The Brass Bottle, F. Anstey [e book reader for pc TXT] 📗
- Author: F. Anstey
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"What a dreadfully long time mamma is over that letter!" she said at last. "I think I'd better go and hurry her up."
"Please don't—unless you are particularly anxious to get rid of me."
"I thought you seemed particularly anxious to escape," she said coldly. "And, as a family, we have certainly taken up quite enough of your time for one day."
"That is not the way you used to talk at St. Luc!" he said.
"At St. Luc? Perhaps not. But in London everything is so different, you see."
"Very different."
"When one meets people abroad who—who seem at all inclined to be sociable," she continued, "one is so apt to think them pleasanter than they really are. Then one meets them again, and—and wonders what one ever saw to like in them. And it's no use pretending one feels the same, because they generally understand sooner or later. Don't you find that?"
"I do, indeed," he said, wincing, "though I don't know what I've done to deserve that you should tell me so!"
[Pg 22]
"Oh, I was not blaming you. You have been most angelic. I can't think how papa could have expected you to take all that trouble for him—still, you did, though you must have simply hated it."
"But, good heavens! don't you know I should be only too delighted to be of the least service to him—or to any of you?"
"You looked anything but delighted when you came in just now; you looked as if your one idea was to get it over as soon as you could. You know perfectly well you're longing now for mother to finish her letter and set you free. Do you really think I can't see that?"
"If all that is true, or partly true," said Horace, "can't you guess why?"
"I guessed how it was when you called here first that afternoon. Mamma had asked you to, and you thought you might as well be civil; perhaps you really did think it would be pleasant to see us again—but it wasn't the same thing. Oh, I saw it in your face directly—you became conventional and distant and horrid, and it made me horrid too; and you went away determined that you wouldn't see any more of us than you could help. That's why I was so furious when I heard that papa had been to see you, and with such an object."
All this was so near the truth, and yet missed it with such perverse ingenuity, that Horace felt bound to put himself right.
"Perhaps I ought to leave things as they are," he said, "but I can't. It's no earthly use, I know; but may I tell you why it really was painful to me to meet you again? I thought you were changed, that you wished to forget, and wished me to forget—only I can't—that we had been friends for a short time. And though I never blamed you—it was natural enough—it hit me pretty hard—so hard that I didn't feel anxious to repeat the experience."
"Did it hit you hard?" said Sylvia, softly. "Perhaps[Pg 23] I minded too, just a very little. However," she added, with a sudden smile, that made two enchanting dimples in her cheeks, "it only shows how much more sensible it is to have things out. Now perhaps you won't persist in keeping away from us?"
"I believe," said Horace, gloomily, still determined not to let any direct avowal pass his lips, "it would be best that I should keep away."
Her half-closed eyes shone through their long lashes; the violets on her breast rose and fell. "I don't think I understand," she said, in a tone that was both hurt and offended.
There is a pleasure in yielding to some temptations that more than compensates for the pain of any previous resistance. Come what might, he was not going to be misunderstood any longer.
"If I must tell you," he said, "I've fallen desperately, hopelessly, in love with you. Now you know the reason."
"It doesn't seem a very good reason for wanting to go away and never see me again. Does it?"
"Not when I've no right to speak to you of love?"
"But you've done that!"
"I know," he said penitently; "I couldn't help it. But I never meant to. It slipped out. I quite understand how hopeless it is."
"Of course, if you are so sure as all that, you are quite right not to try."
"Sylvia! You can't mean that—that you do care, after all?"
"Didn't you really see?" she said, with a low, happy laugh. "How stupid of you! And how dear!"
He caught her hand, which she allowed to rest contentedly in his. "Oh, Sylvia! Then you do—you do! But, my God, what a selfish brute I am! For we can't marry. It may be years before I can ask you to come to me. You father and mother wouldn't hear of your being engaged to me."
"Need they hear of it just yet, Horace?"
[Pg 24]
"Yes, they must. I should feel a cur if I didn't tell your mother, at all events."
"Then you shan't feel a cur, for we'll go and tell her together." And Sylvia rose and went into the farther room, and put her arms round her mother's neck. "Mother darling," she said, in a half whisper, "it's really all your fault for writing such very long letters, but—but—we don't exactly know how we came to do it—but Horace and I have got engaged somehow. You aren't very angry, are you?"
"I think you're both extremely foolish," said Mrs. Futvoye, as she extricated herself from Sylvia's arms and turned to face Horace. "From all I hear, Mr. Ventimore, you're not in a position to marry at present."
"Unfortunately, no" said Horace; "I'm making nothing as yet. But my chance must come some day. I don't ask you to give me Sylvia till then."
"And you know you like Horace, mother!" pleaded Sylvia. "And I'm ready to wait for him, any time. Nothing will induce me to give him up, and I shall never, never care for anybody else. So you see you may just as well give us your consent!"
"I'm afraid I've been to blame," said Mrs. Futvoye. "I ought to have foreseen this at St. Luc. Sylvia is our only child, Mr. Ventimore, and I would far rather see her happily married than making what is called a 'grand match.' Still, this really does seem rather hopeless. I am quite sure her father would never approve of it. Indeed, it must not be mentioned to him—he would only be irritated."
