Ghost Stories of an Antiquary, Montague Rhodes James [best ereader under 100 .TXT] 📗
- Author: Montague Rhodes James
- Performer: -
Book online «Ghost Stories of an Antiquary, Montague Rhodes James [best ereader under 100 .TXT] 📗». Author Montague Rhodes James
Archdeacon Pulteney, and no disappointment was in store for him. He was
duly installed, and entered with zeal upon the discharge of those
functions which are appropriate to one in his position. A considerable
space in his journals is occupied with exclamations upon the confusion in
which Archdeacon Pulteney had left the business of his office and the
documents appertaining to it. Dues upon Wringham and Barnswood have been
uncollected for something like twelve years, and are largely
irrecoverable; no visitation has been held for seven years; four chancels
are almost past mending. The persons deputized by the archdeacon have
been nearly as incapable as himself. It was almost a matter for
thankfulness that this state of things had not been permitted to
continue, and a letter from a friend confirms this view. ‘[Greek: ho
katech�n],’ it says (in rather cruel allusion to the Second Epistle to
the Thessalonians), ‘is removed at last. My poor friend! Upon what a
scene of confusion will you be entering! I give you my word that, on the
last occasion of my crossing his threshold, there was no single paper
that he could lay hands upon, no syllable of mine that he could hear, and
no fact in connexion with my business that he could remember. But now,
thanks to a negligent maid and a loose stair-carpet, there is some
prospect that necessary business will be transacted without a complete
loss alike of voice and temper.’ This letter was tucked into a pocket in
the cover of one of the diaries.
There can be no doubt of the new archdeacon’s zeal and enthusiasm. ‘Give
me but time to reduce to some semblance of order the innumerable errors
and complications with which I am confronted, and I shall gladly and
sincerely join with the aged Israelite in the canticle which too many, I
fear, pronounce but with their lips.’ This reflection I find, not in a
diary, but a letter; the doctor’s friends seem to have returned his
correspondence to his surviving sister. He does not confine himself,
however, to reflections. His investigation of the rights and duties of
his office are very searching and business-like, and there is a
calculation in one place that a period of three years will just suffice
to set the business of the Archdeaconry upon a proper footing. The
estimate appears to have been an exact one. For just three years he is
occupied in reforms; but I look in vain at the end of that time for the
promised Nunc dimittis. He has now found a new sphere of activity.
Hitherto his duties have precluded him from more than an occasional
attendance at the Cathedral services. Now he begins to take an interest
in the fabric and the music. Upon his struggles with the organist, an old
gentleman who had been in office since 1786, I have no time to dwell;
they were not attended with any marked success. More to the purpose is
his sudden growth of enthusiasm for the Cathedral itself and its
furniture. There is a draft of a letter to Sylvanus Urban (which I do not
think was ever sent) describing the stalls in the choir. As I have said,
these were of fairly late date—of about the year 1700, in fact.
‘The archdeacon’s stall, situated at the south-east end, west of the
episcopal throne (now so worthily occupied by the truly excellent prelate
who adorns the See of Barchester), is distinguished by some curious
ornamentation. In addition to the arms of Dean West, by whose efforts the
whole of the internal furniture of the choir was completed, the
prayer-desk is terminated at the eastern extremity by three small but
remarkable statuettes in the grotesque manner. One is an exquisitely
modelled figure of a cat, whose crouching posture suggests with admirable
spirit the suppleness, vigilance, and craft of the redoubted adversary of
the genus Mus. Opposite to this is a figure seated upon a throne and
invested with the attributes of royalty; but it is no earthly monarch
whom the carver has sought to portray. His feet are studiously concealed
by the long robe in which he is draped: but neither the crown nor the cap
which he wears suffice to hide the prick-ears and curving horns which
betray his Tartarean origin; and the hand which rests upon his knee, is
armed with talons of horrifying length and sharpness. Between these two
figures stands a shape muffled in a long mantle. This might at first
sight be mistaken for a monk or “friar of orders gray”, for the head is
cowled and a knotted cord depends from somewhere about the waist. A
slight inspection, however, will lead to a very different conclusion The
knotted cord is quickly seen to be a halter, held by a hand all but
concealed within the draperies; while the sunken features and, horrid to
relate, the rent flesh upon the cheek-bones, proclaim the King of
Terrors. These figures are evidently the production of no unskilled
chisel; and should it chance that any of your correspondents are able to
throw light upon their origin and significance, my obligations to your
valuable miscellany will be largely increased.’
