Imperial Purple, Edgar Saltus [phonics reader .txt] 📗

young enough to have enthusiasms and to show them; he was one of the best read men of the day; he was poet, painter, sculptor, musician, erudite and emperor in one. Of course he enjoyed it. The world, over which he travelled, was his, not by virtue of the purple alone, but because of his knowledge of it. The prince is not necessarily cosmopolitan; the historian and antiquarian are. Hadrian was an early Quinet, an earlier Champollion; always the thinker, sometimes the cook. And to those in his suite it must have been a sight very unique to see a Caesar who had published his volume of erotic verse, just as any other young man might do; who had hunted lions, not in the arena, but in Africa, make researches on the plain where Troy had been, and a supreme of sow's breast, peacock, pheasant, ham and boar, which he called Pentapharmarch, and which he offered as he had his Catacriani--the erotic verse--as something original and nice.

Insatiably inquisitive, verifying a history that he was preparing in the lands which gave that history birth, he passed through Egypt and Asia, questioning sphinxes, the cerements of kings, the arcana of the temples; deciphering the sacred books, arguing with magi, interrogating the stars. For the thinker, after the fashion of the hour, was astrologer too, and one of the few anecdotes current concerning him is in regard to a habit he had of drawing up on the 31st of December the events of the coming year. After consulting the stars on that 31st of December which occurred in the twenty-second year of his reign, he prepared a calendar which extended only to the 10th of July. On that day he died.

The calendar does not seem to have been otherwise serviceable. It was in Bithynia he found a shepherd whose appearance which, in its perfection, was quite earthly, suggested neither heaven nor hell, but some planet where the atmosphere differs from ours; where it is pink, perhaps, or faintly ochre; where birth and death have forms higher than here.

Hadrian, captivated, led the lad in leash. The facts concerning that episode have been so frequently given that the repetition is needless here. Besides, the point is elsewhere. Presently the lad fell overboard. Hadrian lost a valet, Rome an emperor, and Olympus a god. But in attempting to deify the lost lackey, the grief of Hadrian was so immediate, that it is permissible to fancy that the lad's death was not one of those events which the emperor- astrologer noted beforehand on his calendar. The lad was decently buried, the Nile gave up her dead, and on the banks a fair city rose, one that had its temples, priests, altars and shrines; a city that worshipped a star, and called that star Antinous. Hadrian then could have congratulated himself. Even Caligula would have envied him. He had done his worst; he had deified not a lad, but a lust. And not for the moment alone. A half century later Tertullian noted that the worship still endured, and subsequently the Alexandrine Clement discovered consciences that Antinous had reproached.

Antinous, deified, was presently forgot. A young Roman, wonderfully beautiful, Dion says, yet singularly effeminate; a youth who could barely carry a shield; who slept between rose- leaves and lilies; who was an artist withal; a poet who had written lines that Martial might have mistaken for his own, Cejonius Verus by name, succeeded the Bithynian shepherd. Hadrian, who would have adopted Antinous, adopted Verus in his stead. But Hadrian was not happy in his choice. Verus died, and singularly enough, Hadrian selected as future emperor the one ruler against whom history has not a reproach, Pius Antonin.

Meanwhile the journey continued. The Thousand and One Nights were realized then if ever. The beauty of the world was at its apogee, the glory of Rome as well; and through secrets and marvels Hadrian strolled, note-book in hand, his eyes unwearied, his curiosity unsatiated still. To pleasure him the intervales took on a fairer glow; cities decked themselves anew, the temples unveiled their mysteries; and when he passed to the intervales liberty came; to the cities, sovereignty; to the temples, shrines. The world rose to him as a woman greets her lover. His travels were not fatigues; they were delights, in which nations participated, and of which the memories endure as though enchanted still.

It would have been interesting, no doubt, to have dined with him in Paris; to have quarried lions in their African fens; to have heard archaic hymns ripple through the rushes of the Nile; to have lounged in the Academe, to have scaled Parnassus, and sailed the AEgean Sea; but, a history and an arm-chair aiding, the traveller has but to close his eyes and the past returns. Without disturbing so much as a shirt-box, he may repeat that promenade. Triremes have foundered; litters are out of date; painted elephants are no more; the sky has changed, climates with it; there are colors, as there are arts, that have gone from us forever; there are desolate plains, where green and yellow was; the shriek of steam where gods have strayed; advertisements in sacred groves; Baedekers in ruins that never heard an atheist's voice; solitudes where there were splendors; the snarl of jackals where once were birds and bees-- yet, history and the arm-chair aiding, it all returns. Any traveller may follow in Hadrian's steps; he is stayed but once-- on the threshold of the Temple of Eleusis. It is there history gropes, impotent and blind, and it is there the interest of that journey culminated.

