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the effeminate daughters of the Median plains; indeed many of the noblest Achaemenidae had given him their daughters in marriage.

Phaedime, the daughter of Otanes, and niece of his own mother Kassandane, had been Cambyses’ favorite wife hitherto, or at least the only one of whom it could be said that she was more to him than a purchased slave would have been. But even she, in his present sated and disgusted state of feeling, seemed vulgar and contemptible, especially when he thought of Nitetis.

The Egyptian seemed formed of nobler, better stuff than they all. They were flattering, coaxing girls; Nitetis was a queen. They humbled themselves in the dust at his feet; but when he thought of Nitetis, he beheld her erect, standing before him, on the same proud level as himself. He determined that from henceforth she should not only occupy Phaedime’s place, but should be to him what Kassandane had been to his father Cyrus.

She was the only one of his wives who could assist him by her knowledge and advice; the others were all like children, ignorant, and caring for nothing but dress and finery: living only for petty intrigues and useless trifles. This Egyptian girl would be obliged to love him, for he would be her protector, her lord, her father and brother in this foreign land.

“She must,” he said to himself, and to this despot to wish for a thing and to possess it seemed one and the same. “Bartja had better take care,” he murmured, “or he shall know what fate awaits the man who dares to cross my path.”

Nitetis too had passed a restless night.

The common apartment of the women was next to her own, and the noise and singing there had not ceased until nearly midnight. She could often distinguish the shrill voice of Boges joking and laughing with these women, who were under his charge. At last all was quiet in the wide palace halls and then her thoughts turned to her distant home and her poor sister Tachot, longing for her and for the beautiful Bartja, who, Croesus had told her, was going to-morrow to the war and possibly to death. At last she fell asleep, overcome by the fatigue of the journey and dreaming of her future husband. She saw him on his black charger. The foaming animal shied at Bartja who was lying in the road, threw his rider and dragged him into the Nile, whose waves became blood-red. In her terror she screamed for help; her cries were echoed back from the Pyramids in such loud and fearful tones that she awoke.

But hark! what could that be? That wailing, shrill cry which she had heard in her dream,—she could hear it still.

Hastily drawing aside the shutters from one of the openings which served as windows, she looked out. A large and beautiful garden, laid out with fountains and shady avenues, lay before her, glittering with the early dew.

[The Persian gardens were celebrated throughout the old world, and seem to have been laid out much less stiffly than the Egyptian. Even the kings of Persia did not consider horticulture beneath their notice, and the highest among the Achaemenidae took an especial pleasure in laying out parks, called in Persian Paradises. Their admiration for well-grown trees went so far, that Xerxes, finding on his way to Greece a singularly beautiful tree, hung ornaments of gold upon its branches. Firdusi, the great Persian epic poet, compares human beauty to the growth of the cypress, as the highest praise he can give. Indeed some trees were worshipped by the Persians; and as the tree of life in the Hebrew and Egyptian, so we find sacred trees in their Paradise.]

No sound was to be heard except the one which had alarmed her, and this too died away at last on the morning breeze. After a few minutes she heard cries and noise in the distance, then the great city awaking to its daily work, which soon settled down into a deep, dull murmur like the roaring of the sea.

Nitetis was by this time so thoroughly awakened from the effect of the fresh morning air, that she did not care to lie down again. She went once more to the window and perceived two figures coming out of the house. One she recognized as the eunuch Boges; he was talking to a beautiful Persian woman carelessly dressed. They approached her window. Nitetis hid herself behind the half-opened shutter and listened, for she fancied she heard her own name.

“The Egyptian is still asleep.” said Boges. “She must be much fatigued by the journey. I see too that one of her windows is still firmly closed.”

“Then tell me quickly,” said the Persian. “Do you really think that this stranger’s coming can injure me in any way?”

“Certainly, I do, my pretty one.”

“But what leads you to suppose this?”

“She is only to obey the king’s commands, not mine.”

“Is that all?”

“No, my treasure. I know the king. I can read his features as the Magi read the sacred books.”

“Then we must ruin her.”

“More easily said than done, my little bird.”

“Leave me alone! you are insolent.”

“Well, but nobody can see us, and you know you can do nothing without my help.”

“Very well then, I don’t care. But tell me quickly what we can do.”

“Thanks, my sweet Phaedime. Well, for the present we must be patient and wait our time. That detestable hypocrite Croesus seems to have established himself as protector of the Egyptian; when he is away, we must set our snares.”

The speakers were by this time at such a distance, that Nitetis could not understand what they said. In silent indignation she closed the shutter, and called her maidens to dress her. She knew her enemies now—she knew that a thousand dangers surrounded her, and yet she felt proud and happy, for was she not chosen to be the real wife of Cambyses? Her own worth seemed clearer to her than ever before, from a comparison with these miserable creatures, and a wonderful certainty of ultimate victory stole into her heart, for Nitetis was a firm believer in the magic power of virtue.

“What was that dreadful sound I heard so early?” she asked of her principal waiting-woman, who was arranging her hair.

“Do you mean the sounding brass, lady?”

“Scarcely two hours ago I was awakened by a strange and frightful sound.”

“That was the sounding brass, lady. It is used to awaken the young sons of the Persian nobles, who are brought up at the gate of the king. You will soon become accustomed to it. We have long ceased even to hear it, and indeed on great festivals, when it is not sounded, we awake from the unaccustomed stillness. From the hanging-gardens you will be able to see how the boys are taken to bathe every morning, whatever the weather may be. The poor little ones are taken from their mothers when they are six years old, to be brought up with the other boys of their own rank under the king’s eye.”

“Are they to begin learning the luxurious manners of the court so early?”

“Oh no! the poor boys lead

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