There is more description in the paper, and, seeing that the woodwork in
question has now disappeared, it has a considerable interest. A paragraph
at the end is worth quoting:
‘Some late researches among the Chapter accounts have shown me that the
carving of the stalls was not as was very usually reported, the work of
Dutch artists, but was executed by a native of this city or district
named Austin. The timber was procured from an oak copse in the vicinity,
the property of the Dean and Chapter, known as Holywood. Upon a recent
visit to the parish within whose boundaries it is situated, I learned
from the aged and truly respectable incumbent that traditions still
lingered amongst the inhabitants of the great size and age of the oaks
employed to furnish the materials of the stately structure which has
been, however imperfectly, described in the above lines. Of one in
particular, which stood near the centre of the grove, it is remembered
that it was known as the Hanging Oak. The propriety of that title is
confirmed by the fact that a quantity of human bones was found in the
soil about its roots, and that at certain times of the year it was the
custom for those who wished to secure a successful issue to their
affairs, whether of love or the ordinary business of life, to suspend
from its boughs small images or puppets rudely fashioned of straw, twigs,
or the like rustic materials.’
So much for the archdeacon’s archaeological investigations To return to
his career as it is to be gathered from his diaries. Those of his first
three years of hard and careful work show him throughout in high spirits,
and, doubtless, during this time, that reputation for hospitality and
urbanity which is mentioned in his obituary notice was well deserved.
After that, as time goes on, I see a shadow coming over him—destined to
develop into utter blackness—which I cannot but think must have been
reflected in his outward demeanour. He commits a good deal of his fears
and troubles to his diary; there was no other outlet for them. He was
unmarried and his sister was not always with him. But I am much mistaken
if he has told all that he might have told. A series of extracts shall be
given:
Aug. 30th 1816—The days begin to draw in more perceptibly than
ever. Now that the Archdeaconry papers are reduced to order, I must
find some further employment for the evening hours of autumn and
winter. It is a great blow that Letitia’s health will not allow her
to stay through these months. Why not go on with my _Defence of
Episcopacy_? It may be useful.
Sept. 15.—Letitia has left me for Brighton.
Oct. 11.—Candles lit in the choir for the first time at evening
prayers. It came as a shock: I find that I absolutely shrink from the
dark season.
Nov. 17—Much struck by the character of the carving on my desk: I
do not know that I had ever carefully noticed it before. My attention
was called to it by an accident. During the Magnificat I was, I
regret to say, almost overcome with sleep. My hand was resting on the
back of the carved figure of a cat which is the nearest to me of the
three figures on the end of my stall. I was not aware of this, for I
was not looking in that direction, until I was startled by what
seemed a softness, a feeling as of rather rough and coarse fur, and a
sudden movement, as if the creature were twisting round its head to
bite me. I regained complete consciousness in an instant, and I have
some idea that I must have uttered a suppressed exclamation, for I
noticed that Mr Treasurer turned his head quickly in my direction.
The impression of the unpleasant feeling was so strong that I found
myself rubbing my hand upon my surplice. This accident led me to
examine the figures after prayers more carefully than I had done
before, and I realized for the first time with what skill they are
executed.
Dec. 6—I do indeed miss Letitia’s company. The evenings, after I
have worked as long as I can at my Defence, are very trying. The
house is too large for a lonely man, and visitors of any kind are too
rare. I get an uncomfortable impression when going to my room that
there is company of some kind. The fact is (I may as well formulate
it to myself) that I hear voices. This, I am well aware, is a common
symptom of incipient decay of the brain—and I believe that I should
be less disquieted than I am if I had any suspicion that this was the
cause. I have none—none whatever, nor is there anything in my family
history to give colour to such an idea. Work, diligent work, and a
punctual attention to the duties which fall to me is my best remedy,
and I have little doubt that it will prove efficacious.
Jan. 1—My trouble is, I must confess it, increasing upon me. Last
night, upon my return after midnight from the Deanery, I lit my
candle to go upstairs. I was nearly at the top when something
whispered to me, ‘Let me wish you a happy New Year.’ I could not be
mistaken: it spoke distinctly and with a peculiar emphasis. Had I
dropped my candle, as I all but did, I tremble to think what the
consequences must have been. As it was, I managed to get up the last
flight, and was quickly in my room with the door locked, and
experienced no other disturbance.
Jan. 15—I had occasion to come downstairs last night to my
workroom for my watch, which I had inadvertently left on my table
when I went up to bed. I think I was at the top of the last flight
when I had a sudden impression of a sharp whisper in my ear ‘_Take
care_.’ I clutched the balusters and naturally looked round at once.
Of course, there was nothing. After a moment I went on—it was no
good turning back—but I had as nearly as possible fallen: a cat—a
large one by the feel of it—slipped between my feet, but again, of
course, I saw nothing. It may have been the kitchen cat, but I do
not think it was.
Feb. 27—A curious thing last night, which I should like to forget.
Perhaps if I put it down here I may see it
Comments (0)