Antonina; Or, The Fall of Rome, Wilkie Collins [inspirational novels .txt] 📗

The torch lay between them; the last vases of wine stood at their sides. Not a word escaped the lips of either, to break the deep stillness prevailing over the palace. Each fixed his eyes on the other, in stern and searching scrutiny, and cup for cup, drank in slow and regular alternation. The debauch, which had hitherto presented a spectacle of brutal degradation and violence, now that it was restricted to two men only—each equally unimpressed by the scenes of horror he had beheld, each vying with the other for the attainment of the supreme of depravity—assumed an appearance of hardly human iniquity; it became a contest for a satanic superiority of sin.

For some time little alteration appeared in the countenances of either of the suicide-rivals; but they had now drunk to that final point of excess at which wine either acts as its own antidote, or overwhelms in fatal suffocation the pulses of life. The crisis in the strife was approaching for both, and the first to experience it was Marcus. Vetranio, as he watched him, observed a dark purple flush overspreading his face, hitherto pale, almost colourless. His eyes suddenly dilated; he panted for breath. The vase of wine, when he strove with a last effort to fill his cup from it, rolled from his hand to the floor. The stare of death was in his face as he half-raised himself and for one instant looked steadily on his companion; the moment after, without word or groan, he dropped backward over his couch.

The contest of the night was decided! The host of the banquet and the master of the palace had been reserved to end the one and to fire the other!

A smile of malignant triumph parted Vetranio's lips as he now arose and extinguished the last lamp burning besides his own. That done, he grasped the torch. His eyes, as he raised it, wandered dreamily over the array of his treasures, and the forms of his dead or insensible fellow-patricians around him, to be consumed by his act in annihilating fire. The sensation of his solemn night-solitude in his fated palace began to work in vivid and varying impressions on his mind, which was partially recovering some portion of its wonted acuteness, under the bodily reaction now produced in him by the very extravagance of the night's excess. His memory began to retrace confusedly the scenes with which the dwelling that he was about to destroy had been connected at distant or at recent periods. At one moment the pomp of former banquets, the jovial congregation of guests since departed or dead, revived before him; at another, he seemed to be acting over again his secret departure from his dwelling on the night before his last feast, his stealthy return with the corpse that he had dragged from the street, his toil in setting it up in mockery behind the black curtain, and inventing the dialogue to be spoken before it by the hunchback. Now his thoughts reverted to the minutest circumstances of the confusion and dismay among the members of his household when the first extremities of the famine began to be felt in the city; and now, without visible connection or cause, they turned suddenly to the morning when he had hurried through the most solitary paths in his grounds to meet the betrayer Ulpius at Numerian's garden gate. Once more the image of Antonina—so often present to his imagination since the original was lost to his eyes—grew palpable before him. He thought of her, as listening at his knees to the sound of his lute; as awakening, bewildered and terrified, in his arms; as flying distractedly before her father's wrath; as now too surely lying dead, in her beauty and her innocence, amid the thousand victims of the famine and the plague.

These and other reflections, while they crowded in whirlwind rapidity on his mind, wrought no alteration in the deadly purpose which they suspended. His delay in lighting the torch was the unconscious delay of the suicide, secure in his resolution ere he lifts the poison to his lips—when life rises before him as a thing that is past, and he stands for one tremendous moment in the dark gap between the present and the future—no more the pilgrim of Time—not yet the inheritor of Eternity!

So, in the dimly lighted hall, surrounded by the victims whom he had hurried before him to their doom, stood the lonely master of the great palace; and so spoke within him the mysterious voices of his last earthly thoughts. Gradually they sank and ceased, and stillness and vacancy closed like dark veils over his mind. Starting like one awakened from a trance he once more felt the torch in his hand, and once more the expression of fierce desperation appeared in his eyes as he lit it steadily at the lamp above him.

The dew was falling pure to the polluted earth; the light breezes sang their low daybreak anthem among the leaves to the Power that bade them forth; night had expired, and morning was already born of it, as Vetranio, with the burning torch in his hand, advanced towards the funeral pile.

He had already passed the greater part of the length of the room, when a faint sound of footsteps ascending a private staircase which led to the palace gardens, and communicated with the lower end of the banqueting-hall by a small door of inlaid ivory, suddenly attracted his attention. He hesitated in his deadly purpose, listening to the slow, regular approaching sound, which, feeble though it was, struck mysteriously impressive upon his ear in the dreary silence of all things around him. Holding the torch high above his head, as the footsteps came nearer, he fixed his eyes in intense expectation upon the door. It opened, and the figure of a young girl clothed in white stood before him. One moment he looked upon her with startled eyes; the next the torch dropped from his hand, and smouldered unheeded on the marble floor. It was Antonina!

