The Mystery of the Yellow Room, Gaston Leroux [dar e dil novel online reading TXT] 📗

“Receiving no reply to his letter, he determined, since Mademoiselle Stangerson would not come to him, that he would go to her. His plan had long been formed. He had made himself master of the plans of the chateau and the pavilion. So that, one afternoon, while Monsieur and Mademoiselle Stangerson were out for a walk, and while Daddy Jacques was away, he entered the latter by the vestibule window. He was alone, and, being in no hurry, he began examining the furniture. One of the pieces, resembling a safe, had a very small keyhole. That interested him! He had with him the little key with the brass head, and, associating one with the other, he tried the key in the lock. The door opened. He saw nothing but papers. They must be very valuable to have been put away in a safe, and the key to which to be of so much importance. Perhaps a thought of blackmail occurred to him as a useful possibility in helping him in his designs on Mademoiselle Stangerson. He quickly made a parcel of the papers and took it to the lavatory in the vestibule. Between the time of his first examination of the pavilion and the night of the murder of the keeper, Larsan had had time to find out what those papers contained. He could do nothing with them, and they were rather compromising. That night he took them back to the chateau. Perhaps he hoped that, by returning the papers he might obtain some gratitude from Mademoiselle Stangerson. But whatever may have been his reasons, he took the papers back and so rid himself of an encumbrance.”

Rouletabille coughed. It was evident to me that he was embarrassed. He had arrived at a point where he had to keep back his knowledge of Larsan’s true motive. The explanation he had given had evidently been unsatisfactory. Rouletabille was quick enough to note the bad impression he had made, for, turning to the President, he said: “And now we come to the explanation of the Mystery of “The Yellow Room”!”

A movement of chairs in the court with a rustling of dresses and an energetic whispering of “Hush!” showed the curiosity that had been aroused.

“It seems to me,” said the President, “that the Mystery of The Yellow Room, Monsieur Rouletabille, is wholly explained by your hypothesis. Frederic Larsan is the explanation. We have merely to substitute him for Monsieur Robert Darzac. Evidently the door of “The Yellow Room” was open at the time Monsieur Stangerson was alone, and that he allowed the man who was coming out of his daughter’s chamber to pass without arresting him—perhaps at her entreaty to avoid all scandal.”

“No, Monsieur President,” protested the young man. “You forget that, stunned by the attack made on her, Mademoiselle Stangerson was not in a condition to have made such an appeal. Nor could she have locked and bolted herself in her room. You must also remember that Monsieur Stangerson has sworn that the door was not open.”

“That, however, is the only way in which it can be explained. The Yellow Room was as closely shut as an iron safe. To use your own expression, it was impossible for the murderer to make his escape either naturally or supernaturally. When the room was broken into he was not there! He must, therefore, have escaped.”

“That does not follow.”

“What do you mean?”

“There was no need for him to escape—if he was not there!”

“Not there!”

“Evidently, not. He could not have been there, if he were not found there.”

“But, what about the evidences of his presence?” asked the President.

“That, Monsieur President, is where we have taken hold of the wrong end. From the time Mademoiselle Stangerson shut herself in the room to the time her door was burst open, it was impossible for the murderer to escape. He was not found because he was not there during that time.”

“But the evidences?”

“They have led us astray. In reasoning on this mystery we must not take them to mean what they apparently mean. Why do we conclude the murderer was there?—Because he left his tracks in the room? Good! But may he not have been there before the room was locked. Nay, he must have been there before! Let us look into the matter of these traces and see if they do not point to my conclusion.

“After the publication of the article in the ‘Matin’ and my conversation with the examining magistrate on the journey from Paris to Epinaysur-Orge, I was certain that “The Yellow Room” had been hermetically sealed, so to speak, and that consequently the murderer had escaped before Mademoiselle Stangerson had gone into her chamber at midnight.

“At the time I was much puzzled. Mademoiselle Stangerson could not have been her own murderer, since the evidences pointed to some other person. The assassin, then, had come before. If that were so, how was it that Mademoiselle had been attacked after? or rather, that she appeared to have been attacked after? It was necessary for me to reconstruct the occurrence and make of it two phases—each separated from the other, in time, by the space of several hours. One phase in which Mademoiselle Stangerson had really been attacked—the other phase in which those who heard her cries thought she was being attacked. I had not then examined The Yellow Room. What were the marks on Mademoiselle Stangerson? There were marks of strangulation and the wound from a hard blow on the temple. The marks of strangulation did not interest me much; they might have been made before, and Mademoiselle Stangerson could have concealed them by a collarette, or any similar article of apparel. I had to suppose this the moment I was compelled to reconstruct the occurrence by two phases. Mademoiselle Stangerson had, no doubt, her own reasons for so doing, since she had told her father nothing of it, and had made it understood to the examining magistrate that the attack had taken place in the night, during the second phase. She was forced to say that, otherwise her father would have questioned her as to her reason for having said nothing about it.

“But I could not explain the blow on the temple. I understood it even less when I learned that the mutton-bone had been found in her room. She could not hide the fact that she had been struck on the head, and yet that wound appeared evidently to have been inflicted during the first phase, since it required the presence of the murderer! I thought Mademoiselle Stangerson had hidden the wound by arranging her hair in bands on her forehead.

“As to the mark of the hand on the wall, that had evidently been made during the first phase—when the murderer was really there. All the traces of his presence had naturally been left during the first phase; the mutton-bone, the black footprints, the Basque cap, the handkerchief, the blood on the wall, on the door, and on the floor. If those traces were still all there, they showed that Mademoiselle Stangerson—who desired that nothing should be known—had not yet had time to clear them away. This led me to the conclusion that the two phases had taken place one shortly after the other. She had not had the opportunity, after leaving her room and going back to the laboratory to her father, to get back again to her room and put it in order. Her father was all the time with her, working. So that after the first phase she did not re-enter her chamber till midnight. Daddy Jacques was