The Man Who Laughs, Victor Hugo [best book clubs .txt] 📗

No loophole, no lamp. Such were the precautions of old times. It was forbidden to light the entrance to the jails, so that the newcomers should take no observations.

Gwynplaine extended his arms, and touched the wall on the right side and on the left. He was in a passage. Little by little a cavernous daylight exuding, no one knows whence, and which floats about dark places, and to which the dilatation of the pupil adjusts itself slowly, enabled him to distinguish a feature here and there, and the corridor was vaguely sketched out before him.

Gwynplaine, who had never had a glimpse of penal severities, save in the exaggerations of Ursus, felt as though seized by a sort of vague gigantic hand. To be caught in the mysterious toils of the law is frightful. He who is brave in all other dangers is disconcerted in the presence of justice. Why? Is it that the justice of man works in twilight, and the judge gropes his way? Gwynplaine remembered what Ursus had told him of the necessity for silence. He wished to see Dea again; he felt some discretionary instinct, which urged him not to irritate. Sometimes to wish to be enlightened is to make matters worse; on the other hand, however, the weight of the adventure was so overwhelming that he gave way at length, and could not restrain a question.

"Gentlemen," said he, "whither are you taking me?"

They made no answer.

It was the law of silent capture, and the Norman text is formal: A silentiariis ostio, præpositis introducti sunt.

This silence froze Gwynplaine. Up to that moment he had believed himself to be firm: he was self-sufficing. To be self-sufficing is to be powerful. He had lived isolated from the world, and imagined that being alone he was unassailable; and now all at once he felt himself under the pressure of a hideous collective force. How was he to combat that horrible anonyma, the law? He felt faint under the perplexity; a fear of an unknown character had found a fissure in his armour; besides, he had not slept, he had not eaten, he had scarcely moistened his lips with a cup of tea. The whole night had been passed in a kind of delirium, and the fever was still on him. He was thirsty; perhaps hungry. The craving of the stomach disorders everything. Since the previous evening all kinds of incidents had assailed him. The emotions which had tormented had sustained him. Without the storm a sail would be a rag. But his was the excessive feebleness of the rag, which the wind inflates till it tears it. He felt himself sinking. Was he about to fall without consciousness on the pavement? To faint is the resource of a woman, and the humiliation of a man. He hardened himself, but he trembled. He felt as one losing his footing.

 

 

 

CHAPTER VIII. LAMENTATION.

 

They began to move forward.

They advanced through the passage.

There was no preliminary registry, no place of record. The prisons in those times were not overburdened with documents. They were content to close round you without knowing why. To be a prison, and to hold prisoners, sufficed.

The procession was obliged to lengthen itself out, taking the form of the corridor. They walked almost in single file; first the wapentake, then Gwynplaine, then the justice of the quorum, then the constables, advancing in a group, and blocking up the passage behind Gwynplaine as with a bung. The passage narrowed. Now Gwynplaine touched the walls with both his elbows. In the roof, which was made of flints, dashed with cement, was a succession of granite arches jutting out, and still more contracting the passage. He had to stoop to pass under them. No speed was possible in that corridor. Any one trying to escape through it would have been compelled to move slowly. The passage twisted. All entrails are tortuous; those of a prison as well as those of a man. Here and there, sometimes to the right and sometimes to the left, spaces in the wall, square and closed by large iron gratings, gave glimpses of flights of stairs, some descending and some ascending.

They reached a closed door; it opened. They passed through, and it closed again. Then they came to a second door, which admitted them; then to a third, which also turned on its hinges. These doors seemed to open and shut of themselves. No one was to be seen. While the corridor contracted, the roof grew lower, until at length it was impossible to stand upright. Moisture exuded from the wall. Drops of water fell from the vault. The slabs that paved the corridor were clammy as an intestine. The diffused pallor that served as light became more and more a pall. Air was deficient, and, what was singularly ominous, the passage was a descent.

Close observation was necessary to perceive that there was such a descent. In darkness a gentle declivity is portentous. Nothing is more fearful than the vague evils to which we are led by imperceptible degrees.

It is awful to descend into unknown depths.

How long had they proceeded thus? Gwynplaine could not tell.

Moments passed under such crushing agony seem immeasurably prolonged.

Suddenly they halted.

The darkness was intense.

The corridor widened somewhat. Gwynplaine heard close to him a noise of which only a Chinese gong could give an idea; something like a blow struck against the diaphragm of the abyss. It was the wapentake striking his wand against a sheet of iron.

That sheet of iron was a door.

Not a door on hinges, but a door which was raised and let down.

Something like a portcullis.

There was a sound of creaking in a groove, and Gwynplaine was suddenly face to face with a bit of square light. The sheet of metal had just been raised into a slit in the vault, like the door of a mouse-trap.

