Cleopatra — Volume 08, Georg Ebers [a court of thorns and roses ebook free .TXT] 📗

yet Cleopatra will possess that also. The domain of death, which, as the Egyptians say, loves silence, is opening its doors to me. The most absolute peace begins upon its threshold—who knows where it ends? The vision of the intellect does not extend far enough to discover the boundary where, at the end of eternity—which in truth is endless— it is replaced by something else."

While speaking, the Queen had motioned to her friend to accompany her into her chamber, from which a door led into the children's room. An irresistible impulse constrained her to open it and gaze into the dark, empty apartment.

She felt an icy chill run through her veins. Taking a light from the hand of one of the maids who attended her, she went to little Alexander's couch. Like the others, it was empty, deserted. Her head sank on her breast, the courageous calmness with which she had surveyed her whole past life failed and, like the luxuriant riot in the sky of the most brilliant hues, ere the glow of sunset suddenly yields to darkness, Cleopatra's soul, after the lofty elation of the last few hours, underwent a sudden transition and, overwhelmed by deep, sorrowful depression, she threw herself down before the twins' bed, where she lay weeping softly until Charmian, as day began to dawn, urged her to retire to rest. Cleopatra slowly rose, dried her eyes, and said: "My past life seemed to me just now like a magnificent garden, but how many serpents suddenly stretched out their flat heads with glittering eyes and forked tongues! Who tore away the flowers beneath which they lay concealed? I think, Charmian, it was a mysterious power which here, in the children's apartment, rules so strongly the most trivial as well as the strongest emotions, it was—when did I last hear that ominous word?—it was conscience. Here, in this abode of innocence and purity, whatever resembles a spot stands forth distinctly before the eyes. Here, O Charmian!—if the children were but here! If I could only—yet, no, no! It is fortunate, very fortunate that they have gone. I must be strong; and their sweet grace would rob me of my energy. But the light grows brighter and brighter. Dress me for the day. It would be easier for me to sleep in a falling house than with such a tumult in my heart."

While she was being attired in the dark robes she had ordered, loud shouts arose from the royal harbour below, blended with the blasts of the tuba and other signals directing the movements of the fleet and the army, a large body of troops having been marched during the night to the neighbouring hills overlooking the sea.

The notes sounded bold and warlike. The well-armed galleys presented a stately appearance. How often Cleopatra had seen unexpected events occur, apparent impossibilities become possible! Had not the victory of Octavianus at Actium been a miracle? What if Fate, like a capricious ruler, now changed from frowns to smiles? What if Antony proved himself the hero of yesterday, the general he had been in days of yore?

She had refused to see him again before the battle, that she might not divert his thoughts from the great task approaching. But now, as she beheld him, clad in glittering armour like the god of war himself, ride before the troops on his fiery Barbary charger, greeting them with the gay salutation whose warmth sprung from the heart and which had so often kindled the warriors to glowing enthusiasm, she was forced to do violence to her own feelings to avoid calling him and saying that her thoughts would follow his course. But she refrained, and when his purple cloak vanished from her sight her head drooped again. How different in former days were the cheers of the troops when he showed himself to them! This lukewarm response to his gay, glad greeting was no omen of victory.

CHAPTER XXII.

Dion, too, witnessed the departure of the troops. Gorgias, whom he had found among the Ephebi, accompanied him and, like the Queen, they saw, in the cautious manner with which the army greeted the general, a bad omen for the result of the battle. The architect had presented Dion to the youths as the ghost of a dead man, who, as soon as he was asked whence he came or whither he was going, would be compelled to vanish in the form of a fly. He could venture to do this; he knew the Ephebi— there was no traitor in their ranks.

Dion, the former head of the society, had been welcomed like a beloved brother risen from the dead, and he had the gratification, after so long a time, of turning the scale as speaker in a debate. True, he had encountered very little opposition, for the resolve to hold aloof from the battle against the Romans had been urged upon the Ephebi by the Queen herself through Antyllus, who, however, had already left the meeting when Dion joined it. It had seemed to Cleopatra a crime to claim the blood of the noblest sons of the city for a cause which she herself deemed lost. She knew the parents of many, and feared that Octavianus would inflict a terrible punishment upon them if, not being enrolled in the army, they fell into his power with arms in their hands.

The stars were already setting when the Ephebi accompanied their friend, singing in chorus the Hymenaeus, which they had been unable to chant on his wedding day. The melody of lutes accompanied the voices, and this nocturnal music was the source of the rumour that the god Dionysus, to whom Mark Antony felt specially akin, and in whose form he had so often appeared to the people, had abandoned him amid songs and music.

The youths left Dion in front of the Temple of Isis. Gorgias alone remained with him. The architect led his friend to the Queen's mausoleum near the sanctuary, where men were toiling busily by torchlight. Alight scaffolding still surrounded it, but the lofty first story, containing the real tomb, was completed, and Dion admired the art with which the exterior of the edifice suggested its purpose. Huge blocks of dark-grey granite formed the walls. The broad front-solemn, almost gloomy in aspect-rose, sloping slightly, above the massive lofty door, surmounted by a moulding bearing the winged disk of the sun. On either side were niches containing statues of Antony and Cleopatra cast in dark bronze, and above the cornice were brazen figures of Love and Death, Fame and Silence, ennobling the Egyptian forms with exquisite works of Hellenic art.

