Not that it Matters, A. A. Milne [good novels to read in english .txt] 📗

telling each other how wonderfully hot it was for October would help us to bear the slow approach of winter. On a Midsummer Day in such a calendar one would revel gladly, and there would be no midsummer madness.

Already the oak trees have taken on an autumn look. I am told that this is due to a local irruption of caterpillars, and not to the waning of the summer, but it has a suspicious air. Probably the caterpillars knew. It seems strange now to reflect that there was a time when I liked caterpillars; when I chased them up suburban streets, and took them home to fondle them; when I knew them all by their pretty names, assisted them to become chrysalises, and watched over them in that unprotected state as if I had been their mother. Ah, how dear were my little charges to me then! But now I class them with mosquitoes and blight and harvesters, the pests of the countryside. Why, I would let them crawl up my arm in those happy days of old, and now I cannot even endure to have them dropping gently into my hair. And I should not know what to say to a chrysalis.

There are great and good people who know all about solstices and zeniths, and they can tell you just why it is that 24th June is so much hotter and longer than 24th December—why it is so in England, I should say. For I believe (and they will correct me if I am wrong) that at the equator the days and nights are always of equal length. This must make calling almost an impossibility, for if one cannot say to one's hostess, "How quickly the days are lengthening (or drawing in)," one might as well remain at home. "How stationary the days are remaining" might pass on a first visit, but the old inhabitants would not like it rubbed into them. They feel, I am sure, that however saddening a Midsummer Day may be, an unchanging year is much more intolerable. One can imagine the superiority of a resident who lived a couple of miles off the equator, and took her visitors proudly to the end of the garden where the seasons were most mutable. There would be no bearing with her.

In these circumstances I refuse to be depressed. I console myself with the thought that if 25th June is the beginning of winter, at least there is a next summer to which I may look forward. Next summer anything may happen. I suppose a scientist would be considerably surprised if the sun refused to get up one morning, or, having got up, declined to go to bed again. It would not surprise ME. The amazing thing is that Nature goes on doing the same things in the same way year after year; any sudden little irrelevance on her part would be quite understandable. When the wise men tell us so confidently that there will be an eclipse of the sun in 1921, invisible at Greenwich, do they have no qualms of doubt as the day draws near? Do they glance up from their whitebait at the appointed hour, just in case it IS visible after all? Or if they have journeyed to Pernambuco, or wherever the best view is to be obtained, do they wonder … perhaps … and tell each other the night before that, of course, they were coming to Pernambuco anyhow, to see an aunt?

Perhaps they don't. But for myself I am not so certain, and I have hopes that, certainly next year, possibly even this year, the days will go on lengthening after midsummer is over.

At the Bookstall

I have often longed to be a grocer. To be surrounded by so many interesting things— sardines, bottled raspberries, biscuits with sugar on the top, preserved ginger, hams, brawn under glass, everything in fact that makes life worth living; at one moment to walk up a ladder in search of nutmeg, at the next to dive under a counter in pursuit of cinnamon; to serve little girls with a ha'porth of pear drops and lordly people like you and me with a pint of cherry gin —is not this to follow the king of trades? Some day I shall open a grocer's shop, and you will find me in my spare evenings aproned behind the counter. Look out for the currants in the window as you come in—I have an idea for something artistic in the way of patterns there; but, as you love me, do not offer to buy any. We grocers only put the currants out for show, and so that we may run our fingers through them luxuriously when business is slack. I have a good line in shortbreads, madam, if I can find the box, but no currants this evening, I beg you.

Yes, to be a grocer is to live well; but, after all, it is not to see life. A grocer, in as far as it is possible to a man who sells both scented soap and pilchards, would become narrow. We do not come into contact with the outside world much, save through the medium of potted lobster, and to sell a man potted lobster is not to have our fingers on his pulse. Potted lobster does not define a man. All customers are alike to the grocer, provided their money is good. I perceive now that I was over-hasty in deciding to become a grocer. That is rather for one's old age. While one is young, and interested in persons rather than in things, there is only one profession to follow—the profession of bookstall clerk.

To be behind a bookstall is indeed to see life. The fascination of it struck me suddenly as 1 stood in front of a station bookstall last Monday and wondered who bought the tie-clips. The answer came to me just as I got into my train— Ask the man behind the bookstall. He would know. Yes, and he would know who bought all his papers and books and pamphlets, and to know this is to know something about the people in the world. You cannot tell a man by the lobster he eats, but you can tell something about him by the literature he reads.

