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a bit of string, and the hotel hammer.”

“One moment, darling. I’m not quite sure.”

“Eh?”

“Where it ought to hang, I mean. You see—”

“Over the piano, you said. The jolly old piano.”

“Yes, but I hadn’t seen it then.”

A monstrous suspicion flitted for an instant into Archie’s mind.

“I say, you do like it, don’t you?” he said anxiously.

“Oh, Archie, darling! Of course I do! And it was so sweet of you to give it to me. But, what I was trying to say was that this picture is so—so striking that I feel that we ought to wait a little while and decide where it would have the best effect. The light over the piano is rather strong.”

“You think it ought to hang in a dimmish light, what?”

“Yes, yes. The dimmer the—I mean, yes, in a dim light. Suppose we leave it in the corner for the moment—over there—behind the sofa, and—and I’ll think it over. It wants a lot of thought, you know.”

“Right-o! Here?”

“Yes, that will do splendidly. Oh, and, Archie.”

“Hullo?”

“I think perhaps... Just turn its face to the wall, will you?” Lucille gave a little gulp. “It will prevent it getting dusty.”

It perplexed Archie a little during the next few days to notice in Lucille, whom he had always looked on as pre-eminently a girl who knew her own mind, a curious streak of vacillation. Quite half a dozen times he suggested various spots on the wall as suitable for the Venus, but Lucille seemed unable to decide. Archie wished that she would settle on something definite, for he wanted to invite J. B. Wheeler to the suite to see the thing. He had heard nothing from the artist since the day he had removed the picture, and one morning, encountering him on Broadway, he expressed his appreciation of the very decent manner in which the other had taken the whole affair.

“Oh, that!” said J. B. Wheeler. “My dear fellow, you’re welcome.” He paused for a moment. “More than welcome,” he added. “You aren’t much of an expert on pictures, are you?”

“Well,” said Archie, “I don’t know that you’d call me an absolute nib, don’t you know, but of course I know enough to see that this particular exhibit is not a little fruity. Absolutely one of the best things you’ve ever done, laddie.”

A slight purple tinge manifested itself in Mr. Wheeler’s round and rosy face. His eyes bulged.

“What are you talking about, you Tishbite? You misguided son of Belial, are you under the impression that I painted that thing?”

“Didn’t you?”

Mr. Wheeler swallowed a little convulsively.

“My fiancée painted it,” he said shortly.

“Your fiancée? My dear old lad, I didn’t know you were engaged. Who is she? Do I know her?”

“Her name is Alice Wigmore. You don’t know her.”

“And she painted that picture?” Archie was perturbed. “But, I say! Won’t she be apt to wonder where the thing has got to?”

“I told her it had been stolen. She thought it a great compliment, and was tickled to death. So that’s all right.”

“And, of course, she’ll paint you another.”

“Not while I have my strength she won’t,” said J. B. Wheeler firmly. “She’s given up painting since I taught her golf, thank goodness, and my best efforts shall be employed in seeing that she doesn’t have a relapse.”

“But, laddie,” said Archie, puzzled, “you talk as though there were something wrong with the picture. I thought it dashed hot stuff.”

“God bless you!” said J. B. Wheeler.

Archie proceeded on his way, still mystified. Then he reflected that artists as a class were all pretty weird and rummy and talked more or less consistently through their hats. You couldn’t ever take an artist’s opinion on a picture. Nine out of ten of them had views on Art which would have admitted them to any looney-bin, and no questions asked. He had met several of the species who absolutely raved over things which any reasonable chappie would decline to be found dead in a ditch with. His admiration for the Wigmore Venus, which had faltered for a moment during his conversation with J. B. Wheeler, returned in all its pristine vigour. Absolute rot, he meant to say, to try to make out that it wasn’t one of the ones and just like mother used to make. Look how Lucille had liked it!

At breakfast next morning, Archie once more brought up the question of the hanging of the picture. It was absurd to let a thing like that go on wasting its sweetness behind a sofa with its face to the wall.

“Touching the jolly old masterpiece,” he said, “how about it? I think it’s time we hoisted it up somewhere.”

Lucille fiddled pensively with her coffee-spoon.

“Archie, dear,” she said, “I’ve been thinking.”

“And a very good thing to do,” said Archie. “I’ve often meant to do it myself when I got a bit of time.”

“About that picture, I mean. Did you know it was father’s birthday to-morrow?”

“Why no, old thing, I didn’t, to be absolutely honest. Your revered parent doesn’t confide in me much these days, as a matter of fact.”

“Well, it is. And I think we ought to give him a present.”

“Absolutely. But how? I’m all for spreading sweetness and light, and cheering up the jolly old pater’s sorrowful existence, but I haven’t a bean. And, what is more, things have come to such a pass that I scan the horizon without seeing a single soul I can touch. I suppose I could get into Reggie van Tuyl’s ribs for a bit, but—I don’t know—touching poor old Reggie always seems to me rather like potting a sitting bird.”

“Of course, I don’t want you to do anything like that. I was thinking—Archie, darling, would you be very hurt if I gave father the picture?”

“Oh, I say!”

“Well, I can’t think of anything else.”

“But wouldn’t you miss it most frightfully?”

“Oh, of course I should. But you see—father’s birthday—”

Archie had always thought Lucille the dearest and most unselfish angel in the world, but never had the fact come home to him so forcibly as now. He kissed her fondly.

