Cleopatra, Georg Ebers [mini ebook reader TXT] 📗

had received from the other, had returned to her memory in clear and vivid hues during the banquet which had closed a few hours ago. Now these scenes, condensed into a narrow compass, again passed before her mental vision, but only to reveal more distinctly the depth of misery of this hour. At last anguish forced even the clearest memories into oblivion: she saw nothing save the tortures of her lover; her brain, still active, revealed solely the gulf at her feet, and the tomb which yawned not only for Antony, but for herself.

Unable to think of the happiness enjoyed in the past or to hope for it in the future, she gave herself up to uncontrolled despair, and no woman of the people could have yielded more absolutely to the consuming grief which rent her heart, or expressed it in wilder, more frantic language, than did this great Queen, this woman who as a child had been so sensitive to the slightest suffering, and whose after-life had certainly not taught her to bear sorrow with patience. After Charmian, at the dying man's request, had given him some wine, he found strength to speak coherently, instead of moaning and sighing.

He tenderly urged Cleopatra to secure her own safety, if it could be done without dishonour, and mentioned Proculejus as the man most worthy of her confidence among the friends of Octavianus. Then he entreated her not to mourn for him, but to consider him happy; for he had enjoyed the richest favours of Fortune. He owed his brightest hours to her love; but he had also been the first and most powerful man on earth. Now he was dying in the arms of Love, honourable as a Roman who succumbed to Romans.

In this conviction he died after a short struggle.

Cleopatra had watched his last breath, closed his eyes, and then thrown herself tearlessly on her lover's body. At last she fainted, and lay unconscious with her head upon his marble breast.

The private secretary had witnessed all this, and then returned with tearful eyes to the second story. There he met Gorgias, who had climbed the scaffolding, and told him what he had seen and heard from the stairs. But his story was scarcely ended when a carriage stopped at the Corner of the Muses and an aristocratic Roman alighted. This was the very Proculejus whom the dying Antony had recommended to the woman he loved as worthy of her confidence.

"In fact," Gorgias continued, "he seemed in form and features one of the noblest of his haughty race. He came commissioned by Octavianus, and is said to be warmly devoted to the Caesar, and a well-disposed man. We have also heard him mentioned as a poet and a brother-in-law of Maecenas. A wealthy aristocrat, he is a generous patron of literature, and also holds art and science in high esteem. Timagenes lauds his culture and noble nature. Perhaps the historian was right; but where the object in question is the state and its advantage, what we here regard as worthy of a free man appears to be considered of little moment at the court of Octavianus. The lord to whom he gives his services intrusted him with a difficult task, and Proculejus doubtless considered it his duty to make every effort to perform it - and yet - - If I see aright, a day will come when he will curse this, and the obedience with which he, a free man, aided Caesar But listen.

"Erect and haughty in his splendid suit of armour, he knocked at the door of the tomb. Cleopatra had regained consciousness and asked - she must have known him in Rome - what he desired.

"He had come, he answered courteously, by the command of Octavianus, to negotiate with her, and the Queen expressed her willingness to listen, but refused to admit him into the mausoleum.

"So they talked with each other through the door. With dignified composure, she asked to have the sons whom she had given to Antony - not Caasarion - acknowledged as Kings of Egypt.

"Proculejus instantly promised to convey her wishes to Caesar, and gave hopes of their fulfilment.

"While she was speaking of the children and their claims - she did not mention her own future - the Roman questioned her about Mark Antony's death, and then described the destruction of the dead man's army and other matters of trivial importance. Proculejus did not look like a babbler, but I felt a suspicion that he was intentionally trying to hold the attention of the Queen. This proved to be his design; he had been merely waiting for Cornelius Gallus, the commander of the fleet, of whom you have heard. He, too, ranks among the chief men in Rome, and yet he made himself the accomplice of Proculejus.

"The latter retired as soon as he had presented the new-comer to the hapless woman.

"I remained at my post and now heard Gallus assure Cleopatra of his master's sympathy. With the most bombastic exaggeration he described how bitterly Octavianus mourned in Mark Antony the friend, the brother-in-law, the co-ruler and sharer in so many important enterprises. He had shed burning tears over the tidings of his death. Never had more sincere ones coursed down any man's cheeks.

"Gallus, too, seemed to me to be intentionally prolonging the conversation.

"Then, while I was listening intently to understand Cleopatra's brief replies, my foreman, who, when the workmen were driven away by the Romans, had concealed himself between two blocks of granite, came to me and said that Proculejus had just climbed a ladder to the scaffold in the rear of the monument. Two servants followed, and they had all stolen down into the hall.

