Cleopatra, Georg Ebers [mini ebook reader TXT] 📗
- Author: Georg Ebers
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which had run aground in a shallow near the neighbouring island.
Dion sprang in with them, and soon recognized in the hail the voice of the architect Gorgias.
The young father shouted a joyous greeting to his friend, but there was no reply.
Soon after, Pyrrhus landed his belated guest on the shore. He had escaped - as the fisherman explained - a great danger; for had he gone to the other island, which swarmed with venomous serpents, he might easily have fallen a victim to the bite of one of the reptiles.
Gorgias grasped Dion's hand but, in reply to his gay invitation to accompany him to the house at once, he begged him to listen to his story before joining the ladies.
Dion was startled. He knew his friend. When his deep voice had such a tone of gloomy discouragement, and his head drooped so mournfully, some terrible event had befallen him.
His foreboding had been correct. The first tidings pierced his own soul deeply.
He was not surprised to learn that the Romans ruled Alexandria; but a small band of the conquerors, who had been ordered to conduct themselves as if they were in a friendly country, had forced their way into the architect's large house to occupy the quarters assigned to them. The deaf grandmother of Helena and Barine, who had but half comprehended what threatened the citizens, terrified by the noisy entrance of the soldiers, had had another attack of apoplexy, and closed her eyes in death before Gorgias set out for the island.
But it was not only this sad event, which must grieve the hearts of the two sisters, that had brought the architect in a stranger's boat to the Serpent Island at so late an hour. His soul was so agitated by the horrible incidents of the day that he needed to seek consolation among those from whom he was sure to find sympathy.
Nor was it wholly the terrible things Fate had compelled him to witness which induced him to venture out upon the sea so recklessly, but still more the desire to bring to the fugitives the happy news that they might return with safety to their native city.
Deeply agitated - nay, confused and overpowered by all he had seen and experienced - the architect, usually so clear and, with all his mental vivacity, so circumspect, began his story. A remonstrance from Dion induced him to collect his thoughts and describe events in the order in which they had befallen him.
ETEXT EDITOR'S BOOKMARKS:
Fairest dreams of childhood were surpassed
Golden chariot drawn by tamed lions
Life had fulfilled its pledges
Until neither knew which was the giver and which the receiver
CLEOPATRA
By Georg Ebers
Volume 9.
CHAPTER XXIII.
After accompanying Dion to the harbour, the architect had gone to the Forum to converse with the men he met there, and learn what they feared and expected in regard to the future fate of the city.
All news reached this meeting-place first, and he found a large number of Macedonian citizens who, like himself, wished to discuss passing events in these decisive hours.
The scene was very animated, for the most contradictory messages were constantly arriving from the fleet and the army.
At first they were very favourable; then came the news of the treason, and soon after of the desertion of the cavalry and foot soldiers.
A distinguished citizen had seen Mark Antony, accompanied by several friends, dashing down the quay. The goal of their flight was the little palace on the Choma.
Grave men, whose opinion met with little opposition, thought that it was the duty of the Imperator - now that Fate had decided against him, and nothing remained save a life sullied by disgrace - to put himself to death with his own hand, like Brutus and so many other noble Romans. Tidings soon came that he had attempted to do what the best citizens expected.
Gorgias could not endure to remain longer in the Forum, but hastened to the Choma, though it was difficult to force his way to the wall, where a breach had been made. He had found the portion of the shore from which the promontory ran densely crowded with people - from whom he learned that Antony was no longer in the palace - and the sea filled with boats.
A corpse was just being borne out of the little palace on the Street of the King and, among those who followed, Gorgias recognized one of Antony's slaves. The man's eyes were red with weeping. He readily obeyed the architect's sign and, sobbing bitterly, told him that the hapless general, after his army had betrayed him, fled hither. When he heard in the palace that Cleopatra had preceded him to Hades, he ordered his body-slave Eros to put an end to his life also. The worthy man drew back, pierced his own breast with his sword, and sank dying at his master's feet; but Antony, exclaiming that Eros's example had taught him his duty, thrust the short sword into his breast with his own hand. Yet deep and severe as was the wound, it did not destroy the tremendous vitality of the gigantic Roman. With touching entreaties he implored the bystanders to kill him, but no one could bring himself to commit the deed. Meanwhile Cleopatra's name, coupled with the wish to follow her, was constantly on the lips of the Imperator.
At last Diomedes, the Queen's private secretary, appeared, to bring him, by her orders, to the mausoleum where she had taken refuge.
