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contrasted with Mahâyâna. The words are generally translated as small vehicle (hîna = small, yâna = vehicle) and great vehicle (mahâ = great, yâna = vehicle). But this translation by no means expresses what is meant by Mahâyâna and Hînayâna [Footnote ref 2]. Asa@nga (480 A.D.) in his Mahâyânasûtrâla@mkâra gives

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[Footnote 1: Quotations and references to many of these sûtras are found in
Candrakîrtti's commentary on the Mâdhyamîka kârikâs of Nâgârjuna; some of
these are the following: A@s@tasâhasrikâprajñâpâramitâ (translated into
Chinese 164 A.D.-167 A.D.), _S'atasâhasrikâprajñâpâramitâ, Gaganagañja,
Samâdhisûtra, Tathâgataguhyasûtra, D@r@dhâdhyâs'ayasañcodanâsûtra,
Dhyâyitamu@s@tisûtra, Pitâputrasamâgamasûtra, Mahâyânasûtra,
Mâradamanasûtra, Ratnakû@tasûtra, Ratnacû@dâparip@rcchâsûtra,
Ratnameghasûtra, Ratnarâs`isûtra, Ratnâkarasûtra,
Râ@s@trapâlaparip@rcchâsûtra, La@nkâvatârasûtra, Lalitavistarasûtra,
Vajracchedikâsûtra, Vimalakîrttinirdes'asûtra, S'âlistambhasûtra,
Samâdhirajasutra, Sukhâvatîvyûha, Suvar@naprabhâsasûtra,
Saddharmapu@n@darika (translated into Chinese A.D. 255),
Amitâyurdhyânasûtra, Hastikâkhyasûtra, etc.]

[Footnote 2: The word Yâna is generally translated as vehicle, but a consideration of numerous contexts in which the word occurs seems to suggest that it means career or course or way, rather than vehicle (Lalitavistara, pp. 25, 38; Prajñâpâramitâ, pp. 24, 319; Samâdhirâjasûtra, p. 1; Karu@nâpu@ndarîka, p. 67; La@nkâvatârasûtra, pp. 68, 108, 132). The word Yâna is as old as the Upani@sads where we read of Devayâna and Pit@ryâna. There is no reason why this word should be taken in a different sense. We hear in La@nkâvatâra of S'râvakayâna (career of the S'râvakas or the Theravâdin Buddhists), Pratyekabuddhayâna (the career of saints before the coming of the Buddha), Buddha yâna (career of the Buddhas), Ekayâna (one career), Devayâna (career of the gods), Brahmayâna (career of becoming a Brahmâ), Tathâgatayâna (career of a Tathâgata). In one place Lankâvatâra says that ordinarily distinction is made between the three careers and one career and no career, but these distinctions are only for the ignorant (Lankâvatâra, p. 68).]

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us the reason why one school was called Hînayâna whereas the other, which he professed, was called Mahâyâna. He says that, considered from the point of view of the ultimate goal of religion, the instructions, attempts, realization, and time, the Hînayâna occupies a lower and smaller place than the other called Mahâ (great) Yâna, and hence it is branded as Hîna (small, or low). This brings us to one of the fundamental points of distinction between Hînayâna and Mahâyâna. The ultimate good of an adherent of the Hînayâna is to attain his own nirvâ@na or salvation, whereas the ultimate goal of those who professed the Mahâyâna creed was not to seek their own salvation but to seek the salvation of all beings. So the Hînayâna goal was lower, and in consequence of that the instructions that its followers received, the attempts they undertook, and the results they achieved were narrower than that of the Mahâyâna adherents. A Hînayâna man had only a short business in attaining his own salvation, and this could be done in three lives, whereas a Mahâyâna adherent was prepared to work for infinite time in helping all beings to attain salvation. So the Hînayana adherents required only a short period of work and may from that point of view also be called hîna, or lower.

This point, though important from the point of view of the difference in the creed of the two schools, is not so from the point of view of philosophy. But there is another trait of the Mahâyânists which distinguishes them from the Hînayânists from the philosophical point of view. The Mahâyânists believed that all things were of a non-essential and indefinable character and void at bottom, whereas the Hînayânists only believed in the impermanence of all things, but did not proceed further than that.

