All About Coffee, William H. Ukers [short story to read .txt] 📗
- Author: William H. Ukers
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These various references to coffee are thought to have been based upon an incident in the early days of their friendship, when on the occasion of the Vanhomrigh family journeying from Dublin to London, Vanessa accidentally spilt her coffee in the chimney-place at a certain inn, which Swift considered a premonition of their growing friendship. Writing from Clogher, Swift reminds Vanessa:
Remember that riches are nine parts in ten of all that is good in life, and health is the tenth—drinking coffee comes long after, and yet it is the eleventh, but without the two former you cannot drink it right.
In another letter he writes facetiously, in memory of her playful badinage:
I long to drink a dish of coffee in the sluttery and hear you dun me for a secret, and "Drink your coffee; why don't you drink your coffee?"
Leigh Hunt had very pleasant things to say about coffee, giving to it the charm of appeal to the imagination, which he said one never finds in tea. For example:
Coffee, like tea, used to form a refreshment by itself, some hours after dinner; it is now taken as a digester, right upon that meal or the wine, and sometimes does not even close it; or the digester itself is digested by a liquor of some sort called a Chasse-Café [coffee-chaser]. We like coffee better than tea for taste, but tea "for a constancy." To be perfect in point of relish (we do not say of wholesomeness) coffee should be strong and hot, with little milk and sugar. It has been drunk after this mode in some parts of Europe, but the public have nowhere, we believe, adopted it. The favorite way of taking it at a meal, abroad, is with a great superfluity of milk—very properly called, in France café au lait (coffee to the milk). One of the pleasures we receive in drinking coffee is that, being the universal drink in the East, it reminds of that region of the "Arabian Nights" as smoking does for the same reason; though neither of these refreshments, which are identified with Oriental manners, is to be found in that enchanting work. They had not been discovered when it was written; the drink then was sherbet. One can hardly fancy what a Turk or a Persian could have done without coffee and a pipe, any more than the English ladies and gentlemen, before the civil wars, without tea for breakfast.
In his old age, Immanuel Kant, the great metaphysician, became extremely fond of coffee; and Thomas de Quincey relates a little incident showing Kant's great eagerness for the after-dinner cup.
At the beginning of the last year of his life, he fell into a custom of taking, immediately after dinner, a cup of coffee, especially on those days when it happened that I was of his party. And such was the importance that he attached to his little pleasure that he would even make a memorandum beforehand, in the blank paper book that I had given him, that on the next day I was to dine with him, and consequently "that there was to be coffee." Sometimes in the interest of conversation, the coffee was forgotten, but not for long. He would remember and with the querulousness of old age and infirm health would demand that coffee be brought "upon the spot." Arrangements had always been made in advance, however; the coffee was ground, and the water was boiling: and in the very moment the word was given, the servant shot in like an arrow and plunged the coffee into the water. All that remained, therefore, was to give it time to boil up. But this trifling delay seemed unendurable to Kant. If it were said, "Dear Professor, the coffee will be brought up in a moment," he would say, "Will be! There's the rub, that it only will be." Then he would quiet himself with a stoical air, and say, "Well, one can die after all; it is but dying; and in the next world, thank God, there is no drinking of coffee and consequently no waiting for it."
When at length the servant's steps were heard upon the stairs, he would turn round to us, and joyfully call out: "Land, land! my dear friends, I see land."
Thackeray (1811–1863) must have suffered many tea and coffee disappointments. In the Kickleburys on the Rhine he asks: "Why do they always put mud into coffee aboard steamers? Why does the tea generally taste of boiled boots?"
In Arthur's, A. Neil Lyons has preserved for all time the atmosphere of the London coffee stall. "I would not," he says, "exchange a night at Arthur's for a week with the brainiest circle in London." The book is a collection of short stories. As already recorded, Harold Chapin dramatized this picturesque London institution in The Autocrat of the Coffee Stall.
In General Horace Porter's Campaigning with Grant, we have three distinct coffee incidents within fifty-odd pages; or explicitly, see pages 47, 56, 101; where, deep in the fiercest snarls of The Wilderness campaign we are treated to:
General Grant, slowly sipping his coffee ... a full ration of that soothing army beverage.... The general made rather a singular meal preparatory to so exhausting a day as that which was to follow. He took a cucumber, sliced it, poured some vinegar over it, and partook of nothing else except a cup of strong coffee.... The general seemed in excellent spirits, and was even inclined to be jocose. He said to me, "We have just had our coffee, and you will find some left for you." ... I drank it with the relish of a shipwrecked mariner.
One of the first immediate supplies General Sherman desired from Wilmington, on reaching Fayetteville and lines of communication in March, 1865, was, expressly, coffee; does he not say so himself, on page 297 of the second volume of his Memoirs?
