The Story of the Outlaw, Emerson Hough [ereader that reads to you txt] 📗

More men have been killed in this street than in any other in America

Of course, such a man as this, whether confronted by an officer of the law or by another man against whom he has a personal grudge, or who has in any way challenged him to the ordeal of weapons, was steadfast in his own belief that he was as brave as any, and as quick with weapons. Thus, until at length he met his master in the law of human progress and civilization, he simply added to his own list of victims, or was added to the list of another of his own sort. For a very long time, moreover, there existed a great region on the frontier where the law could not protect. There was good reason, therefore, for a man's learning to depend upon his own courage and strength and skill. He had nothing else to protect him, whether he was good or bad. In the typical days of the Western bad man, life was the property of the individual, and not of society, and one man placed his life against another's as the only way of solving hard personal problems. Those days and those conditions brought out some of the boldest and most reckless men the earth ever saw. Before we freely criticize them, we ought fully to understand them.

The Imitation Desperado—The Cheap "Long-Hair"—A Desperado in Appearance, a Coward at Heart—Some Desperadoes Who Did Not "Stand the Acid."

The counterfeit bad man, in so far as he has a place in literature, was largely produced by Western consumptives for Eastern consumption. Sometimes he was in person manufactured in the East and sent West. It is easy to see the philosophical difference between the actual bad man of the West and the imitation article. The bad man was an evolution; the imitation bad man was an instantaneous creation, a supply arising full panoplied to fill a popular demand. Silently there arose, partly in the West and partly in the East, men who gravely and calmly proceeded to look the part. After looking the part for a time, to their own satisfaction at least, and after taking themselves seriously as befitted the situation, they, in very many instances, faded away and disappeared in that Nowhere whence they came. Some of them took themselves too seriously for their own good. Of course, there existed for some years certain possibilities that any one of these bad men might run against the real thing.

There always existed in the real, sober, level-headed West a contempt for the West-struck man who was not really bad, but who wanted to seem "bad." Singularly enough, men of this type were not so frequently local products as immigrants. The "bootblack bad man" was a character recognized on the frontier—the city tough gone West with ambitions to achieve a bad eminence. Some of these men were partially bad for a while. Some of them, no doubt, even left behind them, after their sudden funerals, the impression that they had been wholly bad. You cannot detect all the counterfeit currency in the world, severe as the test for counterfeits was in the old West. There is, of course, no great amount of difference between the West and the East. All America, as well as the West, demanded of its citizens nothing so much as genuineness. Yet the Western phrase, to "stand the acid," was not surpassed in graphic descriptiveness. When an imitation bad man came into a town of the old frontier, he had to "stand the acid" or get out. His hand would be called by some one. "My friend," said old Bob Bobo, the famous Mississippi bear hunter, to a man who was doing some pretty loud talking, "I have always noticed that when a man goes out hunting for trouble in these bottoms, he almost always finds it." Two weeks later, this same loud talker threatened a calm man in simple jeans pants, who took a shotgun and slew him impulsively. Now, the West got its hot blood largely from the South, and the dogma of the Southern town was the same in the Western mining town or cow camp—the bad man or the would-be bad man had to declare himself before long, and the acid bottle was always close at hand.

That there were grades in counterfeit bad men was accepted as a truth on the frontier. A man might be known as dangerous, as a murderer at heart, and yet be despised. The imitation bad man discovered that it is comparatively easy to terrify a good part of the population of a community. Sometimes a base imitation of a desperado is exalted in the public eye as the real article. A few years ago four misled hoodlums of Chicago held up a street-car barn, killed two men, stole a sum of money, killed a policeman and another man, and took refuge in a dugout in the sand hills below the city, comporting themselves according to the most accepted dime-novel standards. Clumsily arrested by one hundred men or so, instead of being tidily killed by three or four, as would have been the case on the frontier, they were put in jail, given columns of newspaper notice, and worshiped by large crowds of maudlin individuals. These men probably died in the belief that they were "bad." They were not bad men, but imitations, counterfeit, and, indeed, nothing more than cheap and dirty little murderers.

Of course, we all feel able to detect the mere notoriety hunter, who poses about in cheap pretentiousness; but now and then in the West there turned up something more difficult to understand. Perhaps the most typical case of imitation bad man ever known, at least in the Southwest, was Bob Ollinger, who was killed by Billy the Kid in 1881, when the latter escaped from jail at Lincoln, New Mexico. That Ollinger was a killer had been proved beyond the possibility of a doubt. He had no respect for human life, and those who knew him best knew that he was a murderer at heart. His reputation was gained otherwise than through the severe test of an "even break." Some say that he killed Chavez, a Mexican, as he offered his own hand in greeting. He killed another man, Hill, in a similarly treacherous way. Later, when, as a peace officer, he was with a deputy, Pierce, serving a warrant on one Jones, he pulled his gun and, without need or provocation, shot Jones through. The same bullet, passing through Jones's body, struck Pierce in the leg and left him a cripple for life. Again, Ollinger was out as a deputy with a noted sheriff in pursuit of a Mexican criminal, who had taken refuge in a ditch. Ollinger wanted only to get into a position where he could shoot the man, but his superior officer crawled alone up the ditch, and, rising suddenly, covered his man and ordered him to surrender. The Mexican threw down his gun and said that he would surrender to the sheriff, but that he was sure Ollinger would kill him. This fear was justified. "When I brought out the man," said the sheriff, "Ollinger came up on the run, with his cocked six-shooter in his hand. His long hair was flying behind him as he ran, and I never in my life saw so devilish a look on any human being's face. He simply wanted to shoot that Mexican, and he chased him around me until I had to tell him I would kill him if he did not stop." "Ollinger was a born murderer at heart," the sheriff added later. "I never slept out with him that I did not watch him. After I had more of a reputation, I think Ollinger would have been glad to kill me for the notoriety of it. I never gave him a chance to shoot me in the back or when I was asleep. Of course, you will understand that we had to use for deputies such material as we could get."

Ollinger was the sort of imitation desperado that looks the part. He wore his hair long and affected the ultra-Western dress, which to-day is despised in the West. He was one of the very few men at that time—twenty-five years ago—who carried a knife at his belt. When he was in such a town as Las Vegas or Sante Fé, he delighted to put on a buckskin shirt, spread his hair out on his shoulders,