The massive door, adorned with brass figures in relief, would have resisted a battering-ram. On the side of the steps leading to it lay Sphinxes of dark-green diorite. Everything connected with this building, dedicated to death, was grave and massive, suggesting by its indestructibility the idea of eternity.

The second story was not yet finished; masons and stone-cutters were engaged in covering the strong walls with dark serpentine and black marble. The huge windlass stood ready to raise a masterpiece of Alexandrian art. This was intended for the pediment, and represented Venus Victrix with helmet, shield, and lance, leading a band of winged gods of love, little archers at whose head Eros himself was discharging arrows, and victoriously fighting against the three-headed Cerberus, death, already bleeding from many wounds.

There was no time to see the interior of the building, for Pyrrhus expected his guest to join him at the harbour at sunrise, and the eastern sky was already brightening with the approach of dawn.

As the friends reached the landing-place the brass dome of the Serapeum, which towered above everything, was glittering with dazzling splendour.

The pennons and masts of the fleet which was about to set sail from the harbour seemed steeped in a sea of golden light. Tremulous reflections of the brazen and gilded figures on the prows of the vessels were mirrored in the undulating surface of the sea, and the long shadows of the banks of oars united galley after galley on the surface of the water like the meshes of a net.

Here the friends parted, and Dion walked down the quay alone to meet the freedman, who must have found it difficult to guide his boat out of this labyrinth of vessels. The inspection of the mausoleum had detained the young father too long and, though disguised beyond recognition, he reproached himself for having recklessly incurred a danger whose consequences—he felt this to-day for the first time—would not injure himself alone. The whole fleet was awaiting the signal for departure. The vessels which did not belong to it had been obliged to moor in front of the Temple of Poseidon, and all were strictly forbidden to leave the anchorage.

Pyrrhus's fishing-boat was in the midst, and return to the Serpent Island was impossible at present.

How vexatious! Barine was ignorant of his trip to the city, and to be compelled to leave her alone while a naval battle was in progress directly before her eyes distressed him as much as it could not fail to alarm her.

In fact, the young mother had waited from early dawn with increasing anxiety for her husband. As the sun rose higher, and the strokes of the oars propelling two hundred galleys, the shrill whistle of the flutes marking the time, the deep voices of the captains shouting orders, and the blasts of the trumpets filling the air, were heard far and near around the island, she became so overwhelmed with uneasiness that she insisted upon going to the shore, though hitherto she had not been permitted to take the air except under the awning stretched for the purpose on the shady side of the house.

In vain the women urged her not to let her fears gain the mastery and to have patience. But she would have resisted even force in order to look for him who, with her child, now comprised her world.

When, leaning on Helena's arm, she reached the shore, no boat was in sight. The sea was covered with ships of war, floating fortresses, moving onward like dragons with a thousand legs whose feet were the countless rowers arranged in three or five sets. Each of the larger galleys was surrounded by smaller ones, from most of which darted dazzling flashes of light, for they were crowded with armed men, and from the prows of the strong boarding vessels the sunbeams glittered on the large shining metal points whose office was to pierce the wooden sides of the foe. The gilded statues in the prows of the large galleys shone and sparkled in the broad radiance of the day-star, and flashes of light also came from the low hills on the shore. Here Mark Antony's soldiers were stationed, and the sunbeams reflected from the helmets, coats of mail, and lance-heads of the infantry, and the armour of the horsemen quivered with dazzling brilliancy in the hot air of the first day of an Egyptian August.

Amid this blazing, flashing, and sparkling in the morning air, so steeped in warmth and radiance, the sounds of warlike preparations from the land and fleet constantly grew louder. Barine, exhausted, had just sunk into a chair which Dione, the fisherman's daughter, had placed in the shade of the highest rock on the northwestern shore of the flat island, when a crashing blast of the tuba suddenly echoed from all the galleys in the Egyptian fleet, and the whole array of vessels filed past the Pharos at the opening of the harbour into the open sea.

There the narrow ranks of the wooden giants separated and moved onward in broader lines. This was done quietly and in the same faultless order as a few days before, when a similar manoeuvre had been executed under the eyes of Mark Antony.

The longing for combat seemed to urge them steadily forward.

The hostile fleet, lying motionless, awaited the attack. But the Egyptian assailants had advanced majestically only a few ships lengths towards the Roman foe when another signal rent the air. The women whose ears caught the waves of sound said afterwards that it seemed like a cry of agony—it had given the signal for a deed of unequalled treachery. The slaves, criminals, and the basest of the mercenaries on the rowers' benches in the hold had doubtless long listened intently for it, and, when it finally came, the men on the upper