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gather honey all the day
From every opening flower!"

The first thing to be done is to collect every engraved portrait of the author, Isaac Watts. The next, to get hold of any engravings of the house in which he was born, or houses in which he lived. Then will come all kinds of views of Southampton—of its Gothic gate, and its older than Gothic wall. Any scrap connected with the inauguration of the Watts statue must of course be scrupulously gathered. To go but a step beyond such commonplaces—there is a traditional story about the boyhood of Isaac which has been told as follows. He took precociously to rhyming: like Pope, he lisped in numbers, for the numbers came. It happened that this practice was very offensive to his father, a practical man, who, finding his admonitions useless, resolved to stop it in an effectual manner. He accordingly, after the practice of his profession—being a schoolmaster—assailed with a leathern thong, duly prepared, the cuticle of that portion of the body which has from time immemorial been devoted to such inflictions. Under torture, the divine songster abjured his propensity in the following very hopeful shape—

"Oh, father, do some pity take,
And I will no more verses make."

It is not likely that this simple domestic scene has been engraved either for the Divine Hymns, or the Improvement of the Mind. The illustrator will therefore require to get a picture of it for his own special use, and will add immensely to the value of his treasure, while he gives scope to the genius of a Cruikshank or a Doyle.

We are yet, it will be observed, only on the threshold. We have next to illustrate the substance of the poetry. All kinds of engravings of bees Attic and other, and of bee-hives, will be appropriate, and will be followed by portraits of Huber and other great writers on bees, and views of Mount Hybla and other honey districts. Some Scripture prints illustrative of the history of Samson, who had to do with honey and bees, will be appropriate, as well as any illustrations of the fable of the Bear and the Bees, or of the Roman story of the Sic vos non vobis. A still more appropriate form of illustration may, however, be drawn upon by remembering that a periodical called The Bee was edited by Dr Anderson; and it is important to observe that the name was adopted in the very spirit which inspired Watts. In both instances the most respected of all winged insects was brought forward as the type of industry. Portraits, then, of Dr Anderson, and any engravings that can be connected with himself and his pursuits, will have their place in the collection. It will occur, perhaps, to the intelligent illustrator, that Dr Anderson was the grandfather of Sir James Outram, and he will thus have the satisfaction of opening his collection for all illustrations of the career of that distinguished officer. Having been aptly called the Bayard of the Indian service, the collector who has exhausted him and his services will be justified by the principles of the craft in following up the chase, and picking up any woodcuts or engravings referring to the death of the false Bourbon, or any other scene in the career of the knight without fear or reproach. Here, by a fortunate and interesting coincidence, through the Bourbons the collector gets at the swarms of bees which distinguish the insignia of royalty in France. When the illustrator comes to the last line, which invites him to add to what he has already collected a representation of "every opening flower," it is easy to see that he has indeed a rich garden of delights before him.

In a classification of book-hunters, the aspirants after large-paper copies deserve special notice, were it only for the purpose of guarding against a common fallacy which confounds them with the lovers of tall copies. The difference is fundamental, large-paper copies being created by system, while tall copies are merely the creatures of accident; and Dibdin bestows due castigation in a celebrated instance in which a mere tall copy had, whether from ignorance or design, been spoken of as a large-paper copy. This high development of the desirable book is the result of an arrangement to print so many copies of a volume on paper of larger size than that of the bulk of the impression. The tall copy is the result of careful cutting by the binder, or of no cutting at all. In this primitive shape a book has separate charms for a distinct class of collectors who esteem rough edges, and are willing, for the sake of this excellence, to endure the martyrdom of consulting books in that condition.[33]

The historian of the private libraries of New York makes us acquainted with a sect well known in the actually sporting world, but not heretofore familiar in the bibliological. Here is a description of the Waltonian library of the Reverend Dr Bethune. In the sunshine he is a practical angler, and—

"During the darker seasons of the year, when forbidden the actual use of his rod, our friend has occupied himself with excursions through sale catalogues, fishing out from their dingy pages whatever tends to honour his favourite author or favourite art, so that his spoils now number nearly five hundred volumes, of all sizes and dates. Pains have been taken to have not only copies of the works included in the list, but also the several editions; and when it is of a work mentioned by Walton, an edition which the good old man himself may have seen. Thus the collection has all the editions of Walton, Cotton, and Venables in existence, and, with few exceptions, all the works referred to by Walton, or which tend to illustrate his favourite rambles by the Lea or the Dove. Every scrap of Walton's writing, and every compliment paid to him, have been carefully gathered and garnered up, with prints and autographs and some precious manuscripts. Nor does the department end here, but embraces most of the older and many of the modern writers on ichthyology and angling."

