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mind for me for some time, and had, indeed, mentioned to his wife and Eva at lunch that day that he intended to write to me about it. I am more grateful to him than I can ever make him understand. Eva, I know, cares nothing for money—she told me so—but it is a comfort to feel that I can keep her almost in luxury.

I have given up my rooms in Rupert Street.

I sleep in a bed.

I do Sandow exercises.

I am always down to breakfast at eight-thirty sharp.

I smoke less.

I am the happiest man on earth.

(End of Julian Eversleigh's narrative.)







Narrative Resumed

by James Orlebar Cloyster







CHAPTER 24 — A RIFT IN THE CLOUDS

O perfidy of woman! O feminine inconstancy! That is the only allusion I shall permit to escape me on the subject of Eva Eversleigh's engagement to that scoundrel Julian.

I had the news by telegraph, and the heavens darkened above me, whilst the solid earth rocked below.

I had been trapped into dishonour, and even the bait had been withheld from me.

But it was not the loss of Eva that troubled me most. It should have outweighed all my other misfortunes and made them seem of no account, but it did not. Man is essentially a materialist. The prospect of an empty stomach is more serious to him than a broken heart. A broken heart is the luxury of the well-to-do. What troubled me more than all other things at this juncture was the thought that I was face to face with starvation, and that only the grimmest of fights could enable me to avoid it. I quaked at the prospect. The early struggles of the writer to keep his head above water form an experience which does not bear repetition. The hopeless feeling of chipping a little niche for oneself out of the solid rock with a nib is a nightmare even in times of prosperity. I remembered the grey days of my literary apprenticeship, and I shivered at the thought that I must go through them again.

I examined my position dispassionately over a cup of coffee at Groom's, in Fleet Street. Groom's was a recognised Orb rendezvous. When I was doing "On Your Way," one or two of us used to go down Fleet Street for coffee after the morning's work with the regularity of machines. It formed a recognised break in the day.

I thought things over. How did I stand? Holiday work at the Orb would begin very shortly, so that I should get a good start in my race. Fermin would be going away in a few weeks, then Gresham, and after that Fane, the man who did the "People and Things" column. With luck I ought to get a clear fifteen weeks of regular work. It would just save me. In fifteen weeks I ought to have got going again. The difficulty was that I had dropped out. Editors had forgotten my work. John Hatton they knew, and Sidney Price they knew; but who was James Orlebar Cloyster? There would be much creaking of joints and wobbling of wheels before my triumphal car could gather speed again. But, with a regular salary coming in week by week from the Orb, I could endure this. I became almost cheerful. It is an exhilarating sensation having one's back against the wall.

Then there was Briggs, the actor. The very thought of him was a tonic. A born fighter, with the energy of six men, he was an ideal model for me. If I could work with a sixth of his dash and pluck, I should be safe. He was giving me work. He might give me more. The new edition of the Belle of Wells was due in another fortnight. My lyrics would be used, and I should get paid for them. Add this to my Orb salary, and I should be a man of substance.

I glared over my coffee-cup at an imaginary John Hatton.

"You thought you'd done me, did you?" I said to him. "By Gad! I'll have the laugh of you all yet."

I was shaking my fist at him when the door opened. I hurriedly tilted back my chair, and looked out of the window.

"Hullo, Cloyster."

I looked round. It was Fermin. Just the man I wanted to see.

He seemed depressed. Even embarrassed.

"How's the column?" I asked.

"Oh, all right," he said awkwardly. "I wanted to see you about that. I was going to write to you."

"Oh, yes," I said, "of course. About the holiday work. When are you off?"

"I was thinking of starting next week."

"Good. Sorry to lose you, of course, but——"

He shuffled his feet.

"You're doing pretty well now at the game, aren't you, Cloyster?" he said.

It was not to my interests to cry myself down, so I said that I was doing quite decently. He seemed relieved.

"You're making quite a good income, I suppose? I mean, no difficulty about placing your stuff?"

"Editors squeal for it."

"Because, otherwise what I wanted to say to you might have been something of a blow. But it won't affect you much if you're doing plenty of work elsewhere."

A cold hand seemed laid upon my heart. My mind leaped to what he meant. Something had gone wrong with the Orb holiday work, my sheet-anchor.

"Do you remember writing a par about Stickney, the butter-scotch man, you know, ragging him when he got his peerage?"

"Yes."

It was one of the best paragraphs I had ever done. A two-line thing, full of point and sting. I had been editing "On Your Way" that day, Fermin being on a holiday and Gresham ill; and I had put the paragraph conspicuously at the top of the column.

"Well," said Fermin, "I'm afraid there was rather trouble about it. Hamilton came into our room yesterday, and asked if I should be seeing you. I said I thought I should. 'Well, tell him,' said Hamilton, 'that that paragraph of his about Stickney has only cost us five hundred pounds. That's all.' And he went out again. Apparently Stickney was on the point of advertising largely with the Orb, and had backed out in a huff. Today, I went to see him about my holiday, and he wanted to know who was

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