Zenobia; or, the Fall of Palmyra, William Ware [large screen ebook reader txt] 📗

of trade, by which the seller attracts the buyer. I was engrossed by objects of this sort, when Fausta's voice drew my attention another way.

'Now,' said she, 'prepare yourself for the glory of Palmyra; look when we shall suddenly turn round the next corner, on the left, and see what you shall see.'

The chariot soon whirled round the indicated corner, and we found ourselves in full view of the Temple of the Sun, so famous throughout the world. Upon a vast platform of marble, itself decorated with endless lines of columns--elsewhere of beauty and size sufficient for the principal building, but here a mere appendage--stood in solitary magnificence this peerless work of art. All I could do was, and the act was involuntary, to call upon the charioteer to rein up his horses and let me quietly gaze. In this Fausta, nothing unwilling, indulged me. Then, when satisfied with this the first point of view, we wound slowly round the spacious square upon which it stands, observing it well in all directions, and taking my fill of that exalted but nameless pleasure which flows in upon the soul from the contemplation of perfect excellence.

'This is, if I err not, Fausta, the work of a Greek artist.'

'It is,' said she: 'here both Romans and Palmyrenes must acknowledge their inferiority, and indeed all other people. In every city of the world, I believe, all the great works of art are the offspring of Grecian genius and Grecian taste. Truly, a wonderful people! In this very city, our artists--our men of letters--even the first ministers of state--all are Greeks. But come, let us move on to the Long Portico, an edifice which will astonish you yet more than even the Temple of the Sun, through your having heard of it so much less. We shall reach it in about half a Roman mile.'

This space was soon passed, and the Portico stood revealed with its interminable ranges of Corinthian columns, and the busy multitudes winding among them, and, pursuing their various avocations, for which this building offers a common and convenient ground. Here the merchants assemble and meet each other. Here various articles of more than common rarity are brought and exhibited for sale. Here the mountebanks resort, and entertain the idle and lovers of amusement with their fantastic tricks. And here strangers from all parts of the world may be seen walking to and fro, observing the customs of the place, and regaling themselves at the brilliant rooms, furnished with every luxury, which are opened for their use, or else at the public baths which are found in the immediate neighborhood. The Portico does not, like the Temple, stand upon an elevated platform, but more upon a level with the streets. Its greatness is derived from its extreme length, and its exquisitely-perfect designs and workmanship, as seen in the graceful fluted columns and the rich entablature running round the whole. The life and achievements of Alexander are sculptured upon the frieze; the artist--a Greek also--having been allowed to choose his own theme.

'Fausta,' said I, 'my soul is steeped in beauty. It will be to no purpose to show me more now. I am like one who has eaten too much--forgive the figure--delicacies are lost upon him.'

'I cannot release you yet,' cried Fausta; 'a little farther on, and you may see the palace of our great Queen; give me your patience to that point, and I will then relieve you by a little excursion through the suburbs, where your eye may repose upon a rural beauty as satisfying as this of the city. You must see the palace. There!--we are already in sight of it.'

It rose upon us, so vast is it, and of so many parts, like a city within a city. A fit dwelling for so great, so good, and so beautiful a woman. Of this you will find a careful and true account, with drawings, which greatly help the imagination, in the otherwise vile book of the traducer Spurius. To that I refer you, and so refrain from all description.

We now left the city, and wound at our leisure among the shady avenues, the noble country retreats, the public gardens, the groves and woods which encompass the walls, and stretch away far beyond the sight, into the interior. Returning, we passed through the arches of the vast aqueduct which pours into the city a river of the purest water. This is the most striking object, and noblest work of art, without the walls.

When we had passed in this way nearly the whole day, we at length re-entered the city by the Persian Gate, on the eastern side,

'Now, Fausta,' said I, 'having given so much of the day to pleasure, I must give the rest, not to pain, but to duty. I will seek out and find, if I can, Demetrius, brother to Demetrius of Rome. From him I can learn, it seems probable, concerning the movements of Isaac.'

'You will find the shop of Demetrius in the very heart of the city, midway between the Persian and Roman gates. Farewell, for a time, and may the gods prosper you!'

I was not long in making my way to the shop of the Greek. I found the skilful Demetrius busily engaged in putting the last polish upon a small silver statue of a flying Mercury. He looked up as I entered, and saluting me in Greek, invited me to look at his works. I could not for a long time take off my eyes from the figure upon which he was working, and expressed my admiration.

'Ah, it is very well, I think, said he, 'but it is nothing compared with the work of my brother at Rome. You know him doubtless?'

'Indeed I do not, I am obliged to say.'

'What!--a Roman, as I perceive, and a patrician also, and not know Demetrius the goldsmith?--he who was the favorite of Valerian, and Gallienus, and Claudius, and now of Aurelian? There is no hand like that of Demetrius the elder. These, sir, are mere scratches, to his divine touch. These are dolls, compared with the living and breathing gold as it leaves his chisel. Sir, it is saying nothing beyond belief, when I say, that many a statue like this, of his, is worth more than many a living form that we see in and out of the shop. Forgive me, but I must say I would rather possess one of his images of Venus or Apollo, than a live Roman--though he be a patrician too.'

