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till dinner, and in the evening nothing but his club, or some business meeting. One would think he would have more ambition. How I wish I had been a man."

It was certainly a shame.

So it came that, in almost everything she undertook Mrs. Rasselyer-Brown had to act without the least help from her husband. Every Wednesday, for instance, when the Dante Club met at her house (they selected four lines each week to meditate on, and then discussed them at lunch), Mrs. Rasselyer-Brown had to carry the whole burden of it—her very phrase, "the whole burden"—alone. Anyone who has carried four lines of Dante through a Moselle lunch knows what a weight it is.

In all these things her husband was useless, quite useless. It is not right to be ashamed of one's husband. And to do her justice, Mrs. Rasselyer-Brown always explained to her three hundred intimates that she was not ashamed of him; in fact, that she refused to be. But it was hard to see him brought into comparison at their own table with superior men. Put him, for instance, beside Mr. Sikleigh Snoop, the sex-poet, and where was he? Nowhere. He couldn't even understand what Mr. Snoop was saying. And when Mr. Snoop would stand on the hearth-rug with a cup of tea balanced in his hand, and discuss whether sex was or was not the dominant note in Botticelli, Mrs. Rasselyer-Brown would be skulking in a corner in his ill-fitting dress suit. His wife would often catch with an agonized ear such scraps of talk as, "When I was first in the coal and wood business," or, "It's a coal that burns quicker than egg, but it hasn't the heating power of nut," or even in a low undertone the words, "If you're feeling dry while he's reading—" And this at a time when everybody in the room ought to have been listening to Mr. Snoop.

Nor was even this the whole burden of Mrs. Rasselyer-Brown. There was another part of it which was perhaps more real, though Mrs. Rasselyer-Brown herself never put it into words. In fact, of this part of her burden she never spoke, even to her bosom friend Miss Snagg; nor did she talk about it to the ladies of the Dante Club, nor did she make speeches on it to the members of the Women's Afternoon Art Society, nor to the Monday Bridge Club.

But the members of the Bridge Club and the Art Society and the Dante Club all talked about it among themselves.

Stated very simply, it was this: Mr. Rasselyer-Brown drank. It was not meant that he was a drunkard or that he drank too much, or anything of that sort. He drank. That was all.

There was no excess about it. Mr. Rasselyer-Brown, of course, began the day with an eye-opener—and after all, what alert man does not wish his eyes well open in the morning? He followed it usually just before breakfast with a bracer—and what wiser precaution can a businessman take than to brace his breakfast? On his way to business he generally had his motor stopped at the Grand Palaver for a moment, if it was a raw day, and dropped in and took something to keep out the damp. If it was a cold day he took something to keep out the cold, and if it was one of those clear, sunny days that are so dangerous to the system he took whatever the bartender (a recognized health expert) suggested to tone the system up. After which he could sit down in his office and transact more business, and bigger business, in coal, charcoal, wood, pulp, pulpwood, and woodpulp, in two hours than any other man in the business could in a week. Naturally so. For he was braced, and propped, and toned up, and his eyes had been opened, and his brain cleared, till outside of very big business, indeed, few men were on a footing with him.

In fact, it was business itself which had compelled Mr. Rasselyer-Brown to drink. It is all very well for a junior clerk on twenty dollars a week to do his work on sandwiches and malted milk. In big business it is not possible. When a man begins to rise in business, as Mr. Rasselyer-Brown had begun twenty-five years ago, he finds that if he wants to succeed he must cut malted milk clear out. In any position of responsibility a man has got to drink. No really big deal can be put through without it. If two keen men, sharp as flint, get together to make a deal in which each intends to outdo the other, the only way to succeed is for them to adjourn to some such place as the luncheon-room of the Mausoleum Club and both get partially drunk. This is what is called the personal element in business. And, beside it, plodding industry is nowhere.

Most of all do these principles hold true in such manly out-of-door enterprises as the forest and timber business, where one deals constantly with chief rangers, and pathfinders, and wood-stalkers, whose very names seem to suggest a horn of whiskey under a hemlock tree.

But—let it be repeated and carefully understood—there was no excess about Mr. Rasselyer-Brown's drinking. Indeed, whatever he might be compelled to take during the day, and at the Mausoleum Club in the evening, after his return from his club at night Mr. Rasselyer-Brown made it a fixed rule to take nothing. He might, perhaps, as he passed into the house, step into the dining-room and take a very small drink at the sideboard. But this he counted as part of the return itself, and not after it. And he might, if his brain were over-fatigued, drop down later in the night in his pajamas and dressing-gown when the house was quiet, and compose his mind with a brandy and water, or something suitable to the stillness of the hour. But this was not really a drink. Mr. Rasselyer-Brown called it a nip; and of course any man may need a nip at a time when he would scorn a drink.

But after all, a woman may find herself again in her daughter. There, at least, is consolation. For, as Mrs. Rasselyer-Brown herself admitted, her daughter, Dulphemia, was herself again. There were, of course, differences, certain differences of face and appearance. Mr. Snoop had expressed this fact exquisitely when he said that it was the difference between a Burne-Jones and a Dante Gabriel Rossetti. But even at that the mother and daughter were so alike that people, certain people, were constantly mistaking them on the street. And as everybody that mistook them was apt to be asked to dine on five-dollar champagne there was plenty of temptation towards error.