Beyond the episode connected with Antinous, Hadrian's journey was marked by another, one which occurred in Judaea. Both were infamous, no doubt, but, what is more to the point, both mark the working of the poison in the purple that he bore.

Since Titus had gone, despairful Judaea had taken heart again. Hope in that land was inextinguishable. The walls of Jerusalem were still standing; in the Temple the offices continued. Though Rome remained, there was Israel too. Passing that way one afternoon, Hadrian mused. The city affected him; the site was superb. And as he mused it occurred to him that Jerusalem was less harmonious to the ear than Hadrianopolis; that the Temple occupied a position on which a Capitol would look far better; in brief, that Jehovah might be advantageously replaced by Jove. The army of masons that were ever at his heels were set to work at once. They had received similar orders and performed similar tasks so often that they could not fancy anyone would object. The Jews did. They fought as they had never fought before; they fought for three years against a Nebuchadnezzar who created torrents of blood so abundant that stones were carried for miles, and who left corpses enough to fertilize the land for a decade. The survivors were sold. Those for whom no purchasers could be found had their heads amputated. Jerusalem was razed to the ground. The site of the Temple was furrowed by the plow, sown with salt, and in place of the City of David rose AElia Capitolina, a miniature Rome, whose gates, save on one day in the year, Jews were forbidden under penalty of death to pass, were forbidden to look at, and over which were images of swine, pigs with scornful snouts, the feet turned inward, the tail twisted like a lie.

It was not honorable warfare, but it was effective; then, too, it was Hadrianesque, the mad insult of a madman to a race as mad as he. The purple had done its work. History has left the rise of this emperor conjectural; his fall is written in blood. As he began he ended, a poet and a beast.

Presently he was in Rome. It was not homesickness that took him there; he was far too cosmopolitan to suffer from any such malady as that. It was the accumulations of a fifteen-year excursion through the metropoles of art which demanded a gallery of their own. Another with similar tastes and similar power might have ordered everything which pleasured his eye to be carted to Rome, but in his quality of artifex omnipotens Hadrian embellished and never sacked. There were painters and sculptors enough in that army at his heels, and whatever appealed to him was copied on the spot. So much was copied that a park of ten square miles was just large enough to form the open-air museum which he had designed, one which centuries of excavation have not exhausted yet.

The museum became a mad-house. Hadrian was ill; tired in mind and body, smitten with imperialia. It was then the young Verus died, leaving for a wonder a child behind, and more wonderful still, Antonin was adopted. Through Rome, meanwhile, terror stalked. Hadrian, in search of a remedy against his increasing confusion of mind, his visible weakness of body, turned from physicians to oracles; from them to magic, and then to blood. He decimated the senate. Soldiers, freemen, citizens, anybody and everybody were ordered off to death. He tried to kill himself and failed; he tried again, wondering, no doubt, why he who commanded death for others could not command it for himself. Presently he succeeded, and Antonin--the pious Antonin, as the senate called him-- marshalled from cellars and crypts the senators and citizens whom Hadrian had ordered to be destroyed.


VIII

FAUSTINE


Anyone who has loitered a moment among the statues in the Salle des Antonins at the Louvre will recall the bust of the Empress Faustina. It stands near the entrance, coercing the idler to remove his hat; to stop a moment, to gaze and dream. The face differs from that which Mr. Swinburne has described. In the poise of the head, in the expression of the lips, particularly in the features which, save the low brow, are not of the Roman type, there is a commingling of just that loveliness and melancholy which must have come to Psyche when she lost her god. In the corners of the mouth, in the droop of the eyelids, in the moulding of the chin, you may see that rarity--beauty and intellect in one --and with it the heightening shadow of an eternal regret. Before her Marcus Aurelius, her husband, stands, decked with the purple, with all the splendor of the imperator, his beard in overlapping curls, his questioning eyes dilated. Beyond is her daughter, Lucille, less fair than the mother, a healthy girl of the dairymaid type. Near by is the son, Commodus. Across the hall is Lucius Verus, the husband of Lucille; in a corner, Antonin, Faustine's father, and, more remotely, his wife. Together they form quite a family group, and to the average tourist they must seem a thoroughly respectable lot. Antonin certainly was respectable. He was the first emperor who declined to be a brute. Referring to his wife he said that he would rather be with her in a desert than without her in a palace; the speech, parenthetically, of a man who, though he could have cited that little Greek princess, Nausicaa, as a precedent, was too well-bred to permit so much as a fringe of his household linen to flutter in public. Besides, at his hours, he was a poet, and it is said that if a poet tell a lie twice he will believe it. Antonin so often declared his wife to be a charming person that in the end no doubt he thought so. She was not charming, however, or if she were, her charm was not that of exclusiveness.

It was in full sight of this lady's inconsequences that Faustine was educated. Wherever she looked, the candors of her girlhood were violated. The phallus then was omnipresent. Iamblicus, not the novelist, but the philosopher,