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would give us fresh bulletins of the state of mind of each of our creditors, and thrill us with the announcement that Whiteley's were getting cross and Harrod's jumpy, or that the bearings of Dawlish, the grocer, were becoming over-heated. We lived in a continual atmosphere of worry. Chicken and nothing but[240] chicken at meals, and chicken and nothing but chicken between meals, had frayed our nerves. An air of defeat hung over the place. We were a beaten side, and we realized it. We had been playing an uphill game for nearly two months, and the strain was beginning to tell. Ukridge became uncannily silent. Mrs. Ukridge, though she did not understand, I fancy, the details of the matter, was worried because Ukridge was. Mrs. Beale had long since been turned into a soured cynic by the lack of chances vouchsafed her for the exercise of her art. And as for me, I have never since spent so profoundly miserable a week. I was not even permitted the anodyne of work. There seemed to be nothing to do on the farm. The chickens were quite happy, and only asked to be let alone and allowed to have their meals at regular intervals. And every day one or more of their number would vanish into the kitchen, and Mrs.[241] Beale would serve up the corpse in some cunning disguise, and we would try to delude ourselves into the idea that it was something altogether different.

There was one solitary gleam of variety in our menu. An editor sent me a check for a guinea for a set of verses. We cashed that check and trooped round the town in a body, laying out the money. We bought a leg of mutton and a tongue and sardines and pineapple chunks and potted meat and many other noble things, and had a perfect banquet.

After that we relapsed into routine again.

Deprived of physical labor, with the exception of golf and bathing—trivial sports compared with work in the fowl runs at its hardest—I tried to make up for it by working at my novel.

It refused to materialize.

I felt, like the man in the fable, as if some one had played a mean trick on me, and[242] substituted for my brain a side order of cauliflower. By no manner of means could I get the plot to shape itself. I could not detach my mind from my own painful case. Instead of thinking of my characters, I sat in my chair and thought miserably of Phyllis.

The only progress I achieved was with my villain.

I drew him from the professor and made him a blackmailer. He had several other social defects, but that was his profession. That was the thing he did really well.

It was on one of the many occasions on which I had sat in my room, pen in hand, through the whole of a lovely afternoon, with no better result than a slight headache, that I bethought me of that little paradise on the Ware Cliff, hung over the sea and backed by green woods. I had not been there for sometime, owing principally to an entirely erroneous idea that I could do[243] more solid work sitting in a straight, hard chair at a table than lying on soft turf with the sea wind in my eyes.

But now the desire to visit that little clearing again drove me from my room. In the drawing-room below, the gramophone was dealing brassily with "Mister Blackman." Outside, the sun was just thinking of setting. The Ware Cliff was the best medicine for me. What does Kipling say?

And soon you will find that the sun and the wind
And the Djinn of the Garden, too,
Have lightened the Hump, Cameelious Hump,
The Hump that is black and blue.

His instructions include digging with a hoe and a shovel also, but I could omit that. The sun and wind were what I needed.

I took the upper road. In certain moods I preferred it to the path along the cliff. I walked fast. The exercise was soothing.[244]

To reach my favorite clearing I had to take to the fields on the left and strike down hill in the direction of the sea. I hurried down the narrow path.

I broke into the clearing at a jog trot, and stood panting. And at the same moment, looking cool and beautiful in her white dress, Phyllis entered it from the other side. Phyllis—without the professor.

[245]

OF A SENTIMENTAL NATURE

Chap_17

S

he was wearing a Panama, and she carried a sketching block and camp stool.

"Good evening," I said.

"Good evening," said she.

It is curious how different the same words can sound when spoken by different people. My "good evening" might have been that of a man with a particularly guilty conscience caught in the act of doing something more than usually ignoble. She spoke like a somewhat offended angel.

"It's a lovely evening," I went on pluckily.

"Very."

"The sunset!"[246]

"Yes."

"Er—"

She raised a pair of blue eyes, devoid of all expression save a faint suggestion of surprise, gazed through me for a moment at some object a couple of thousand miles away, and lowered them again, leaving me with a vague feeling that there was something wrong with my personal appearance.

Very calmly she moved to the edge of the cliff, arranged her camp stool, and sat down. Neither of us spoke a word. I watched her while she filled a little mug with water from a little bottle, opened her paint box, selected a brush, and placed her sketching block in position.

She began to paint.

Now, by all the laws of good taste, I should before this have made a dignified exit. When a lady shows a gentleman that his presence is unwelcome, it is up to him, as an American friend of mine pithily ob[247]served to me on one occasion, to get busy and chase himself, and see if he can make the tall timber in two jumps. In other words, to retire. It was plain that I was not regarded as an essential ornament of this portion of the Ware Cliff. By now, if I had been the perfect gentleman, I ought to have been a quarter of a mile away.

But there is a definite limit to what a man can do. I remained.