An opening had appeared.

The light was not daylight, but glimmer; but on the dilated eyeballs of Gwynplaine the pale and sudden ray struck like a flash of lightning.

It was some time before he could see anything. To see with dazzled eyes is as difficult as to see in darkness.

At length, by degrees, the pupil of his eye became proportioned to the light, just as it had been proportioned to the darkness, and he was able to distinguish objects. The light, which at first had seemed too bright, settled into its proper hue and became livid. He cast a glance into the yawning space before him, and what he saw was terrible.

At his feet were about twenty steps, steep, narrow, worn, almost perpendicular, without balustrade on either side, a sort of stone ridge cut out from the side of a wall into stairs, entering and leading into a very deep cell. They reached to the bottom.

The cell was round, roofed by an ogee vault with a low arch, from the fault of level in the top stone of the frieze, a displacement common to cells under heavy edifices.

The kind of hole acting as a door, which the sheet of iron had just revealed, and on which the stairs abutted, was formed in the vault, so that the eye looked down from it as into a well.

The cell was large, and if it was the bottom of a well, it must have been a cyclopean one. The idea that the old word "cul-de-basse-fosse" awakens in the mind can only be applied to it if it were a lair of wild beasts.

The cell was neither flagged nor paved. The bottom was of that cold, moist earth peculiar to deep places.

In the midst of the cell, four low and disproportioned columns sustained a porch heavily ogival, of which the four mouldings united in the interior of the porch, something like the inside of a mitre. This porch, similar to the pinnacles under which sarcophagi were formerly placed, rose nearly to the top of the vault, and made a sort of central chamber in the cavern, if that could be called a chamber which had only pillars in place of walls.

From the key of the arch hung a brass lamp, round and barred like the window of a prison. This lamp threw around it—on the pillars, on the vault, on the circular wall which was seen dimly behind the pillars—a wan light, cut by bars of shadow.

This was the light which had at first dazzled Gwynplaine; now it threw out only a confused redness.

There was no other light in the cell—neither window, nor door, nor loophole.

Between the four pillars, exactly below the lamp, in the spot where there was most light, a pale and terrible form lay on the ground.

It was lying on its back; a head was visible, of which the eyes were shut; a body, of which the chest was a shapeless mass; four limbs belonging to the body, in the position of the cross of Saint Andrew, were drawn towards the four pillars by four chains fastened to each foot and each hand.

These chains were fastened to an iron ring at the base of each column. The form was held immovable, in the horrible position of being quartered, and had the icy look of a livid corpse.

It was naked. It was a man.

Gwynplaine, as if petrified, stood at the top of the stairs, looking down. Suddenly he heard a rattle in the throat.

The corpse was alive.

Close to the spectre, in one of the ogives of the door, on each side of a great seat, which stood on a large flat stone, stood two men swathed in long black cloaks; and on the seat an old man was sitting, dressed in a red robe—wan, motionless, and ominous, holding a bunch of roses in his hand.

The bunch of roses would have enlightened any one less ignorant that Gwynplaine. The right of judging with a nosegay in his hand implied the holder to be a magistrate, at once royal and municipal. The Lord Mayor of London still keeps up the custom. To assist the deliberations of the judges was the function of the earliest roses of the season.

The old man seated on the bench was the sheriff of the county of Surrey.

His was the majestic rigidity of a Roman dignitary.

The bench was the only seat in the cell.

By the side of it was a table covered with papers and books, on which lay the long, white wand of the sheriff. The men standing by the side of the sheriff were two doctors, one of medicine, the other of law; the latter recognizable by the Serjeant's coif over his wig. Both wore black robes—one of the shape worn by judges, the other by doctors.

Men of these kinds wear mourning for the deaths of which they are the cause.

Behind the sheriff, at the edge of the flat stone under the seat, was crouched—with a writing-table near to him, a bundle of papers on his knees, and a sheet of parchment on the bundle—a secretary, in a round wig, with a pen in his hand, in the attitude of a man ready to write.

This secretary was of the class called keeper of the bag, as was shown by a bag at his feet.

These bags, in former times employed in law processes, were termed bags of justice.

With folded arms, leaning against a pillar, was a man entirely dressed in leather, the hangman's assistant.

These men seemed as if they had been fixed by enchantment in their funereal postures round the chained man. None of them spoke or moved.

There brooded over all a fearful calm.

What Gwynplaine saw was a torture chamber. There were many such in England.

The crypt of Beauchamp Tower long served this purpose, as did also the cell in the Lollards' prison. A place of this nature is still to be seen in London, called "the Vaults of Lady Place." In this last-mentioned chamber there is a grate for the purpose of heating the irons.

All the prisons of King John's time (and Southwark Jail was one) had their chambers of torture.

The scene