It is sometimes erroneously thought that Nâgârjuna first preached the doctrine of S'ûnyavâda (essencelessness or voidness of all appearance), but in reality almost all the Mahâyâna sûtras either definitely preach this doctrine or allude to it. Thus if we take some of those sûtras which were in all probability earlier than Nâgârjuna, we find that the doctrine which Nâgârjuna expounded

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with all the rigour of his powerful dialectic was quietly accepted as an indisputable truth. Thus we find Subhûti saying to the Buddha that vedanâ (feeling), samjñâ (concepts) and the sa@mskâras (conformations) are all mâyâ (illusion) [Footnote ref 1]. All the skandhas, dhätus (elements) and âyatanas are void and absolute cessation. The highest knowledge of everything as pure void is not different from the skandhas, dhâtus and âyatanas, and this absolute cessation of dharmas is regarded as the highest knowledge (prajñâpâramitâ) [Footnote ref 2]. Everything being void there is in reality no process and no cessation. The truth is neither eternal (s'âs'vata) nor non-eternal (as'âs'vata) but pure void. It should be the object of a saint's endeavour to put himself in the "thatness" (tathatâ) and consider all things as void. The saint (bodhisattva) has to establish himself in all the virtues (pâramitâ), benevolence (dânapâramitâ), the virtue of character (s'îlapâramitâ), the virtue of forbearance (k@sântipâramitâ), the virtue of tenacity and strength (vîryyapâramitâ) and the virtue of meditation (dhyânapâramitâ). The saint (bodhisattva) is firmly determined that he will help an infinite number of souls to attain nirvâ@na. In reality, however, there are no beings, there is no bondage, no salvation; and the saint knows it but too well, yet he is not afraid of this high truth, but proceeds on his career of attaining for all illusory beings illusory emancipation from illusory bondage. The saint is actuated with that feeling and proceeds in his work on the strength of his pâramitâs, though in reality there is no one who is to attain salvation in reality and no one who is to help him to attain it [Footnote ref 3]. The true prajñapâramitâ is the absolute cessation of all appearance (ya@h anupalambha@h sarvadharmâ@nâm sa prajñâpâramitâ ityucyate) [Footnote ref 4].

The Mahâyâna doctrine has developed on two lines, viz. that of S'ûnyavâda or the Mâdhyamika doctrine and Vijñânavâda. The difference between S'ûnyavâda and Vijñânavâda (the theory that there is only the appearance of phenomena of consciousness) is not fundamental, but is rather one of method. Both of them agree in holding that there is no truth in anything, everything is only passing appearance akin to dream or magic. But while the S'ûnyavâdins were more busy in showing this indefinableness of all phenomena, the Vijñânavâdins, tacitly accepting

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[Footnote 1: A@s@tesâhasiihâprajñâpâramita, p. 16.]

[Footnote 2: Ibid p. 177.]

[Footnote 3: Ibid p. 21.]

[Footnote 4: Ibid p. 177.]

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the truth preached by the S'ûnyavâdins, interested themselves in explaining the phenomena of consciousness by their theory of beginningless illusory root-ideas or instincts of the mind (vâsanâ).

As'vagho@sa (100 A.D.) seems to have been the greatest teacher of a new type of idealism (vijñânavâda) known as the Tathatâ philosophy. Trusting in Suzuki's identification of a quotation in As'vagho@sa's S'raddhotpâdas'âstra as being made from La@nkâvatârasûtra, we should think of the La@nkâvatârasûtra as being one of the early works of the Vijñânavâdins [Footnote ref 1]. The greatest later writer of the Vijñânavâda school was Asa@nga (400 A.D.), to whom are attributed the Saptadas'abhûmi sûtra, Mahâyâna sûtra, Upades'a, Mahâyânasamparigraha s'âstra, Yogâcârabhûmi s'âstra and Mahâyânasûtrâla@mkâra. None of these works excepting the last one is available to readers who have no access to the Chinese and Tibetan manuscripts, as the Sanskrit originals are in all probability lost. The Vijñânavâda school is known to Hindu writers by another name also, viz. Yogâcâra, and it does not seem an improbable supposition that Asa@nga's Yogâcârabhûmi s'âstra was responsible for the new name. Vasubandhu, a younger brother of Asa@nga, was, as Paramârtha (499-569) tells us, at first a liberal Sarvâstivâdin, but was converted to Vijñânavâda, late in his life, by Asa@nga. Thus Vasubandhu, who wrote in his early life the great standard work of the Sarvâstivâdins, Abhidharmakos'a, devoted himself in his later life to Vijñânavâda [Footnote ref 2]. He is said to have commented upon a number of Mahâyâna sûtras, such as Avata@msaka, Nirvâ@na, Saddharmapu@n@darîka, Prajñâpâramitâ, Vimalakîrtti and S'rîmâlâsi@mhanâda, and compiled some Mahâyâna sûtras, such as Vijñânamâtrasiddhi, Ratnatraya, etc. The school of Vijñânavâda continued for at least a century or two after Vasubandhu, but we are not in possession of any work of great fame of this school after him.

