The Confessions of a Caricaturist, Vol. 1, Harry Furniss [digital book reader txt] 📗
- Author: Harry Furniss
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"Yes, I've stood Kenealy and Wharton, but this bore I can't. I'll chuck it up. Kenealy did his best for the Claimant, and was amusing at times; and Wharton,—well, he had good snuff, and his hat was a treat; but this Conybeare is a bore and nothing else."
So he went on.
The "descendant of kings," Sir William Harcourt, rose to pulverise Torydom and put an end to the Government and everything in general, when the Speaker rose and said that the question before the House was whether black sticking-plaster could be used in public hospitals.
"Oh, that's right, he wants putting down; too much of the grand Old Bailey style. Make yer fortune in plush and knee breeches as a prize flunkey; platform stuff won't do for us. What are you?" I feel smaller!
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"Punch."
"You take Harcourt off with the chins?"
"Yes."
"Shake hands!"
We were friends ever afterwards.
One day when I arrived,—actually with my Gallery ticket,-a fresh pleasant official sat in my old friend's place, wearing his gold chain and badge. "Should this meet the eye" of his predecessor, soliloquising in the retirement of his suburban home, I trust it will not disturb the serenity of his well-earned repose, for he was a capital fellow, and I can answer for much good sense in his "official utterances."
I FEEL SMALLER!
If a politician were not a caricature by nature, I made him one. Mr. Gladstone's collar I invented—for the same reason a journalistic friend of mine invented Beaconsfield's champagne jelly—for "copy." When Members suggested nothing new, I turned my attention to officials. The Sergeant-at-Arms in that way became known as the "Black Beetle."
I watched Captain Gosset from the Press Gallery walk up the floor of the House in court dress, his knee-breeches showing off his rather bandy legs, elbows akimbo, and curious gait; his back view at once suggested the beetle, and as the Black Beetle he was known. This, I was assured, gave offence, so that I was rather anxious to see how I should be greeted when Professor Thorold Rogers took me into the Sergeant's presence, after I had been drawing him as the "Beetle" for some time.
The late Professor Thorold Rogers was for many years a familiar Bohemianish figure in Parliament. He had a marked [Pg 242] individuality, a strong head and a rough tongue, an uncouth manner, sloppy attire, and his conversation was anything but refined. Still he was kind and amusing, and, for a Professor in Parliament, popular. Professors are not liked in St. Stephen's, and never a success; and as a politician Professor Thorold Rogers was no exception to this rule. It was he who introduced me to the Sergeant-at-Arms' room, that sanctum sanctorum of the lively spirits of Parliament. Perhaps I ought correctly to call it Captain Gosset's room, for although Captain Gosset was the Sergeant-at-Arms, the Sergeant-at-Arms was by no means Captain Gosset. An anecdote will illustrate this.
THE BLACK BEETLE.
A friend of mine, a well-known journalist, travelling abroad during the Recess, fell in with Captain Gosset, and they became companions in their journey. A few days after they arrived home my journalistic acquaintance was in the Inner Lobby of the House of Commons as the Sergeant-at-Arms was passing through, and he called out, "How are you, Captain Gosset? Any the worse for your journey?"
"I beg your pardon, sir, I have not the pleasure of your acquaintance. You are mistaken."
"Nonsense, Captain! Why, we travelled together. I am——"
"That may be, but—— Oh, I see, you are thinking of that fellow Gosset. Sir, I am the Sergeant-at-Arms!" And he strode off with the greatest dignity.
I was agreeably surprised when I was introduced to the "Black Beetle."
"Here is Harry Furniss, Gosset" (not Sergeant, I observed); "now give it to him."
"Delighted to make your acquaintance, Mr. Furniss. You see how I appreciate your work." And he pointed to a row of black beetles, cut out of Punch and pasted on the wall, the rest of the wall being covered with interesting and dignified portraits of Members. Here was Gosset at twelve o'clock at [Pg 243] night. At twelve noon he would be Sergeant-at-Arms, with power to take me to the Clock Tower.
THE SERGEANT-AT-ARMS' ROOM. From "Punch."
This room is still the Sergeant-at-Arms' office, but in it are no portraits, no black beetles—on paper; there may be some living specimens, for aught I know, haunting the old room in search of the lively company, the pipes, and the huge decanters. The present Sergeant-at-Arms is as unlike a black beetle as he is unlike the Bohemian Gosset. But I shall be surprised if, when the courteous and universally appreciated Sergeant-at-Arms retires, and the present Assistant Sergeant-at-Arms, Mr. Gosset, takes his place, we shall not see the old room again the most entertaining spot in the Houses of Parliament.
When Professor Rogers was escorting me to the famous room, he implored me to leave politics outside of it,—as if I ever talked politics in the House! "Rule is—no politics, so don't forget it."
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"Ah," he said, as soon as he sat down, "why aint you in the House, Tom, vilifying and misrepresenting the Irish as I heard you this afternoon! Disgraceful, I say, disgraceful!" and he thumped the table.
"No politics, Professor," "Dick" Power remarked.
CAPT. GOSSET, LATE SERGEANT-AT-ARMS. From the "Illustrated London News."
"Oh, indeed, my noble Whip; that comes well from a beater to a beaten gang. Why aint you at your post,—the door-post, ha! ha!—and rally your men and overthrow these damned Tories? Oh, yes, King-Harman, your good looks do not atone for bad measures."