Antony, as if animated with fresh vigour, assented, and while being carried thither gave orders that Eros should have a worthy burial. Even though dying, it would have been impossible for the most generous of masters to permit any kindness rendered to pass unrequited.
The slave again wept aloud as he uttered the words, but Gorgias hastened at once to the tomb. The nearest way, the Street of the King, had become so crowded with people who had been forced back by Roman soldiers, between the Theatre of Dionysus and the Corner of the Muses, that he had been compelled to reach the building through a side street.
The quay was already unrecognizable, and even in the other streets the populace showed a foreign aspect. Instead of peaceful citizens, Roman soldiers in full armour were met everywhere. Instead of Greek, Egyptian, and Syrian faces, fair and dark visages of alien appearance were seen.
The city seemed transformed into a camp. Here he met a cohort of fair-haired Germans; yonder another with locks of red whose home he did not know; and again a vexil of Numidian or Pannonian horsemen.
At the Temple of the Dioscuri he was stopped. A Hispanian maniple had just seized Antony's son Antyllus and, after a hasty court-martial, killed him. His tutor, Theodotus, had betrayed him to the Romans, but the infamous fellow was being led with bound hands after the corpse of the hapless youth, because he was caught in the act of hiding in his girdle a costly jewel which he had taken from his neck. Before his departure for the island Gorgias heard that the scoundrel had been sentenced to crucifixion.
At last he succeeded in forcing a passage to the tomb, which he found surrounded on all sides by Roman lictors and the Scythian guards of the city, who, however, permitted him, as the architect, to pass.
The numerous obstacles by which he had been delayed spared him from becoming an eye-witness of the most terrible scenes of the tragedy which had just ended; but he received a minute description from the Queen's private secretary, a well-disposed Macedonian, who had accompanied the wounded Antony, and with whom Gorgias had become intimately acquainted during the building of the mausoleum.
Cleopatra had fled to the tomb as soon as the fortune of war turned in favour of Octavianus. No one was permitted to accompany her except Charmian and Iras, who had helped her close the heavy brazen door of the massive building. The false report of her death, which had induced Antony to put an end to his life, had perhaps arisen from the fact that the Queen was literally in the tomb.
When, borne in the arms of his faithful servants, he reached the mausoleum, mortally wounded, the Queen and her attendants vainly endeavoured to open the heavy brazen portal. But Cleopatra ardently longed to see her dying lover. She wished to have him near to render the last services, assure him once more of her devotion, close his eyes, and, if it was so ordered, die with him.
So she and her attendants had searched the place, and when Iras spoke of the windlass which stood on the scaffold to raise the heavy brass plate bearing the bas-relief of Love conquering Death, the Queen and her friends hastened up the stairs, the bearer below fastened the wounded man to the rope, and Cleopatra herself stood at the windlass to raise him, aided by her faithful companions.
Diomedes averred that he had never beheld a more piteous spectacle than the gigantic man hovering between heaven and earth in the agonies of death and, while suffering the most terrible torture, extending his arms longingly towards the woman he loved. Though scarcely able to speak, he tenderly called her name, but she made no reply; like Iras and Charmian, she was exerting her whole strength at the windlass in the most passionate effort to raise him. The rope running over the pulley cut her tender hands; her beautiful face was terribly distorted; but she did not pause until they had succeeded in lifting the burden of the dying man higher and higher till he reached the floor of the scaffolding. The frantic exertion by which the three women had succeeded in accomplishing an act far beyond their strength, though it was doubled by the power of the most earnest will and ardent longing, would nevertheless have failed in attaining its object had not Diomedes, at the last moment, come to their assistance. He was a strong man, and by his aid the dying Roman was seized, drawn upon the scaffolding, and carried down the staircase to the tomb in the first story.
When the wounded general had been laid on one of the couches with which the great hall was already furnished, the private secretary retired, but remained on the staircase, an unnoticed spectator, in order to be at hand in case the Queen again needed his assistance. Flushed from the terrible exertion which she had just made, with tangled, dishevelled locks, gasping and moaning, Cleopatra, as if out of her senses, tore open her robe, beat her breast, and lacerated it with her nails. Then, pressing her own beautiful face on her lover's wound to stanch the flowing blood, she lavished upon him all the endearing names which she had bestowed on their love.
His terrible suffering made her forget her own and the sad fate impending. Tears of pity fell like the refreshing drops of a shower upon the still unwithered blossoms of their love, and brought those which, during the preceding night, had revived anew, to their last magnificent unfolding.
Boundless, limitless as her former passion for this man, was now the grief with which his agonizing death filled her heart.