We have already noticed that the S'ûnyavâda formed the fundamental principle of all schools of Mahâyâna. The most powerful exponent of this doctrine was Nâgârjuna (1OO A.D.), a brief account of whose system will be given in its proper place. Nâgârjuna's kârikâs (verses) were commented upon by Âryyadeva, a disciple of his, Kumârajîva (383 A.D.). Buddhapâlita and Candrakîrtti (550 A.D.). Âryyadeva in addition to this commentary wrote at

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[Footnote 1: Dr S.C. Vidyâbhûshana thinks that Lankâvatâna belongs to about 300 A.D.]

[Footnote 2: Takakusu's "A study of the Paramârtha's life of Vasubandhu," J.R.A.S. 1905.]

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least three other books, viz. Catu@hs'ataka, Hastabâlaprakara@nav@rtti and Cittavis`uddhiprakara@na [Footnote ref 1]. In the small work called Hastabâlaprakara@nav@rtti Âryyadeva says that whatever depends for its existence on anything else may be proved to be illusory; all our notions of external objects depend on space perceptions and notions of part and whole and should therefore be regarded as mere appearance. Knowing therefore that all that is dependent on others for establishing itself is illusory, no wise man should feel attachment or antipathy towards these mere phenomenal appearances. In his Cittavis'uddhiprakara@na he says that just as a crystal appears to be coloured, catching the reflection of a coloured object, even so the mind though in itself colourless appears to show diverse colours by coloration of imagination (vikalpa). In reality the mind (citta) without a touch of imagination (kalpanâ) in it is the pure reality.

It does not seem however that the S'ûnyavâdins could produce any great writers after Candrakîrtti. References to S'ûnyavâda show that it was a living philosophy amongst the Hindu writers until the time of the great Mîmâ@msâ authority Kumârila who flourished in the eighth century; but in later times the S'ûnyavâdins were no longer occupying the position of strong and active disputants.

The Tathataâ Philosophy of As'vagho@sa (80 A.D.) [Footnote ref 2].

As'vagho@sa was the son of a Brahmin named Sai@mhaguhya who spent his early days in travelling over the different parts of India and defeating the Buddhists in open debates. He was probably converted to Buddhism by Pâr@sva who was an important person in the third Buddhist Council promoted, according to some authorities, by the King of Kashmere and according to other authorities by Pu@nyayas'as [Footnote ref 3].

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[Footnote 1: Âryyadeva's Hastabâlaprakara@nav@rtti has been reclaimed by
Dr. F.W. Thomas. Fragmentary portions of his Cittavis'uddhiprakara@na
were published by Mahâmahopâdhyâya Haraprasâda s'âstrî in the Bengal
Asiatic Society's journal, 1898.]

[Footnote 2: The above section is based on the Awakening of Faith, an English translation by Suzuki of the Chinese version of S'raddhotpâdas`âstra by As'vagho@sa, the Sanskrit original of which appears to have been lost. Suzuki has brought forward a mass of evidence to show that As'vagho@sa was a contemporary of Kani@ska.]

[Footnote 3: Târanâtha says that he was converted by Aryadeva, a disciple of Nâgârjuna, Geschichte des Buddhismus, German translation by Schiefner, pp. 84-85. See Suzuki's Awakening of Faith, pp. 24-32. As'vagho@sa wrote the Buddhacaritakâvya, of great poetical excellence, and the Mahâla@mkâras'âstra. He was also a musician and had invented a musical instrument called Râstavara that he might by that means convert the people of the city. "Its melody was classical, mournful, and melodious, inducing the audience to ponder on the misery, emptiness, and non-âtmanness of life." Suzuki, p. 35.]

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He held that in the soul two aspects may be distinguished —the aspect as thatness (bhûtatathatâ) and the aspect as the cycle of birth and death (sa@msâra). The soul as bhûtatathatâ means the oneness of the totality of all things (dharmadhâtu). Its essential nature is uncreate and external. All things simply on account of the beginningless traces of the incipient and unconscious memory of our past experiences of many previous lives (sm@rti) appear under the forms of individuation [Footnote ref 1]. If we could overcome this sm@rti "the signs of individuation would disappear and there would be no trace of a world of objects." "All things in their fundamental nature are not nameable or explicable. They cannot be adequately expressed in any form of language. They possess absolute sameness (samatâ). They are subject neither to transformation nor to destruction. They are nothing but one soul" —thatness (bhûtatathatâ). This "thatness" has no attribute and it can only be somehow pointed out in speech as "thatness." As soon as you understand that when the totality of existence is spoken of or thought of, there is neither that which speaks nor that which is spoken of, there is neither that which thinks nor that which is thought of, "this is the stage of thatness." This bhûtatathatâ is neither that which is existence, nor that which is non-existence, nor that which is at once existence and non-existence, nor that which is not at once existence and non-existence; it is neither that which is plurality, nor that which is at once unity and plurality, nor that which is not at once unity and plurality. It is a negative concept in the sense that it is beyond all that is conditional and yet it is a positive concept in the sense that it holds all within it. It cannot be comprehended by any kind of particularization

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