The sinking sun flung a carpet of gold across the sea. Phyllis's hair was tinged with it. Little waves tumbled lazily on the beach below. Except for the song of a distant blackbird running through its repertory before retiring for the night, everything was silent.

Especially Phyllis.

She sat there, dipping and painting and dipping again, with never a word for me—standing patiently and humbly behind her.[248]

"Miss Derrick," I said.

She half turned her head.

"Yes?"

One of the most valuable things which a lifetime devoted to sport teaches a man is "never play the goose game." Bold attack is the safest rule in nine cases out of ten, wherever you are and whatever you may be doing. If you are batting, attack the ball. If you are boxing, get after your man. If you are talking, go to the point.

"Why won't you speak to me?" I said.

"I don't understand you."

"Why won't you speak to me?"

"I think you know, Mr. Garnet."

"It is because of that boat accident?"

"Accident!"

"Episode," I amended.

She went on painting in silence. From where I stood I could see her profile. Her chin was tilted. Her expression was determined.[249]

"Is it?" I said.

"Need we discuss it?"

"Not if you do not wish."

I paused.

"But," I added, "I should have liked a chance to defend myself.... What glorious sunsets there have been these last few days. I believe we shall have this sort of weather for another month."

"I should not have thought that possible."

"The glass is going up," I said.

"I was not talking about the weather."

"It was dull of me to introduce such a worn-out topic."

"You said you could defend yourself."

"I said I should like the chance to do so."

"Then you shall have it."

"That is very kind of you. Thank you."

"Is there any reason for gratitude?"

"Every reason."

"Go on, Mr. Garnet. I can listen while[250] I paint. But please sit down. I don't like being talked to from a height."

I sat down on the grass in front of her, feeling as I did so that the change of position in a manner clipped my wings. It is difficult to speak movingly while sitting on the ground. Instinctively, I avoided eloquence. Standing up, I might have been pathetic and pleading. Sitting down, I was compelled to be matter of fact.

"You remember, of course, the night you and Professor Derrick dined with us? When I say dined, I use the word in a loose sense."

For a moment I thought she was going to smile. We were both thinking of Edwin. But it was only for a moment, and then her face grew cold once more, and the chin resumed its angle of determination.

"Yes," she said.

"You remember the unfortunate ending of the festivities?"[251]

"Well?"

"I naturally wished to mend matters. It occurred to me that an excellent way would be by doing your father a service. It was seeing him fishing that put the idea of a boat accident into my head. I hoped for a genuine boat accident. But those things only happen when one does not want them. So I determined to engineer one."

"You didn't think of the shock to my father."

"I did. It worried me very much."

"But you upset him all the same."

"Reluctantly."

She looked up and our eyes met. I could detect no trace of forgiveness in hers.

"You behaved abominably," she said.

"I played a risky game, and I lost. And I shall now take the consequences. With luck I should have won. I did not have luck, and I am not going to grumble about it. But I am grateful to you for letting me[252] explain. I should not have liked you to go on thinking that I played practical jokes on my friends. That is all I have to say, I think. It was kind of you to listen. Good-by, Miss Derrick."

I got up.

"Are you going?"

"Why not?"

"Please sit down again."

"But you wish to be alone—"

"Please sit down!"

There was a flush on the fair cheek turned toward me, and the chin was tilted higher.

I sat down.

To westward the sky had changed to the hue of a bruised cherry. The sun had sunk below the horizon, and the sea looked cold and leaden. The blackbird had long since gone to bed.

"I am glad you told me, Mr. Garnet."

She dipped her brush in the water.[253]

"Because I don't like to think badly of—people."

She bent her head over her painting.

"Though I still think you behaved very wrongly. And I am afraid my father will never forgive you for what you did."

Her father! As if he counted!

"But you do?" I said eagerly.

"I think you are less to blame than I thought you were at first."

"No more than that?"

"You can't expect to escape all consequences. You did a very stupid thing."

"Consider the temptation."

The sky was a dull gray now. It was growing dusk. The grass on which I sat was wet with dew.

I stood up.

"Isn't it getting a little dark for painting?" I said. "Are you sure you won't catch cold? It's very damp."

"Perhaps it is. And it is late, too."[254]

She shut her paint box and emptied the little mug on the grass.

"You will let me carry your things?" I said.

I think she hesitated, but only for a moment. I possessed myself of the camp stool, and we started on our homeward journey. We were both silent. The spell of the quiet summer evening was on us.

"'And all the air a solemn stillness holds,'" she said softly. "I love this cliff, Mr. Garnet. It's the most soothing place in the world."

"I have found it so this evening."

She glanced at me quickly.

"You're not looking well," she said. "Are you sure you are not overworking yourself?"

"No, it's not that."

Somehow we had stopped, as if by agreement, and were facing each other. There was a look in her eyes I had never seen[255] there before. The twilight hung like a curtain between us and the world. We were alone together in a world of our own.

"It is because I had displeased you," I said.

She laughed nervously.

"I have loved you ever since I first saw you," I said doggedly.

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