart that he read in Terrence's eyes.

Back in the middle of the hall, Ernestine was gayly grouping the victims, and privily, from the faces of Lottie, Paula, and Graham, trying to learn more of the something untoward that she sensed. Why had Lottie looked so immediately and searchingly at Graham and Paula? --she asked herself. And something was wrong with Paula now. She was worried, disturbed, and not in the way to be expected from the announcement of Jeremy Braxton's death. From Graham, Ernestine could glean nothing. He was quite his ordinary self, his facetiousness the cause of much laughter to Miss Maxwell and Mrs. Watson.

Paula was disturbed. What had happened? Why had Dick lied? He had known of Jeremy's death for two days. And she had never known anybody's death so to affect him. She wondered if he had been drinking unduly. In the course of their married life she had seen him several times in liquor. He carried it well, the only noticeable effects being a flush in his eyes and a loosening of his tongue to whimsical fancies and extemporized chants. Had he, in his trouble, been drinking with the iron-headed Terrence down in the stag room? She had found them all assembled there just before dinner. The real cause for Dick's strangeness never crossed her mind, if, for no other reason, than that he was not given to spying.

He came back, laughing heartily at a joke of Terrence's, and beckoned Graham to join them while Terrence repeated it. And when the three had had their laugh, he prepared to take the picture. The burst of the huge snake from the camera and the genuine screams of the startled women served to dispel the gloom that threatened, and next Dick was arranging a tournament of peanut-carrying.

From chair to chair, placed a dozen yards apart, the feat was with a table knife to carry the most peanuts in five minutes. After the preliminary try-out, Dick chose Paula for his partner, and challenged the world, Wickenberg and the madroño grove included. Many boxes of candy were wagered, and in the end he and Paula won out against Graham and Ernestine, who had proved the next best couple. Demands for a speech changed to clamor for a peanut song. Dick complied, beating the accent, Indian fashion, with stiff-legged hops and hand-slaps on thighs.

"I am Dick Forrest, son of Richard the Lucky, Son of Jonathan the Puritan, son of John who was a sea-rover, as his father Albert before him, who was the son of Mortimer, a pirate who was hanged in chains and died without issue.

"I am the last of the Forrests, but first of the peanut-carriers. Neither Nimrod nor Sandow has anything on me. I carry the peanuts on a knife, a silver knife. The peanuts are animated by the devil. I carry the peanuts with grace and celerity and in quantity. The peanut never sprouted that can best me.

"The peanuts roll. The peanuts roll. Like Atlas who holds the world, I never let them fall. Not every one can carry peanuts. I am God-gifted. I am master of the art. It is a fine art. The peanuts roll, the peanuts roll, and I carry them on forever.

"Aaron is a philosopher. He cannot carry peanuts. Ernestine is a blonde. She cannot carry peanuts. Evan is a sportsman. He drops peanuts. Paula is my partner. She fumbles peanuts. Only I, I, by the grace of God and my own cleverness, carry peanuts.

"When anybody has had enough of my song, throw something at me. I am proud. I am tireless. I can sing on forever. I shall sing on forever.

"Here beginneth the second canto. When I die, bury me in a peanut patch. While I live--"

The expected avalanche of cushions quenched his song but not his ebullient spirits, for he was soon in a corner with Lottie Mason and Paula concocting a conspiracy against Terrence.

And so the evening continued to be danced and joked and played away. At midnight supper was served, and not till two in the morning were the Wickenbergers ready to depart. While they were getting on their wraps, Paula was proposing for the following afternoon a trip down to the Sacramento River to look over Dick's experiment in rice-raising.

"I had something else in view," he told her. "You know the mountain pasture above Sycamore Creek. Three yearlings have been killed there in the last ten days."

"Mountain lions!" Paula cried.

"Two at least.--Strayed in from the north," he explained to Graham. "They sometimes do that. We got three five years ago.--Moss and Hartley will be there with the dogs waiting. They've located two of the beasts. What do you say all of you join me. We can leave right after lunch."

"Let me have Mollie?" Lute asked.

"And you can ride Altadena," Paula told Ernestine.

Quickly the mounts were decided upon, Froelig and Martinez agreeing to go, but promising neither to shoot well nor ride well.

All went out to see the Wickenbergers off, and, after the machines were gone, lingered to make arrangements for the hunting.

"Good night, everybody," Dick said, as they started to move inside. "I'm going to take a look at Alden Bessie before I turn in. Hennessy is sitting up with her. Remember, you girls, come to lunch in your riding togs, and curses on the head of whoever's late."

The ancient dam of the Fotherington Princess was in a serious way, but Dick would not have made the visit at such an hour, save that he wanted to be by himself and that he could not nerve himself for a chance moment alone with Paula so soon after what he had overseen in the patio.

Light steps in the gravel made him turn his head. Ernestine caught up with him and took his arm.

"Poor old Alden Bessie," she explained. "I thought I'd go along."

Dick, still acting up to his night's rôle, recalled to her various funny incidents of the