The Prowler and the Auction-Haunter.

These incidental divisions are too numerous and complex for a proper classification of book-hunters, and I am inclined to go back to the idea that their most effective and comprehensive division is into the private prowler and the auction-haunter. The difference between these is something like, in the sporting world, that between the stalker and the hunter proper. Each function has its merits, and calls for its special qualities and sacrifices. The one demands placidity, patience, caution, plausibility, and unwearied industry—such attributes as those which have been already set forth in the words of the Antiquary. The auction-room, on the other hand, calls forth courage, promptness, and the spirit of adventure. There is wild work sometimes there, and men find themselves carried off by enthusiasm and competition towards pecuniary sacrifices which at the threshold of the temple they had solemnly vowed to themselves to eschew. But such sacrifices are the tribute paid to the absorbing interest of the pursuit, and are looked upon in their own peculiar circle as tending to the immortal honour of those who make them. This field of prowess has, it is said, undergone a prejudicial change in these days, the biddings being nearly all by dealers, while gentlemen-collectors are gradually moving out of the field. In old days one might have reaped for himself, by bold and emphatic biddings at a few auctions, a niche in that temple of fame, of which the presiding deity is Dr Frognal Dibdin—a name familiarly abbreviated into that of Foggy Dibdin. His descriptions of auction contests are perhaps the best and most readable portions of his tremendously overdone books.

Conspicuous beyond all others stands forth the sale of the Roxburghe library, perhaps the most eminent contest of that kind on record. There were of it some ten thousand separate "lots," as auctioneers call them, and almost every one of them was a book of rank and mark in the eyes of the collecting community, and had been, with special pains and care and anxious exertion, drawn into the vortex of that collection. Although it was created by a Duke, yet it has been rumoured that most of the books had been bargains, and that the noble collector drew largely on the spirit of patient perseverance and enlightened sagacity for which Monkbarns claims credit. The great passion and pursuit of his life having been of so peculiar a character—he was almost as zealous a hunter of deer and wild swans, by the way, as of books, but this was not considered in the least peculiar—it was necessary to find some strange influencing motive for his conduct; so it has been said that it arose from his having been crossed in love in his early youth. Such crosses, in general, arise from the beloved one dying, or proving faithless and becoming the wife of another. It was, however, the peculiarity of the Duke's misfortune, that it arose out of the illustrious marriage of the sister of his elected. She was the eldest daughter of the Duke of Mecklenburg-Strelitz. Though purchased by a sacrifice of regal rank, yet there would be many countervailing advantages in the position of an affluent British Duchess which might reconcile a young lady, even of so illustrious a descent, to the sacrifice, had it not happened that Lord Bute and the Princess of Wales selected her younger sister to be the wife of George III. and the Queen of Great Britain, long known as the good Queen Charlotte. Then there arose, it seems, the necessity, as a matter of state and political etiquette, that the elder sister should abandon the alliance with a British subject.

So, at all events, goes the story of the origin of the Duke's bibliomania; and it is supposed to have been in the thoughts of Sir Walter Scott, when he said of him that "youthful misfortunes, of a kind against which neither wealth nor rank possess a talisman, cast an early shade of gloom over his prospects, and gave to one splendidly endowed with the means of enjoying society that degree of reserved melancholy which prefers retirement to the splendid scenes of gaiety." Dibdin, with more specific precision, after rambling over the house where the great auction sale occurred, as inquisitive people are apt to do, tells us of the solitary room occupied by the Duke, close to his library, in which he slept and died: "all his migrations," says the bibliographer, "were confined to these two rooms. When Mr Nichol showed me the very bed on which this bibliomaniacal Duke had expired, I felt—as I trust I ought to have felt on the occasion." Scott attributed to an incidental occurrence at his father's table the direction given to the great pursuit of his life. "Lord Oxford and Lord Sunderland, both famous collectors of the time, dined one day with the second Duke of Roxburghe, when their conversation happened to turn upon the editio princeps of Boccaccio, printed in Venice in 1474, and so rare that its very existence was doubted of." It so happened that the Duke remembered this volume having been offered to him for £100, and he believed he could still trace and secure it: he did so, and laid it before his admiring friends at a subsequent sitting. "His son, then Marquess of Bowmont, never forgot the little scene upon this occasion, and used to ascribe to it the strong passion which he ever afterwards felt for rare books and editions, and which rendered him one of the most assiduous and judicious collectors that ever formed a sumptuous library."

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