For instance, I once occupied a carriage on an eastern line with, among others, a middle-aged woman. As soon as we left Liverpool Street she produced a bag of shrimps, grasped each individual in turn firmly by the head and tail, and ate him. When she had finished, she emptied the ends out of the window, wiped her hands, and settled down comfortably to her paper. What paper? You'll never guess; I shall have to tell you—The Morning Post. Now doesn't that give you the woman? The shrimps alone, no; the paper alone, no; but the two to-gether. Conceive the holy joy of the bookstall clerk as she and her bag of shrimps— yes, he could have told at once they were shrimps—approached and asked for The Morning Post.

The day can never be dull to the bookstall clerk. I imagine him assigning in his mind the right paper to each customer. This man will ask for Golfing—wrong, he wants Cage Birds; that one over there wants The Motor—ah, well, The Auto-Car, that's near enough. Soon he would begin to know the different types; he would learn to distinguish between the patrons of The Dancing Times and of The Vote, The Era and The Athenaeum. Delightful surprises would overwhelm him at intervals; as when—a red-letter day in all the great stations—a gentleman in a check waistcoat makes the double purchase of Homer's Penny Stories and The Spectator. On those occasions, and they would be very rare, his faith in human nature would begin to ooze away, until all at once he would tell himself excitedly that the man was obviously an escaped criminal in disguise, rather overdoing the part. After which he would hand over The Winning Post and The Animals' Friend to the pursuing detective in a sort of holy awe. What a life!

But he has other things than papers to sell. He knows who buys those little sixpenny books of funny stories—a problem which has often puzzled us others; he understands by now the type of man who wants to read up a few good jokes to tell them down at old Robinson's, where he is going for the week-end. Our bookstall clerk doesn't wait to be asked. As soon as this gentleman approaches, he whips out the book, dusts it, and places it before the raconteur. He recognizes also at a glance the sort of silly ass who is always losing his indiarubber umbrella ring. Half-way across the station he can see him, and he hastens to get a new card out in readiness. ("Or we would let you have seven for sixpence, sir.") And even when one of those subtler characters draws near, about whom it is impossible to say immediately whether they require a fountain pen with case or the Life and Letters, reduced to 3s. 6d., of Major-General Clement Bulger, C.B., even then the man behind the bookstall is not found wanting. If he is wrong the first time, he never fails to recover with his second. "Bulger, sir. One of our greatest soldiers."

I thought of these things last Monday, and definitely renounced the idea of becoming a grocer; and as I wandered round the bookstall, thinking, I came across a little book, sixpence in cloth, a shilling in leather, called Proverbs and Maxims. It contained some thousands of the best thoughts in all languages, such as have guided men along the path of truth since the beginning of the world, from "What ho, she bumps!" to "Ich dien," and more. The thought occurred to me that an interesting article might be extracted from it, so I bought the book. Unfortunately enough I left it in the train before I had time to master it. I shall be at the bookstall next Monday and I shall have to buy another copy. That will be all right; you shan't miss it.

But I am wondering now what the bookstall clerk will make of me. A man who keeps on buying Proverbs and Maxims. Well, as I say, they see life.

"Who's Who"

I like my novels long. When I had read three pages of this one I glanced at the end, and found to my delight that there were two thousand seven hundred and twenty-five pages more to come. I returned with a sigh of pleasure to page 4. I was just at the place where Leslie Patrick Abercrombie wins the prize "for laying out Prestatyn," some local wrestler, presumably, who had challenged the crowd at a country fair. After laying him out, Abercrombie returns to his books and becomes editor of the Town Planning Review. A wonderfully drawn character.

The plot of this oddly named novel is too complicated to describe at length. It opens with the conferment of the C.M.G. on Kuli Khan Abbas in 1903, an incident of which the anonymous author might have made a good deal more, and closes with a brief description of the Rev. Samuel Marinus Zwemer's home in New York City; but much has happened in the meanwhile. Thousands of characters have made their brief appearance on the stage, and have been hustled off to make room for others, but so unerringly are they drawn that we feel that we are in the presence of living people. Take Colette Willy, for example, who comes in on page 2656 at a time when the denouement is clearly at hand. The author, who is working up to his great scene —the appointment of Dr. Norman Wilsmore to the International Commission for the Publication of Annual Tables of Physical and Chemical Constants— draws her for us in a few lightning touches. She is "authoress, actress." She has written two little books: Dialogue de Betes and La Retraite Sentimentale. That is all. But is it not enough? Has he not made Colette Willy live before us? A lesser writer might have plunged into elaborate details about her telephone number and her permanent address, but, like the true artist that he is, our author leaves all those things unsaid. For though he can be a realist when necessary (as in the case of Wallis Budge, to which I shall refer directly), he does not hesitate to trust to the impressionist sketch when the situation demands it.

Wallis Budge is apparently the hero of the tale; at any rate, the author devotes most space to him—some hundred and twenty lines or so. He does not appear until page 341, by which time we are on familiar terms with some two or three thousand of the less important characters. It is typical of the writer that, once he has described