"No politics, Professor," all cried.
"Come, Furniss, come away, they're all drunk here. I'll tell you my last story on the Terrace. These Tories destroy everything."
Such was my introduction to this select little club in Parliament, in which, with the exception of the Professor, all forgot politics, and the best of the Tories, Home Rulers, Radicals, and officials were at peace. I was always on most friendly terms with my "Black Beetle," a proof that caricature leaves no unkind sting when the victim is really a man of the world and a jolly good fellow. Surely nothing could be more offensive to an official in high office than to be continually represented as a black beetle!
When I did not "invent" a character, such as the "Beetle," I adopted for a change various styles of drawing. For even the work of a caricaturist becomes monotonous if he is but a master of one style and a slave to mannerisms. To avoid this I am Egyptian, Chinese, Japanese, and at times "Childish"—a [Pg 245] specimen of each style in Punch the proprietors have kindly allowed me to republish in these pages. There is really very little artistic merit in the "Childish" style of work. I did not use it often, but whenever I did I tried to introduce some "drawing" as well. Here, for instance, are my Academy skits—drawn as if by a boy, but the figures of the teacher and pupil are in drawing. By the way, these different styles, I am glad to see, are still kept alive in the pages of Punch by new—if not younger—hands. This year's (1901) Academy skits and other drawings, I notice, are signed "'Arry's Son," but they are not—as might be thought—by one of my own boys.
MY "CHILDISH" STYLE IN PUNCH.
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During most of the time I enjoyed a privilege which belonged to no one else, not excepting Members, for even Members must, like schoolboys, keep "within bounds." They are not permitted, for instance, to enter the Press Gallery, or the portion of the House reserved to the Press; neither can Press-men enter the Members' rooms at will. The public, being ignorant of the stringent rules of St. Stephen's, cannot understand the obstacles there are to seeing the House. One instance will suffice to show the absurdity of the rules. The ex-Treasurer of the House of Lords, whose acquaintance I had, and whose offices were in the corridor by the Select Chamber, could not take anyone into the House, even when it was empty, without a written order. Although armed with a Gallery Ticket, and also on the "Lobby list," i.e., the right to enter the Inner Lobby, I was not free to make any sketches of the House itself, inside or out. Requiring to get such material for the elaborate interiors and exteriors I use in my Lecture-Entertainment, "The Humours of Parliament," I boldly bearded the highest official in his den, and left with this simple document. Aladdin's key could not have caused more surprise than this talisman. The head of the police, the Sergeant-at-Arms himself, could not interfere. "The Palace of Westminster" includes the House of Commons, so I made full use of my unique opportunity, and possess material invaluable for my Parliamentary work.
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I SKETCH THE HOUSE.
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I had facilities in another way. At one time the Engineer-in-Chief was a friend of mine, Dr. Percy. Few men were better known in and about the House than this popular official engineer of the Palace of Westminster. To begin with, he was over six feet high, and had a voice that would carry from the Commons to the House of Lords. He had to be "all over the place"—under the House, over the House, and all round the House. He was as well-known in the smoking-room of the Garrick Club as he was in the smoking-room of the Commons, and it was when I joined the Garrick I made his acquaintance. He was also an art connoisseur, and had a very fine collection of water-colours. The first time I saw the Doctor was years before on a steamer on the Rance, between Normandy and Brittany. I made a sketch of his extraordinary features, so that when he entered the Garrick Club I recognised the original of my caricature. We frequently walked down to the Houses of Parliament together after dinner, and more than once he invited me behind the scenes and under the stage of Parliament, through the "fog filter" and ventilating shafts, when he was wont to indulge in a grim, saturnine humour appropriate to his subterranean subject. As he opened the iron doors for us to pass from one passage to another, close to and above which the benches are situated,—for the whole House is honeycombed for ventilating purposes,—he pretended that long experience enabled him to discriminate between the odours from different parts of the House, and declared that he could tap and draw off a specimen of the atmosphere on the Government benches, the Opposition side, or the Radical seats, at will.
"There, my boy! eh? Pretty thick, aint it? That's the Scotch lot. Now hold your nose. I open this door and we get the Irish draught. Ugh! Come on, come on quickly—mixture of Irish, working-men M.P.'s, and Rads. Kill a horse!"
The table of the House, which Mr. Disraeli erroneously described as "a solid piece of furniture," is in reality—like so many arguments which are flung across it—perfectly hollow; [Pg 250] and one evening when I arrived with Dr. Percy and found that in consequence of the winding-up speech of Mr. Gladstone in a great debate the Press Gallery was full and all the seats under the gallery were occupied, Dr. Percy kindly allowed me to sit inside the table. I was sorely tempted to try the effect of inserting my pencil through the grating which forms the side of the table, and tickle the shins of the right hon. gentleman. Anyway, I looked straight into the faces of the Ministers and those on the front bench, and not only heard every word, but the asides and whispers as well.
DR. PERCY. "THE HOUSE UP."From "Punch."
I only once caricatured Dr. Percy in Punch (December, 1886), after there had been a sort of earthquake in the Inner Lobby of the House, and the tesselated pavement was thrown up. I made [Pg 251] a
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