Antonina; Or, The Fall of Rome, Wilkie Collins [inspirational novels .txt] 📗

vocation, he ran his thin, trembling fingers over the lyre, and mechanically preluded the commencement of the ode. But during the silence of attention which now prevailed, the confused noises from the people in the street penetrated more distinctly into the banqueting-room; and at this moment, high above them all—hoarse, raving, terrible, rose the voice of one man.

'Tell me not,' it cried, 'of perfumes wafted from the palace!—foul vapours flow from it!—see, they sink, suffocating over me!—they bathe sky and earth, and men who move around us, in fierce, green light!'

Then other voices of men and women, shrill and savage, broke forth in interruption together:—'Peace, Davus! you awake the dead about you!' 'Hide in the darkness; you are plague-struck; your skin is shrivelled; your gums are toothless!' 'When the palace is fired you shall be flung into the flames to purify your rotten carcass!'

'Sing!' cried Vetranio furiously, observing the shudders that ran over the boy's frame and held him speechless. 'Strike the lyre, as Timotheus struck it before Alexander! Drown in melody the barking of the curs who wait for our offal in the street!'

Feebly and interruptedly the terrified boy began; the wild continuous noises of the moaning voices from without sounding their awful accompaniment to the infidel philosophy of his song as he breathed it forth in faint and faltering accents. It ran thus:—

TO GLYCO

Ah, Glyco! why in flow'rs array'd?
Those festive wreaths less quickly fade
Than briefly-blooming joy!
Those high-prized friends who share your mirth
Are counterfeits of brittle earth,
False coin'd in Death's alloy!

The bliss your notes could once inspire,
When lightly o'er the god-like lyre
Your nimble fingers pass'd,
Shall spring the same from others' skill—
When you're forgot, the music still
The player shall outlast!

The sun-touch'd cloud that mounts the sky,
That brightly glows to warm the eye,
Then fades we know not where,
Is image of the little breath
Of life—and then, the doom of Death
That you and I must share!

Helpless to make or mar our birth,
We blindly grope the ways of earth,
And live our paltry hour;
Sure, that when life has ceased to please,
To die at will, in Stoic ease,
Is yielded to our pow'r!

Who, timely wise, would meanly wait
The dull delay of tardy Fate,
When Life's delights are shorn?
No! When its outer gloss has flown,
Let's fling the tarnish'd bauble down
As lightly as 'twas worn.

'A health to Glyco! A deep draught to a singer from heaven come down upon earth!' cried the guests, seizing their wine-cups, as the ode was concluded, and draining them to the last drop. But their drunken applause fell noiseless upon the ear to which it was addressed. The boy's voice, as he sang the final stanza of the ode, had suddenly changed to a shrill, almost an unearthly tone, then suddenly sank again as he breathed forth the last few notes; and now as his dissolute audience turned towards him with approving glances, they saw him standing before them cold, rigid, and voiceless. The next instant his fixed features were suddenly distorted, his whole frame collapsed as if torn by an internal spasm—he fell back heavily to the floor. Those around approached him with unsteady feet, and raised him in their arms. His soul had burst the bonds of vice in which others had entangled it; the voice of Death had whispered to the slave of the great despot, Crime—'Be free!'

'We have heard the note of the swan singing its own funeral hymn!' said the patrician Placidus, looking in maudlin pity from the corpse of the boy to the face of Vetranio, which presented for the moment an involuntary expression of grief and remorse.

'Our miracle of beauty and boy-god of melody has departed before us to the Elysian fields!' muttered the hunchback Reburrus, in harsh, sarcastic accents.

Then, during the short silence that ensued, the voices from the street, joined on this occasion to a noise of approaching footsteps on the pavement, became again distinctly audible in the banqueting-hall. 'News! news!' cried these fresh auxiliaries of the horde already assembled before the palace. 'Keep together, you who still care for your lives! Solitary citizens have been lured by strange men into desolate streets, and never seen again! Jars of newly salted flesh, which there were no beasts left in the city to supply, have been found in a butcher's shop! Keep together! Keep together!'

'No cannibals among the mob shall pollute the body of my poor boy!' cried Vetranio, rousing himself from his short lethargy of grief. 'Ho! Thascius! Marcus! you who can yet stand! let us bear him to the funeral pile! He has died first—his ashes shall be first consumed!'

The two patricians arose as the senator spoke, and aided him in carrying the body to the lower end of the room, where it was laid across the table, beneath the black curtain, and between the heaps of drapery and furniture piled up against each of the walls. Then, as his guests reeled back to their places, Vetranio, remaining by the side of the corpse, and seizing in his unsteady hands a small vase of wine, exclaimed in tones of fierce exultation: 'The hour has come—the Banquet of Famine has ended—the Banquet of Death has begun! A health to the guest behind the curtain! Fill—drink—behold!'

He drank deeply from the vase as he ceased, and drew aside the black drapery above him. A cry of terror and astonishment burst from the intoxicated guests as they beheld in the recess now disclosed to view the corpse of an aged woman, clothed in white, and propped up on a high, black throne, with the face turned towards them, and the arms (artificially supported) stretched out as if in denunciation over the banqueting-table. The lamp of yellow glass, which burnt high above the body, threw over it a lurid and flickering light; the eyes were open, the jaw had fallen, the long grey tresses drooped heavily on either side of the white hollow cheeks.