There is no doubt that Dulphemia Rasselyer-Brown was a girl of remarkable character and intellect. So is any girl who has beautiful golden hair parted in thick bands on her forehead, and deep blue eyes soft as an Italian sky.

Even the oldest and most serious men in town admitted that in talking to her they were aware of a grasp, a reach, a depth that surprised them. Thus old Judge Longerstill, who talked to her at dinner for an hour on the jurisdiction of the Interstate Commerce Commission, felt sure from the way in which she looked up in his face at intervals and said, "How interesting!" that she had the mind of a lawyer. And Mr. Brace, the consulting engineer, who showed her on the table-cloth at dessert with three forks and a spoon the method in which the overflow of the spillway of the Gatun Dam is regulated, felt assured, from the way she leaned her face on her hand sideways and said, "How extraordinary!" that she had the brain of an engineer. Similarly foreign visitors to the social circles of the city were delighted with her. Viscount FitzThistle, who explained to Dulphemia for half an hour the intricacies of the Irish situation, was captivated at the quick grasp she showed by asking him at the end, without a second's hesitation, "And which are the Nationalists?"

This kind of thing represents female intellect in its best form. Every man that is really a man is willing to recognize it at once. As to the young men, of course they flocked to the Rasselyer-Brown residence in shoals. There were batches of them every Sunday afternoon at five o'clock, encased in long black frock-coats, sitting very rigidly in upright chairs, trying to drink tea with one hand. One might see athletic young college men of the football team trying hard to talk about Italian music; and Italian tenors from the Grand Opera doing their best to talk about college football. There were young men in business talking about art, and young men in art talking about religion, and young clergymen talking about business. Because, of course, the Rasselyer-Brown residence was the kind of cultivated home where people of education and taste are at liberty to talk about things they don't know, and to utter freely ideas that they haven't got. It was only now and again, when one of the professors from the college across the avenue came booming into the room, that the whole conversation was pulverized into dust under the hammer of accurate knowledge.

The whole process was what was called, by those who understood such things, a salon. Many people said that Mrs. Rasselyer-Brown's afternoons at home were exactly like the delightful salons of the eighteenth century: and whether the gatherings were or were not salons of the eighteenth century, there is no doubt that Mr. Rasselyer-Brown, under whose care certain favoured guests dropped quietly into the back alcove of the dining-room, did his best to put the gathering on a par with the best saloons of the twentieth.

Now it so happened that there had come a singularly slack moment in the social life of the City. The Grand Opera had sung itself into a huge deficit and closed. There remained nothing of it except the efforts of a committee of ladies to raise enough money to enable Signor Puffi to leave town, and the generous attempt of another committee to gather funds in order to keep Signor Pasti in the City. Beyond this, opera was dead, though the fact that the deficit was nearly twice as large as it had been the year before showed that public interest in music was increasing. It was indeed a singularly trying time of the year. It was too early to go to Europe; and too late to go to Bermuda. It was too warm to go south, and yet still too cold to go north. In fact, one was almost compelled to stay at home—which was dreadful.

As a result Mrs. Rasselyer-Brown and her three hundred friends moved backwards and forwards on Plutoria Avenue, seeking novelty in vain. They washed in waves of silk from tango teas to bridge afternoons. They poured in liquid avalanches of colour into crowded receptions, and they sat in glittering rows and listened to lectures on the enfranchisement of the female sex. But for the moment all was weariness.

Now it happened, whether by accident or design, that just at this moment of general ennui Mrs. Rasselyer-Brown and her three hundred friends first heard of the presence in the city of Mr. Yahi-Bahi, the celebrated Oriental mystic. He was so celebrated that nobody even thought of asking who he was or where he came from. They merely told one another, and repeated it, that he was the celebrated Yahi-Bahi. They added for those who needed the knowledge that the name was pronounced Yahhy-Bahhy, and that the doctrine taught by Mr. Yahi-Bahi was Boohooism. This latter, if anyone inquired further, was explained to be a form of Shoodooism, only rather more intense. In fact, it was esoteric—on receipt of which information everybody remarked at once how infinitely superior the Oriental peoples are to ourselves.

Now as Mrs. Rasselyer-Brown was always a leader in everything that was done in the best circles on Plutoria Avenue, she was naturally among the first to visit Mr. Yahi-Bahi.

"My dear," she said, in describing afterwards her experience to her bosom friend, Miss Snagg, "it was most interesting. We drove away down to the queerest part of the City, and went to the strangest little house imaginable, up the narrowest stairs one ever saw—quite Eastern, in fact, just like a scene out of the Koran."

"How fascinating!" said Miss Snagg. But as a matter of fact, if Mr. Yahi-Bahi's house had been inhabited, as it might have been, by a streetcar conductor or a railway brakesman, Mrs. Rasselyer-Brown wouldn't have thought it in any way peculiar or fascinating.

"It was all hung with curtains inside," she went on, "with figures of snakes and Indian gods, perfectly weird."

"And did you see Mr. Yahi-Bahi?" asked Miss Snagg.

"Oh no, my dear. I only saw his assistant Mr. Ram Spudd; such a queer little round man, a Bengalee,

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