Her face was overspread with a strange transparent paleness; her once soft, round cheeks had lost their girlish beauty of form; her expression, ineffably mournful, hopeless, and subdued, threw a simple, spiritual solemnity over her whole aspect. She was changed, awfully changed to the profligate senator from the being of his former admiration; but still there remained in her despairing eyes enough of the old look of gentleness and patience, surviving through all anguish and dread, to connect her, even as she was now, with what she had been. She stood in the chamber of debauchery and suicide between the funeral pile and the desperate man who was vowed to fire it, a feeble, helpless creature, yet powerful in the influence of her presence, at such a moment and in such a form, as a saving and reproving spirit, armed with the omnipotence of Heaven to mould the purposes of man.

Awed and astounded, as if he beheld an apparition from the tomb, Vetranio looked upon this young girl—whom he had loved with the least selfish passion that ever inspired him; whom he had lamented as long since lost and dead with the sincerest grief he had ever felt; whom he now saw standing before him at the very moment ere he doomed himself to death, altered, desolate, supplicating—with emotions which held him speechless in wonder, and even in dread. While he still gazed upon her in silence, he heard her speaking to him in low, melancholy, imploring accents, which fell upon his ear, after the voices of terror and desperation that had risen around him throughout the night, like tones never addressed to it before.

'Numerian, my father, is sinking under the famine,' she began; 'if no help is given to him, he may die even before sunrise! You are rich and powerful; I have come to you, having nothing now but his life to live for, to beg sustenance for him!' She paused, overpowered for the moment, and bent her eyes wistfully on the senator's face. Then seeing that he vainly endeavoured to answer her, her head drooped upon her breast, and her voice sank lower as she continued:—

'I have striven for patience under much sorrow and pain through the long night that is past; my eyes were heavy and my spirit was faint; I could have rendered up my soul willingly in my loneliness and feebleness to God who gave it, but that it was my duty to struggle for my life and my father's, now that I was restored to him after I had lost all beside! I could not think, or move, or weep, as, looking forth upon your palace, I watched and waited through the hours of darkness. But, as morning dawned, the heaviness at my heart was lightened; I remembered that the palace I saw before me was yours; and, though the gates were closed, I knew that I could reach it through your garden that joins to my father's land. I had none in Rome to ask mercy of but you; so I set forth hastily, ere my weakness should overpower me, remembering that I had inherited much misery at your hands, but hoping that you might pity me for what I had suffered when you saw me again. I came wearily through the garden; it was long before I found my way hither; will you send me back as helpless as I came? You first taught me to disobey my father in giving me the lute; will you refuse to aid me in succouring him now? He is all that I have left in the world! Have mercy upon him!—have mercy upon me!'

Again she looked up in Vetranio's face. His trembling lips moved, but still no sound came from them. The expression of confusion and awe yet prevailed over his features as he pointed slowly towards the upper end of the banqueting-table. To her this simple action was eloquent beyond all power of speech; she turned her feeble steps instantly in the direction he had indicated.

He watched her, by the light of the single lamp that still burnt, passing—strong in the shielding inspiration of her good purpose—amid the bodies of his suicide companions without pausing on her way. Having gained the upper end of the room, she took from the table a flask of wine, and from the wooden stand behind it the bowl of offal disdained by the guests at the fatal banquet, returning immediately to the spot where Vetranio still stood. Here she stopped for a moment, as if about to speak once more; but her emotions overpowered her. From the sources which despair and suffering had dried up, the long-prisoned tears once more flowed forth at the bidding of gratitude and hope. She looked upon the senator, silent as himself, and her expression at that instant was destined to remain on his memory while memory survived. Then, with faltering and hasty steps, she departed by the way she had come; and in the great palace, which his evil supremacy over the wills of others had made a hideous charnel-house, he was once more left alone.

He made no effort to follow or detain her as she left him. The torch still smouldered beside him on the floor, but he never stooped to take it up; he dropped down on a vacant couch, stupefied by what he had beheld. That which no entreaties, no threats, no fierce violence of opposition could have effected in him, the appearance of Antonina had produced—it had forced him to pause at the very moment of the execution of his deadly design.

He remembered how, from the very first day when he had seen her, she had mysteriously influenced the whole progress of his life; how his ardour to possess her had altered his occupations, and even interrupted his amusements; how all his energy and all his wealth had been baffled in the attempt to discover her when she fled from her father's house; how the first feeling of remorse that he had ever known had been awakened within him by his knowledge of the share he had had in producing her unhappy fate. Recalling all this; reflecting that, had she approached him at an earlier period, she would have been driven back affrighted by the drunken clamour of his companions; and had she arrived at a later, would have found his palace in flames; thinking at the same time of her sudden presence in the banqueting-hall when he had believed her to be dead, when her appearance at the moment before he fired the pile was most irresistible in its supernatural influence over his actions—that vague feeling of superstitious