"So long as you are not against us," said Horace, "you won't forbid me to see her?"
"I believe I ought to," said Mrs. Futvoye; "but I don't object to your coming here occasionally, as an ordinary visitor. Only understand this—until you can prove to my husband's satisfaction that you are able to support Sylvia in the manner she has been accustomed to, there must be no formal [Pg 25]engagement. I think I am entitled to ask that of you."
She was so clearly within her rights, and so much more indulgent than Horace had expected—for he had always considered her an unsentimental and rather worldly woman—that he accepted her conditions almost gratefully. After all, it was enough for him that Sylvia returned his love, and that he should be allowed to see her from time to time.
"It's rather a pity," said Sylvia, meditatively, a little later, when her mother had gone back to her letter-writing, and she and Horace were discussing the future; "it's rather a pity that you didn't manage to get something at that sale. It might have helped you with papa."
"Well, I did get something on my own account," he said, "though I don't know whether it is likely to do me any good with your father." And he told her how he had come to acquire the brass bottle.
"And you actually gave a guinea for it?" said Sylvia, "when you could probably get exactly the same thing, only better, at Liberty's for about seven-and-sixpence! Nothing of that sort has any charms for papa, unless it's dirty and dingy and centuries old."
"This looks all that. I only bought it because, though it wasn't down on the catalogue, I had a fancy that it might interest the Professor."
"Oh!" cried Sylvia, clasping her pretty hands, "if only it does, Horace! If it turns out to be tremendously rare and valuable! I do believe dad would be so delighted that he'd consent to anything. Ah, that's his step outside ... he's letting himself in. Now mind you don't forget to tell him about that bottle."
The Professor did not seem in the sweetest of humours as he entered the drawing-room. "Sorry I was obliged to be from home, and there was nobody but my wife and daughter here to entertain you. But I am glad you stayed—yes, I'm rather glad you stayed."
"So am I, sir," said Horace, and proceeded to give his account of the sale, which did not serve to improve[Pg 26] the Professor's temper. He thrust out his under lip at certain items in the catalogue. "I wish I'd gone myself," he said; "that bowl, a really fine example of sixteenth-century Persian work, going for only five guineas! I'd willingly have given ten for it. There, there, I thought I could have depended on you to use your judgment better than that!"
"If you remember, sir, you strictly limited me to the sums you marked."
"Nothing of the sort," said the Professor, testily; "my marginal notes were merely intended as indications, no more. You might have known that if you had secured one of the things at any price I should have approved."
Horace had no grounds for knowing anything of the kind, and much reason for believing the contrary, but he saw no use in arguing the matter further, and merely said he was sorry to have misunderstood.
"No doubt the fault was mine," said the Professor, in a tone that implied the opposite. "Still, making every allowance for inexperience in these matters, I should have thought it impossible for any one to spend a whole day bidding at a place like Hammond's without even securing a single article."
"But, dad," put in Sylvia, "Mr. Ventimore did get one thing—on his own account. It's a brass bottle, not down in the catalogue, but he thinks it may be worth something perhaps. And he'd very much like to have your opinion."
"Tchah!" said the Professor. "Some modern bazaar work, most probably. He'd better have kept his money. What was this bottle of yours like, now, eh?"
Horace described it.
"H'm. Seems to be what the Arabs call a 'kum-kum,' probably used as a sprinkler, or to hold rose-water. Hundreds of 'em about," commented the Professor, crustily.
"It had a lid, riveted or soldered on," said Horace; "the general shape was something like this ..." And[Pg 27] he made a rapid sketch from memory, which the Professor took reluctantly, and then adjusted his glasses with some increase of interest.
"Ha—the form is antique, certainly. And the top hermetically fastened, eh? That looks as if it might contain something."
"You don't think it has a genie inside, like the sealed jar the fisherman found in the 'Arabian Nights'?" cried Sylvia. "What fun if it had!"
"By genie, I presume you mean a Jinnee, which is the more correct and scholarly term," said the Professor. "Female, Jinneeyeh, and plural Jinn. No, I do not contemplate that as a probable contingency. But it is not quite impossible that a vessel closed as Mr. Ventimore describes may have been designed as a receptacle for papyri or other records of archæological interest, which may be still in preservation. I should recommend you, sir, to use the greatest precaution in removing the lid—don't expose the documents, if any, too suddenly to the outer air, and it would be better if you did not handle them yourself. I shall be rather curious to hear whether it really does contain anything, and if so, what."
"I will open it as carefully as possible," said Horace, "and whatever it may contain, you may rely upon my letting you know at once."
He left shortly afterwards, encouraged by the radiant trust in Sylvia's eyes, and thrilled by the secret pressure of her hand at parting.
He had been amply repaid for all the hours he had spent in the close sale-room. His luck had turned at last: he was going to succeed; he felt it in the air, as if he were already fanned by Fortune's pinions.
Still thinking of Sylvia, he let himself into the semi-detached, old-fashioned house on the north side of
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