Still more expressly, towards the close of his Memoirs, and among final recommendations, the fruit of his experiences in that whole vast war, General Sherman says this for coffee:
Coffee has become almost indispensable, though many substitutes were found for it, such as Indian corn, roasted, ground and boiled as coffee, the sweet potato, and the seed of the okra plant prepared in the same way. All these were used by the people of the South, who for years could procure no coffee, but I noticed that the women always begged of us real coffee, which seemed to satisfy a natural yearning or craving more powerful than can be accounted for on the theory of habit. Therefore I would always advise that the coffee and sugar ration be carried along, even at the expense of bread, for which there are many substitutes.
George Agnew Chamberlain's novel Home contains a vivid description of coffee-making on an old plantation, and could only have been written by a devoted lover of this drink. Gerry Lansing, the American, has escaped drowning in the river, and is now lost in the Brazilian forest. He finds his way at last to an old plantation house:
A stove was built into the masonry, and a cavernous oven gaped from the massive wall. At the stove was an old negress, making coffee with shaky deliberation.... The girl and the wrinkled old woman made him sit down at the table, and then placed before him crisp rusks of mandioc flour and steaming coffee whose splendid aroma triumphed over the sordidness of the scene and through the nostrils reached the palate with anticipatory touch. It was sweetened with dark, pungent syrup and was served black in a capacious bowl, as though one could not drink too deeply of the elixir of life. Gerry ate ravenously and sipped the coffee, at first sparingly, then greedily.... Gerry set down the empty bowl with a sigh. The rusks had been delicious. Before the coffee the name of nectar dwindled to impotency. Its elixir rioted in his veins.
In the Rosary, Florence L. Barclay has a Scotch woman tell how she makes coffee. She says:
Use a jug—it is not what you make it in; it is how ye make it. It all hangs upon the word fresh—freshly roasted—freshly ground—water freshly boiled. And never touch it with metal. Pop it into an earthenware jug, pour in your boiling water straight upon it, stir it with a wooden spoon, set it on the hob ten minutes to settle; the grounds will all go to the bottom, though you might not think it, and you pour it out, fragrant, strong and clear. But the secret is, fresh, fresh, fresh, and don't stint your coffee.
Cyrus Townsend Brady's The Corner in Coffee is "a thrilling romance of the New York coffee market."
Coffee, Du Barry, and Louis XV figure in one scene of the story of The Moat with the Crimson Stains, as told by Elizabeth W. Champney in her Romance of the Bourbon Chateaux.[354] It tells of the German apprentice Riesener, who assisted his master Oeben in designing for Louis XV a beautiful desk with a secret drawer, which it took ten years of unremitting industry to execute. At the end, Riesener was to be accepted by his master as a partner and a son-in-law. Little Victoire, who loved to sit in a punt and trail her doll in the waters of the Bievre to see to what color its frock would be changed by the dyes of the Gobelin factory, was then only five, and Madam Oeben twenty-three. As the years rolled by, Riesener grew to love the mother and not the daughter, who, meanwhile, shot up into a slim girl, not of her mother's beauty, but of a loveliness all her own. Then there was a quarrel because the young apprentice thought the master should have resented the suggestion of M. Duplessis that his wife pose in the nude for the statuettes which were to hold the sconces on the king's desk; and Riesener left in a fine youthful frenzy, vowing he would never return while the maître lived. The latter, unable to complete the masterpiece which he loved more than anything else on earth, sought death, and perished in the crimson waters of the Bievre.
The maître had no enemies, but his quarrel with Riesener caused a fear to spring up in the widow's heart that the apprentice might have been guilty of his murder, so she refused to see him when, hearing of his master's death, he returned, stricken with remorse, to finish the desk. On it were the statuettes modeled in perfect likeness of Mlle. de Vaubernier, a wily little milliner of Riesener's bohemian set who had taken this way to bring herself to the attention of Louis XV. The ruse was successful; and after the acceptance of the desk, there was installed a new maîtresse en titre, the notorious Madame Du Barry, erstwhile the pretty milliner, Mlle. de Vaubernier.
Later, Madame Du Barry sent for the now famous ebeniste (cabinet maker); and, when her negro page Zamore admitted him, he found His Majesty Louis XV kneeling in front of the fireplace, making coffee for her while she laughed at him for scalding his fingers. He had been summoned to show the king the mechanism of the secret drawer, so cunningly concealed in the king's desk that no one could find it. But Riesener knew not the secret of his master, who had died without revealing it. Then the red revolution came; and when the pretty pavilion at Louveciennes was sacked, and its costly furniture hurled down the cliff to the Seine, the king's desk, shattered almost beyond
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