"I hastily started up. I had been lying on the floor with my head outstretched to listen.

"Cost what it might, the Queen must be warned. Treachery was certainly at work here.

"But I came too late.

"O Dion! If I had only been informed a few minutes before, perhaps something still more terrible might have happened, but the Queen would have been spared what now threatens her. What can she expect from the conqueror who, in order to seize her alive, condescends to outwit a noble, defenceless woman, who has succumbed to superior power?

"Death would have released the unhappy Queen from sore trouble and horrible shame. And she had already raised the dagger against her life. Before my eyes she flung aloft her beautiful arm with the flashing steel, which glittered in the light of the candles in the many-branched candelabra beside the sarcophagi. But I will try to remain calm! You shall hear what happened in regular order. My thoughts grow confused as the terrible scene recurs to my memory. To describe it as I saw it, I should need to be a poet, an artist in words; for what passed before me happened on a stage - you know, it was a tomb. The walls were of dark stone-dark, too, were the pillars and ceiling - all dark and glittering; most portions were smoothly polished stone, shining like a mirror. Near the sarcophagi, and around the candelabra as far as the vicinity of the door, where the rascally trick was played, the light was brilliant as in a festal hall. Every blood-stain on the hand, every scratch, every wound which the desperate woman had torn with her own nails on her bosom, which gleamed snow-white from her black robes, was distinctly visible. Farther away, on the right and left, the light was dim, and near the side walls the darkness was as intense as in a real tomb. On the smooth porphyry columns, the glittering black marble and serpentine - here, there, and everywhere - flickered the wavering reflection of the candlelight. The draught kept it continually in motion, and it wavered to and fro in the hall, like the restless souls of the damned. Wherever the eye turned it met darkness. The end of the hall seemed black - black as the anteroom of Hades - yet through it pierced a brilliant moving bar; sunbeams which streamed from the stairway into the tomb and amid which danced tiny motes. How the scene impressed the eye! The home of gloomy Hecate! And the Queen and her impending fate. A picture flooded with light, standing forth in radiant relief against the darkness of the heavy, majestic forms surrounding it in a wide circle. This tomb in this light would be a palace meet for the gloomy rule of the king of the troop of demons conjured up by the power of a magician - if they have a ruler. But where am I wandering? 'The artist!' I hear you exclaim again, 'the artist! Instead of rushing forward and interposing, he stands studying the light and its effects in the royal tomb.' Yes, yes; I had come too late, too late - far too late! On the stairs leading to the lower story of the building I saw it, but I was not to blame for the delay - not in the least!

"At first I had been unable to see the men - or even a shadow; but I beheld plainly in the brightest glare of the light the body of Mark Antony on the couch and, in the dusk farther towards the right, Iras and Charmian trying to raise a trapdoor. It was the one which closed the passage leading to the combustible materials stored in the cellar. A sign from the Queen had commanded them to fire it. The first steps of the staircase, down which I was hastening, were already behind me - then - then Proculejus, with two men, suddenly dashed from the intense darkness on the other side. Scarcely able to control myself, I sprang down the remaining steps, and while Iras's shrill cry, 'Poor Cleopatra, they will capture you!' still rang in my ears, I saw the betrayed Queen turn from the door through which, resolved on death, she was saying something to Gallus, perceive Proculejus close behind her, thrust her hand into her girdle, and with the speed of lightning - you have already heard so - throw up her arm with the little dagger to bury the sharp blade in her breast. What a picture! In the full radiance of the brilliant light, she resembled a statue of triumphant victory or of noble pride in great deeds accomplished; and then, then, only an instant later, what an outrage was inflicted!

"Like a robber, an assassin, Proculejus rushed upon her, seized her arm, and wrested the weapon from her grasp. His tall figure concealed her from me. But when, struggling to escape from the ruffian's clutch, she again turned her face towards the hall, what a transformation had occurred! Her eyes - you know how large they are - were twice their usual size, and blazed with scorn, fury, and hatred for the traitor. The cheering light had become a consuming fire. So I imagine the vengeance, the curse which calls down ruin upon the head of a foe. And Proculejus, the great lord, the poet whose noble nature is praised by the authors on the banks of the Tiber, held the defenceless woman, the worthy daughter of a brilliant line of kings, in a firm grasp, as if it required the exertion of all his strength to master this delicate embodiment of charming womanhood. True, the proud blood of the outwitted lioness urged her to resist this profanation, and Proculejus - an enviable honour - made her feel the superior strength of his