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fruitful, and long-continued poetical career has few parallels in the amateur world. "The Amateur Christian," a brief prose essay by Benjamin Winskill, presents more than one valuable truth; though we wish the word "par," near the close, might be expanded to proper fulness. We presume that it is intended to stand for paragraph.

The Crazyquilt for December is a highly entertaining illustrated publication whose exact classification is a matter of some difficulty. We[72] might perhaps best describe it as a bubbling over of youthful spirits, with here and there a touch of unobtrusive seriousness. The editor, Mr. Melvin Ryder, is to be commended upon his enterprise; which consists in approximately equal parts of prose, verse, and whimsical vers libre. It is the last named product which most absorbs our attention, since the given specimens afford a very brilliant satire on the absurd medium in which they are set. The choicest selections are due to the fertile pen of Mr. William S. Wabnitz, assisted by that not unknown classic called "Mother Goose," whose ideas accord well with the thought of the new "poetry." "A Futuresk Romance," by Mr. Wabnitz alone, is of exceeding cleverness. Among the genuine poems, we may give particular commendation to "Bluebirds are Flying Over," by Mrs. Dora Hepner Moitoret; "Longin' and Yearnin'," "Spring," "Verses," and "Dreaming," by J. H. Gavin; and "Stars After Rain," by William S. Wabnitz. Mr. Gavin's "Dreaming" is a hauntingly pretty piece, though marred by an imperfect line (the twelfth) and by an incorrect accentuation of the word romance. This word should be accented on the final syllable.

"Odd Patches and Even" is the title of the editorial column, which contains many words of wisdom (though not too grave) by Mr. Ryder. We hope to behold future issues of The Crazyquilt.

Dowdell's Bearcat for October, partly compiled and financed by the United's official board in lieu of the missing Official Quarterly, comes to us unbound and without a cover; yet contains, aside from the inexcusable editorials, a rich array of meritorious material. Mr. Dowdell's comment on radical eccentrics and malcontents is apt and clever, showing how bright this young writer can be when he avoids bad taste and personalities.

"A Little Lovely Lyric," by Mrs. Dora H. Moitoret, is one of the choicest of this author's poems, having a spirit and cadence of rare quality. In "The Real Amateur Spirit," Pres. Campbell presents in vigorous prose many important truths and principles of amateur journalism. The concluding sentence forms a definition of our animating impulse which deserves repeated publication as a motto and inspiration. "An American To Mother England," by the present critic, is an expression of cultural and ancestral ties which have now, through the fortunes of war, grown doubly strong. The word Saxon, in the last line, should begin with a capital. "Dream Life" is a vivid piece of prose mysticism by our versatile and gifted Vice-President, Mr. Ira A. Cole. Defying precise grouping either as a sketch or a story, this enigmatical bit of fancy deserves highest praise for its fluent diction, rich imagination, potent atmosphere, and graphic colouring. Mr. Cole has a bright future in prose as well as in verse for in both of these media he is a genuine and spontaneous poet. "United Impressions," by Mrs. E. L. Whitehead, is clear, interesting, and well-written, as is also the sketch by Mary M. Sisson entitled "Passion versus Calm." "The Elm Tree," by James Tobey Pyke, is a poem of remarkable sweetness and nobility, through whose lofty sentiment shines the true splendour of the inspired bard. There is a master touch in the passage referring to

"——a sweet heaven
Of singing birds and whispering leaves."

Mrs. Winifred Virginia Jordan, without one of whose delightful verses no amateur publication can really compete, contributes a sparkling succession of amatory anapaests entitled "Dear." The middle stanza rises to great lyric heights, and should prove especially captivating to such discriminating critics of lyricism as our colleague Mr. Kleiner.

The Enthusiast for February is a hectographed publication issued by our latest young recruit, Mr. James Mather Mosely of Westfield, Mass. Mr. Mosely is a youth of sterling ability and great promise, whose work is already worthy of notice and encouragement. The editor's leading article, "The Secret Inspiration of a Man Who Made Good," shows unusual fluency and literary assurance, though we might wish for a more dignified title. The expression to make good is pure slang, and should be supplanted by one of the many legitimate English words and phrases which convey the same meaning. Mr. Mosely's editorials are likewise open to criticism on the ground of colloquialism, though the natural exuberance of youth excuses much. "The Birds," by Harold Gordon Hawkins, is a truly excellent specimen of juvenile verse, which contains much promise for the author's efforts. Increased familiarity with standard literary models will remove[73] all evidences of stiffness now perceptible. "How Men Go Wrong," a conventional moral homily by Edgar Holmes Plummer, shows a slight want of original ideas and a tendency to commonplaces; though having much merit in construction. Another subject might display Mr. Plummer's talent to better advantage. The use of the word habitat for inhabitant or denizen is incorrect, for its true meaning is a natural locality or place of habitation. "Blueberry Time," by Ruth Foster, is obviously a schoolgirl composition, albeit a pleasing one.

F. R. Starr's cartoon scarcely comes within the province of a literary critic, but is doubtless an excellent example of elementary art. We question, however, the place of popular cartoons in serious papers; the "funny picture" habit is essentially a plebeian one, and alien to journalism of the highest grade. All things considered, The Enthusiast is a creditable exponent of junior letters, which deserves the encouragement and support of the United.

Excelsior for March is in many respects the most notable of the season's amateur magazines edited by our brilliant Laureate Recorder, Miss Verna McGeoch, it contains a surprisingly ample and impressive collection of prose and verse by our best writers; including the delectable lyricist Perrin Holmes Lowrey, whose work has hitherto been unrepresented in the press of the United. The issue opens with Mr. Jonathan E. Hoag's stately "Ode to Old Ocean," whose appropriate imagery and smooth couplets are exceedingly pleasant to the mind and ear alike. Mr. Hoag's unique charm is no less apparent in the longer reminiscent piece entitled "The Old Farm Home," which describes the author's boyhood scenes at Valley Falls, New York, where he was born more than eighty-six years ago. This piece has attracted much favorable notice in the professional world, having been reprinted in The Troy Times. Perrin Holmes Lowrey contributes a cycle of three poems touching on the beauties of the month of April; one of which, "April in Killarney," will this summer be set to music by Leopold Godowsky. The style of Mr. Lowrey possesses an attractive individuality and delicacy which is already bringing him celebrity in the larger literary sphere. What could be more thoroughly enchanting than such a stanza as the following?

"Oh, it's April in Killarney,
Early April in Killarney,
Where the Irish lanes are merry
And the lyric breezes blow;
And the scented snows of cherry
Drift across the fields of Kerry—
Oh, it's April in Killarney
And she loves the April so."

"Treasure Trove," by Henry Cleveland Wood, is a

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