All that Mark Antony had been to her in the heyday of life, all their mutual experiences, all that each
Dion sprang in with them, and soon recognized in the hail the voice of the architect Gorgias.
The young father shouted a joyous greeting to his friend, but there was no reply.
Soon after, Pyrrhus landed his belated guest on the shore. He had escaped - as the fisherman explained - a great danger; for had he gone to the other island, which swarmed with venomous serpents, he might easily have fallen a victim to the bite of one of the reptiles.
Gorgias grasped Dion's hand but, in reply to his gay invitation to accompany him to the house at once, he begged him to listen to his story before joining the ladies.
Dion was startled. He knew his friend. When his deep voice had such a tone of gloomy discouragement, and his head drooped so mournfully, some terrible event had befallen him.
His foreboding had been correct. The first tidings pierced his own soul deeply.
He was not surprised to learn that the Romans ruled Alexandria; but a small band of the conquerors, who had been ordered to conduct themselves as if they were in a friendly country, had forced their way into the architect's large house to occupy the quarters assigned to them. The deaf grandmother of Helena and Barine, who had but half comprehended what threatened the citizens, terrified by the noisy entrance of the soldiers, had had another attack of apoplexy, and closed her eyes in death before Gorgias set out for the island.
But it was not only this sad event, which must grieve the hearts of the two sisters, that had brought the architect in a stranger's boat to the Serpent Island at so late an hour. His soul was so agitated by the horrible incidents of the day that he needed to seek consolation among those from whom he was sure to find sympathy.
Nor was it wholly the terrible things Fate had compelled him to witness which induced him to venture out upon the sea so recklessly, but still more the desire to bring to the fugitives the happy news that they might return with safety to their native city.
Deeply agitated - nay, confused and overpowered by all he had seen and experienced - the architect, usually so clear and, with all his mental vivacity, so circumspect, began his story. A remonstrance from Dion induced him to collect his thoughts and describe events in the order in which they had befallen him.
ETEXT EDITOR'S BOOKMARKS:
Fairest dreams of childhood were surpassed
Golden chariot drawn by tamed lions
Life had fulfilled its pledges
Until neither knew which was the giver and which the receiver
CLEOPATRA
By Georg Ebers
Volume 9.
CHAPTER XXIII.
After accompanying Dion to the harbour, the architect had gone to the Forum to converse with the men he met there, and learn what they feared and expected in regard to the future fate of the city.
All news reached this meeting-place first, and he found a large number of Macedonian citizens who, like himself, wished to discuss passing events in these decisive hours.
The scene was very animated, for the most contradictory messages were constantly arriving from the fleet and the army.
At first they were very favourable; then came the news of the treason, and soon after of the desertion of the cavalry and foot soldiers.
A distinguished citizen had seen Mark Antony, accompanied by several friends, dashing down the quay. The goal of their flight was the little palace on the Choma.
Grave men, whose opinion met with little opposition, thought that it was the duty of the Imperator - now that Fate had decided against him, and nothing remained save a life sullied by disgrace - to put himself to death with his own hand, like Brutus and so many other noble Romans. Tidings soon came that he had attempted to do what the best citizens expected.
Gorgias could not endure to remain longer in the Forum, but hastened to the Choma, though it was difficult to force his way to the wall, where a breach had been made. He had found the portion of the shore from which the promontory ran densely crowded with people - from whom he learned that Antony was no longer in the palace - and the sea filled with boats.
A corpse was just being borne out of the little palace on the Street of the King and, among those who followed, Gorgias recognized one of Antony's slaves. The man's eyes were red with weeping. He readily obeyed the architect's sign and, sobbing bitterly, told him that the hapless general, after his army had betrayed him, fled hither. When he heard in the palace that Cleopatra had preceded him to Hades, he ordered his body-slave Eros to put an end to his life also. The worthy man drew back, pierced his own breast with his sword, and sank dying at his master's feet; but Antony, exclaiming that Eros's example had taught him his duty, thrust the short sword into his breast with his own hand. Yet deep and severe as was the wound, it did not destroy the tremendous vitality of the gigantic Roman. With touching entreaties he implored the bystanders to kill him, but no one could bring himself to commit the deed. Meanwhile Cleopatra's name, coupled with the wish to follow her, was constantly on the lips of the Imperator.
At last Diomedes, the Queen's private secretary, appeared, to bring him, by her orders, to the mausoleum where she had taken refuge.
Antony, as if animated with fresh vigour, assented, and while being carried thither gave orders that Eros should have a worthy burial. Even though dying, it would have been impossible for the most generous of masters to permit any kindness rendered to pass unrequited.