'You are complimentary,' I said: 'but I can believe you. When I return to Rome, I shall seek out your brother, and make myself acquainted with his genius. I have heretofore heard of him chiefly through a travelling Jew, whom I fell in with on the way hither--Isaac, as he is called.'

'Ah ha!--Isaac of Rome. I know him well,' he replied. 'He is a good man--that is, he is good for one of that tribe. I look for him every day. A letter from Rome informs me that he is on his way. It is a pleasant thing to see Isaac. I wonder what curiosities he brings from the hand of my brother. He will be welcome. I trust he brings some heads of our late king and present queen, from drawings which I made and transmitted. I am impatient to see them. Saw you anything of this sort about him?'

'Truly I did, and if by some ill chance I have not left them behind me, in my preparations for a morning excursion, I can show you what you will like to see. Ah! here it is: in this small casket I have, I presume, unless Isaac shall have deceived me--but of which you will be a perfect judge--some of your brother's art. Look, here are rings with heads of your king and queen, such as you have just spoken of. Are they genuine?'

'No instrument but that which is guided by the hand of the elder Demetrius ever did this work,' said he, slowly drawing out his words, as he closely scrutinized the ring. 'The gold embossment might indeed have been done by another, but not these heads, so true to the life, and of an art so far beyond any ability of mine, that I am tempted sometimes to think that he is in league with Vulcan. Gods! how that mouth of the Queen speaks! Do we not hear it? Ah, Roman, give me the skill of Demetrius the elder, and I would spit upon all the power of Aurelian.'

'You Greeks are a singular people. I believe that the idea of beauty is to you food and clothing, and shelter and drink, more than all riches and all power: dying on a desert island, a fragment of Phidias would be dearer to you than a cargo of food.'

'That's a pretty conceit enough,' said he, 'and something near the truth, as must be confessed.'

As we were thus idly discoursing, we became suddenly conscious of an unusual commotion in the street. The populace began to move quickly by in crowds, and vehicles of all sorts came pouring along as if in expectation of something they were eager to see.

'What's all this?--what's all this?' said Demetrius, leaving his work, which he had resumed, and running to the door of his shop: 'what's the matter, friend?' addressing a citizen hurrying by: 'Is Aurelian at the gates, that you are posting along in such confusion?'

'Not Aurelian,' replied the other, 'but Aurelian's mistress. The Queen is coming. Clouds of dust on the skirts of the plain show that she is advancing toward the city.'

'Now, Roman, if thou wouldst see a sight, be advised and follow me. We will mount the roof of yonder market, whence we shall win a prospect such as no eye can have seen that has not gazed from the same point. It is where I go to refresh my dulled senses, after the day's hard toil.'

So saying, and pausing a moment only to give some necessary directions to the pupils, who were stationed at their tasks throughout the long apartment, telling them to wait for the show till it should pass by the shop, and not think to imitate their master in all his ways--saying these things in a half earnest and half playful manner--we crossed the street, and soon reached the level roof, well protected by a marble breastwork, of the building he had pointed out.

'We are here just at the right moment,' said he: 'come quickly to this corner and secure a seat, for you see the people are already thronging after us. There! can Elysium offer a more perfect scene? And look, how inspiring is the view of these two multitudes moving toward each other, in the spirit of friendship! How the city opens her arms to embrace her Queen!'

At the distance of about a mile from the walls, we now saw the party of the Queen, escorted by a large body of horse: and, approaching them from the city, apparently its whole population, some on foot, some on horse, some in carriages of every description. The plain was filled with life. The sun shooting his beams over the whole, and reflected from the spears and corslets of the cavalry, and the gilding and polished work of chariots and harness, caused the scene to sparkle as if strewed with diamonds. It was a fair sight. But fairer than all was it to witness, as I did, the hearty enthusiasm of the people, and even of the children, toward their lovely Queen. Tears of joy even I could see falling from many eyes, that she was returning to them again. As soon as the near approach of Zenobia to the walls began to conceal her and her escort, then we again changed our position, and returned to the steps of the shop of Demetrius, as the Queen would pass directly by them, on her way to the palace.

We had been here not many minutes, before the shouts of the people, and the braying of martial music, and the confused sound of an approaching multitude, showed that the Queen was near. Troops of horse, variously caparisoned, each more brilliantly as it seemed than another, preceded a train of sumptuary elephants and camels, these too richly dressed, but heavily loaded. Then came the body-guard of the Queen, in armor of complete steel--and then the chariot of Zenobia, drawn by milk-white Arabians. So soon as she appeared, the air resounded with the acclamations of the countless multitudes. Every cry of loyalty and affection was heard from ten thousand mouths, making a music such as filled the heart almost to breaking.

'Long live the great Zenobia!' went up to the heavens. 'The blessing of all the gods on our good Queen!'--'Health and happiness to the mother of her people!'--'Death and destruction to her enemies!'--these, and