“By Jove!” he exclaimed. “You really are, you know! This is the biggest thing since jolly old Sir Philip What’s-his-name gave the drink of water to the poor blighter whose need was greater than his, if you recall the incident. I had to sweat it up at school, I remember. Sir Philip, poor old bean, had a most ghastly thirst on, and he was just going to have one on the house, so to speak, when... but it’s all in the history-books. This is the sort of thing Boy Scouts do! Well, of course, it’s up to you, queen of my soul. If you feel like making the sacrifice, right-o! Shall I bring the pater up here and show him the picture?”

“No, I shouldn’t do that. Do you think you could get into his suite to-morrow morning and hang it up somewhere? You see, if he had the chance of—what I mean is, if—yes, I think it would be best to hang it up and let him discover it there.”

“It would give him a surprise, you mean, what?”

“Yes.”

Lucille sighed inaudibly. She was a girl with a conscience, and that conscience was troubling her a little. She agreed with Archie that the discovery of the Wigmore Venus in his artistically furnished suite would give Mr. Brewster a surprise. Surprise, indeed, was perhaps an inadequate word. She was sorry for her father, but the instinct of self-preservation is stronger than any other emotion.

Archie whistled merrily on the following morning as, having driven a nail into his father-in-law’s wallpaper, he adjusted the cord from which the Wigmore Venus was suspended. He was a kind-hearted young man, and, though Mr. Daniel Brewster had on many occasions treated him with a good deal of austerity, his simple soul was pleased at the thought of doing him a good turn, He had just completed his work and was stepping cautiously down, when a voice behind him nearly caused him to overbalance.

“What the devil?”

Archie turned beamingly.

“Hullo, old thing! Many happy returns of the day!”

Mr. Brewster was standing in a frozen attitude. His strong face was slightly flushed.

“What—what—?” he gurgled.

Mr. Brewster was not in one of his sunniest moods that morning. The proprietor of a large hotel has many things to disturb him, and to-day things had been going wrong. He had come up to his suite with the idea of restoring his shaken nerve system with a quiet cigar, and the sight of his son-in-law had, as so frequently happened, made him feel worse than ever. But, when Archie had descended from the chair and moved aside to allow him an uninterrupted view of the picture, Mr. Brewster realised that a worse thing had befallen him than a mere visit from one who always made him feel that the world was a bleak place.

He stared at the Venus dumbly. Unlike most hotel-proprietors, Daniel Brewster was a connoisseur of Art. Connoisseuring was, in fact, his hobby. Even the public rooms of the Cosmopolis were decorated with taste, and his own private suite was a shrine of all that was best and most artistic. His tastes were quiet and restrained, and it is not too much to say that the Wigmore Venus hit him behind the ear like a stuffed eel-skin.

So great was the shock that for some moments it kept him silent, and before he could recover speech Archie had explained.

“It’s a birthday present from Lucille, don’t you know.”

Mr. Brewster crushed down the breezy speech he had intended to utter.

“Lucille gave me—that?” he muttered.

He swallowed pathetically. He was suffering, but the iron courage of the Brewsters stood him in good stead. This man was no weakling. Presently the rigidity of his face relaxed. He was himself again. Of all things in the world he loved his daughter most, and if, in whatever mood of temporary insanity, she had brought herself to suppose that this beastly daub was the sort of thing he would like for a birthday present, he must accept the situation like a man. He would on the whole have preferred death to a life lived in the society of the Wigmore Venus, but even that torment must be endured if the alternative was the hurting of Lucille’s feelings.

“I think I’ve chosen a pretty likely spot to hang the thing, what?” said Archie cheerfully. “It looks well alongside those Japanese prints, don’t you think? Sort of stands out.”

Mr. Brewster licked his dry lips and grinned a ghastly grin.

“It does stand out!” he agreed.

CHAPTER XXVI.
A TALE OF A GRANDFATHER

Archie was not a man who readily allowed himself to become worried, especially about people who were not in his own immediate circle of friends, but in the course of the next week he was bound to admit that he was not altogether easy in his mind about his father-in-law’s mental condition. He had read all sorts of things in the Sunday papers and elsewhere about the constant strain to which captains of industry are subjected, a strain which sooner or later is only too apt to make the victim go all blooey, and it seemed to him that Mr. Brewster was beginning to find the going a trifle too tough for his stamina. Undeniably he was behaving in an odd manner, and Archie, though no physician, was aware that, when the American business-man, that restless, ever-active human machine, starts behaving in an odd manner, the next thing you know is that two strong men, one attached to each arm, are hurrying him into the cab bound for Bloomingdale.

He did not confide his misgivings to Lucille, not wishing to cause her anxiety. He hunted up Reggie van Tuyl at the club, and sought advice from him.

“I say, Reggie, old thing—present company excepted—have there been any loonies in your family?”

Reggie stirred in the slumber which always gripped him in the early afternoon.

“Loonies?” he mumbled, sleepily. “Rather! My uncle Edgar thought he was twins.”

“Twins, eh?”

“Yes. Silly idea! I mean, you’d have thought one of my uncle Edgar would have been enough for any man.”

“How did the thing start?” asked Archie.

“Start? Well, the first thing we noticed was when he began wanting two of everything. Had to set two places for him at dinner and so on. Always wanted two seats at the theatre. Ran into money, I can tell you.”

“He didn’t behave rummily up till then? I mean to say, wasn’t sort of jumpy and all that?”

“Not that I remember. Why?”

Archie’s tone became grave.

“Well, I’ll tell you, old man, though I don’t want it to go any farther, that I’m a bit worried about my jolly old father-in-law. I believe he’s about to go in off the deep-end. I think he’s cracking under the strain. Dashed weird his behaviour

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