'Behold!' cried Vetranio, pointing to the corpse—'Behold my secret guest! Who so fit as the dead to preside at the Banquet of Death? Compelling the aid of Glyco, shrouded by congenial night, seizing on the first corpse exposed before me in the street, I have set up there, unsuspected by all, the proper idol of our worship, and philosopher at our feast! Another health to the queen of the fatal revels—to the teacher of the mysteries of worlds unseen—rescued from rotting unburied, to perish in the consecrated flames with the senators of Rome! A health!—a health to the mighty mother, ere she begin the mystic revelations! Fill—drink!'

Fired by their host's example, recovered from their momentary awe, already inflamed by the mad recklessness of debauchery, the guests started from their couches, and with Bacchanalian shouts answered Vetranio's challenge. The scene at this moment approached the supernatural. The wild disorder of the richly laden tables; the wine flowing over the floor from overthrown vases; the great lamps burning bright and steady over the confusion beneath; the fierce gestures, the disordered countenances of the revellers, as they waved their jewelled cups over their heads in frantic triumph; and then the gloomy and terrific prospect at the lower end of the hall—the black curtain, the light burning solitary on its high pole, the dead boy lying across the festal table, the living master standing by his side, and, like an evil spirit, pointing upward in mockery to the white-robed corpse of the woman, as it towered above all in its unnatural position, with its skinny arms stretched forth, with its ghastly features appearing to move as the faint and flickering light played over them,—produced together such a combination of scarce-earthly objects as might be painted, but cannot be described. It was an embodiment of a sorcerer's vision—an apocalypse of sin triumphing over the world's last relics of mortality in the vaults of death.

'To your task, Reburrus!' cried Vetranio, when the tumult was lulled; 'to your questions without delay! Behold the teacher with whom you are to hold commune! Peruse carefully the parchment in your hand; question, and question loudly—you speak to the apathetic dead!'

For some time before the disclosure of the corpse, the hunchback had been seated apart at the end of the banqueting-hall opposite the black-curtained recess, conning over the manuscript containing the list of questions and answers which formed the impious dialogue he was to hold, by the aid of his powers of ventriloquism, with the violated dead. When the curtain was withdrawn he had looked up for a moment, and had greeted the appearance of the sight behind it with a laugh of brutal derision, returning immediately to the study of his blasphemous formulary which had been confided to his care. At the moment when Vetranio's commands were addressed to him he arose, reeled down the apartment towards the corpse, and, opening the dialogue as he approached it, began in loud jeering tones: 'Speak, miserable relict of decrepit mortality!'

He paused as he uttered the last word, and gaining a point of view from which the light of the lamp fell full upon the solemn and stony features of the corpse, looked up defiantly at it. In an instant a frightful change passed over him, the manuscript dropped from his hand, his deformed frame shrank and tottered, a shrill cry of recognition burst from his lips, more like the yell of a wild beast than the voice of a man.

The next moment, when the guests started up to question or deride him, he turned slowly and faced them. Desperate and drunken as they were, his look awed them into utter silence. His face was deathlike in hue, as the face of the corpse above him—thick drops of perspiration trickled down it like rain—his dry glaring eyes wandered fiercely over the startled countenances before him, and, as he extended towards them his clenched hands, he muttered in a deep gasping whisper: 'Who has done this? MY MOTHER! MY MOTHER!'

As these few words—of awful import though of simple form—fell upon the ears of those whom he addressed, such of them as were not already sunk in insensibility looked round on each other almost sobered for the moment, and all speechless alike. Not even the clash of the wine-cups was now heard at the banqueting-table—nothing was audible but the sound, still fitfully rising and falling, of the voices of terror, ribaldry, and anguish from the street; and the hoarse convulsive accents of the hunchback, still uttering at intervals his fearful identification of the dead body above him: 'MY MOTHER! MY MOTHER!'

At length Vetranio, who was the first to recover himself, addressed the terrified and degraded wretch before him, in tones which, in spite of himself, betrayed, as he began, an unwonted tremulousness and restraint. 'What, Reburrus!' he cried, 'are you already drunken to insanity, that you call the first dead body which by chance I encountered in the street, and by chance brought hither, your mother? Was it to talk of your mother, whom dead or alive we neither know nor care for, that you were admitted here? Son of obscurity and inheritor of rags, what are your plebeian parents to us!' he continued, refilling his cup, and lashing himself into assumed anger as he spoke. 'To your dialogue without delay, or you shall be flung from the windows to mingle with your rabble-equals in the street!'

Neither by word nor look did the hunchback answer the senator's menaces. For him, the voice of the living was stifled in the presence of the dead. The retribution that had gone forth against him had struck his moral, as a thunderbolt might have stricken his physical being. His soul strove in agony within him, as he thought on the awful fatality which had set the dead mother in judgment on the degraded son—which had directed the hand of the senator unwittingly to select the corpse of the outraged parent as the object for the infidel buffoonery of the reckless child,