The slave again wept aloud as he uttered the words, but Gorgias hastened at once to the tomb. The nearest way, the Street of the King, had become so crowded with people who had been forced back by Roman soldiers, between the Theatre of Dionysus and the Corner of the Muses, that he had been compelled to reach the building through a side street.
The quay was already unrecognizable, and even in the other streets the populace showed a foreign aspect. Instead of peaceful citizens, Roman soldiers in full armour were met everywhere. Instead of Greek, Egyptian, and Syrian faces, fair and dark visages of alien appearance were seen.
The city seemed transformed into a camp. Here he met a cohort of fair-haired Germans; yonder another with locks of red whose home he did not know; and again a vexil of Numidian or Pannonian horsemen.
At the Temple of the Dioscuri he was stopped. A Hispanian maniple had just seized Antony's son Antyllus and, after a hasty court-martial, killed him. His tutor, Theodotus, had betrayed him to the Romans, but the infamous fellow was being led with bound hands after the corpse of the hapless youth, because he was caught in the act of hiding in his girdle a costly jewel which he had taken from his neck. Before his departure for the island Gorgias heard that the scoundrel had been sentenced to crucifixion.
At last he succeeded in forcing a passage to the tomb, which he found surrounded on all sides by Roman lictors and the Scythian guards of the city, who, however, permitted him, as the architect, to pass.
The numerous obstacles by which he had been delayed spared him from becoming an eye-witness of the most terrible scenes of the tragedy which had just ended; but he received a minute description from the Queen's private secretary, a well-disposed Macedonian, who had accompanied the wounded Antony, and with whom Gorgias had become intimately acquainted during the building of the mausoleum.
Cleopatra had fled to the tomb as soon as the fortune of war turned in favour of Octavianus. No one was permitted to accompany her except Charmian and Iras, who had helped her close the heavy brazen door of the massive building. The false report of her death, which had induced Antony to put an end to his life, had perhaps arisen from the fact that the Queen was literally in the tomb.
When, borne in the arms of his faithful servants, he reached the mausoleum, mortally wounded, the Queen and her attendants vainly endeavoured to open the heavy brazen portal. But Cleopatra ardently longed to see her dying lover. She wished to have him near to render the last services, assure him once more of her devotion, close his eyes, and, if it was so ordered, die with him.
So she and her attendants had searched the place, and when Iras spoke of the windlass which stood on the scaffold to raise the heavy brass plate bearing the bas-relief of Love conquering Death, the Queen and her friends hastened up the stairs, the bearer below fastened the wounded man to the rope, and Cleopatra herself stood at the windlass to raise him, aided by her faithful companions.
Diomedes averred that he had never beheld a more piteous spectacle than the gigantic man hovering between heaven and earth in the agonies of death and, while suffering the most terrible torture, extending his arms longingly towards the woman he loved. Though scarcely able to speak, he tenderly called her name, but she made no reply; like Iras and Charmian, she was exerting her whole strength at the windlass in the most passionate effort to raise him. The rope running over the pulley cut her tender hands; her beautiful face was terribly distorted; but she did not pause until they had succeeded in lifting the burden of the dying man higher and higher till he reached the floor of the scaffolding. The frantic exertion by which the three women had succeeded in accomplishing an act far beyond their strength, though it was doubled by the power of the most earnest will and ardent longing, would nevertheless have failed in attaining its object had not Diomedes, at the last moment, come to their assistance. He was a strong man, and by his aid the dying Roman was seized, drawn upon the scaffolding, and carried down the staircase to the tomb in the first story.
When the wounded general had been laid on one of the couches with which the great hall was already furnished, the private secretary retired, but remained on the staircase, an unnoticed spectator, in order to be at hand in case the Queen again needed his assistance. Flushed from the terrible exertion which she had just made, with tangled, dishevelled locks, gasping and moaning, Cleopatra, as if out of her senses, tore open her robe, beat her breast, and lacerated it with her nails. Then, pressing her own beautiful face on her lover's wound to stanch the flowing blood, she lavished upon him all the endearing names which she had bestowed on their love.
His terrible suffering made her forget her own and the sad fate impending. Tears of pity fell like the refreshing drops of a shower upon the still unwithered blossoms of their love, and brought those which, during the preceding night, had revived anew, to their last magnificent unfolding.
Boundless, limitless as her former passion for this man, was now the grief with which his agonizing death filled her heart.
All that Mark Antony had been to her in the heyday of life, all their mutual experiences, all that each
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