Writings in the United Amateur, 1915-1922, H. P. Lovecraft [easy books to read .txt] 📗

a place which impels us to question its use. Its total omission would strengthen the sentence which contains it. Another point we must mention is the excessive punctuation, especially the needless hyphenation of amateurdom and therefore, and the apostrophe in the possessive pronoun its. The form it's is restricted to the colloquial contraction of "it is"; the similarly spelled pronoun is written solidly without an apostrophe. Additional notes by Mr. Glause are of equal merit, and his reply to a recent article on travel is highly sensible and commendable. He is a writer and thinker of much power, and needs only technical training in order to develop into an essayist of the first rank. As an editor he cannot be praised too highly for his faithfulness in publishing his welcome and attractive quarterly.

Pine Cones for February well maintains the high standard set by Mr. Pryor in his[110] opening number. "Life, Death and Immortality," by Jonathan E. Hoag, is a brief but appealing piece from the pen of a gifted and venerable bard, and thoroughly deserves its place of honour on the cover. On the next page occurs a metrical tribute to this sweet singer on his 88th birthday, written by H. P. Lovecraft in the latter's typical heroic strain.

"The Helpful Twins," a clever child story by Editor Pryor, is the prose treat of the issue. It would, indeed, be hard to find more than one or two equally interesting, human, and well-developed bits of fiction in any current amateur periodicals. Not only are the characters drawn with delightful naturalness, but there is real humour present; and the plot moves on to its climax without a single instance of awkwardness or a single intrusive or extraneous episode. In short, the story is almost a model of its kind; one which ought to prove a success in a professional as well as an amateur magazine. Mr. Pryor's humour is more broadly shown in the smile-producing pseudo-anecdotes of "The Boy Washington."

The bit of unsigned verse, "A New Year Wish," is excellent, though we question the advisability of having an Alexandrine for the final line.

"Comment Pryoristic" is always interesting, and that in the current Pine Cones forms no exception to the rule. The appearance of this vigorously alive and intelligently edited publication is proving a great and gratifying factor in amateurdom's post-bellum renaissance.

The Recruiter for January marks the advent to amateurdom of a new paper, which easily takes its place among the very best of recent editorial enterprises. Edited by Misses Mary Faye Durr and L. Evelyn Schump in the interest of the United recruits whom they are securing, its thoroughly meritorious quality speaks well for the new members thus added to our circle.

The issue opens auspiciously with a lyric poem of distinguished excellence by Helen McFarland, entitled "A Casualty." In depth of sentiment, fervour of expression, and correctness of construction, these melodious lines leave little to be desired; and seem to indicate that the United has acquired one more poet of the first rank.

"Billy," a character sketch by L. Evelyn Schump, introduces to the Association a light essayist of unusual power and grace, whose work is vividly natural through keen insight, apt and fluent expression, and mastery of homely and familiar detail. The present sketch is captivatingly lifelike and thoroughly well-written, arousing a response from every lover of children.

"Winter," a brief poem by Hettie Murdock, celebrates in a pleasant way an unpleasant season. The lines are notable for correctness, spontaneity and vitality, though not in the least ambitious in scope.

Martha Charlotte Macatee's "Song of Nature" reveals its 12-year-old creator as a genuine "Galpiness" (if we may coin a word which only amateurs and Appletonians will understand). Mistress Macatee has succeeded in infusing more than a modicum of really poetic atmosphere and imagery into her short lyric, and may be relied upon to produce important work in the coming years of greater maturity. The chief defect of her present piece is the absence of rhyme, which should always occur in a short stanzaic poem. Rhyming is not at all difficult after a little practice, and we trust that the young writer will employ it in later verses.

"Tarrytown," by Florence Fitzgerald, is a reminiscent poem of phenomenal strength, marred only by a pair of false rhymes in the opening stanza. Assonance must never be mistaken for true rhyme, and combinations like boats-float or them-brim should be avoided. The imagery of this piece is especially appealing, and testifies to its author's fertility of fancy.

"Shades of Adam," by Mary Faye Durr, is an interesting and humorously written account of the social side of our 1918 convention. Miss Durr is exceptionally gifted in the field of apt, quiet, and laconic wit, and in this informal chronicle neglects no opportunity for dryly amusing comment on persons and events.

"Spring," by L. Evelyn Schump, is a refreshingly original poem in blank verse, on a somewhat familiar subject. For inspiration and technique alike, the piece merits enthusiastic commendation; though we may vindicate our reputation as a fault-finding critic by asking why alternate lines are indented despite the non-existence of alternate rhymes.

The Recruiter's editorial column is brief and businesslike, introducing the magazine[111] as a whole, and its contributors individually. Amateurdom is deeply indebted to the publishers of this delightful newcomer, and it is to be hoped that they may continue their efforts; both toward seeking recruits as high in quality as those here represented, and toward issuing their admirable journal as frequently as is feasible.

The Silver Clarion for January comes well up to the usual standard, containing a number of pieces of considerable power. In "The Temple of the Holy Ghost," Mr. Arthur Goodenough achieves his accustomed success as a religious poet, presenting a variety of apt images, and clothing them in facile metre. The only defect is a lack of uniformity in rhyming plan. The poet, in commencing a piece like this, should decide whether or not to rhyme the first and third lines of quatrains; and having decided, should adhere to his decision. Instead, Mr. Goodenough omits these optional rhymes in the first stanza and in the first half of the third and fourth stanzas; elsewhere employing them. The result, while not flagrantly inharmonious, nevertheless gives an impression of imperfection, and tends to alienate the fastidious critic. Mr. Goodenough possesses so great a degree of inspiration, and so wide an array of allusions and imagery; that he owes it to himself to complete the excellence of his vivid work with an unexceptionable technique.

"The Cross," a sonnet by Captain Theodore Draper Gottlieb, is dedicated to the Red Cross, with which the author is serving so valiantly. In thought and form this piece deserves unqualified praise.

"Death," by Andrew Francis Lockhart, exhibits our versatile Western bard in sober mood. The poem contains that unmistakable stamp of genuine emotion which we have come to associate with Mr. Lockhart's work, and is technically faultless.

"Destiny," by W. F. Pelton, is a sonnet of smooth construction and thorough excellence by one whom we know better as "Wilfrid Kemble."

The lines "To My Pal, Fred" present Mr. Harry E. Rieseberg, a new member of the United who has for some time been a regular Clarion contributor. In this piece Mr. Rieseberg falls somewhat below his usual standard; for though the sentiment is appropriate, the metre is sadly irregular. Mr. Rieseberg should count the syllables in his lines, for he is a young poet of much promise, and should allow